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Su Dongpo
Su Dongpo
The Cleveland Museum of Art
Elephant, Horse, and Hare
Elephant, Horse, and Hare
The Cleveland Museum of Art
Lu Tong and Servant
Lu Tong and Servant
The Cleveland Museum of Art
River Landscape
River Landscape
The Cleveland Museum of Art
Dragon amid Clouds
Dragon amid Clouds
The Cleveland Museum of Art
Clouds Visiting a Mountain Retreat
Clouds Visiting a Mountain Retreat
The Cleveland Museum of Art
The artist’s inscription states that he painted this landscape in the style of Kao Kegong, who in turn followed Mi Fu’s and Mi Youren’s cloudy landsca
Su Wu the Shepherd
Su Wu the Shepherd
The Cleveland Museum of Art
Peaches
Peaches
The Cleveland Museum of Art
Cat and Butterfly
Cat and Butterfly
The Cleveland Museum of Art
Landscape after Mi Fu
Landscape after Mi Fu
The Cleveland Museum of Art
Landscape
Landscape
The Walters Art Museum
Near the middle of this narrow landscape, a man sits on the upper story of a building.
New Year's Day in a Village at Stone Lake
New Year's Day in a Village at Stone Lake
The Cleveland Museum of Art
This rural scene presents typical activities of a New Year’s Day in which relatives and friends approach the house to convey their good wishes to the
Three Horses and Four Grooms
Three Horses and Four Grooms
The Cleveland Museum of Art
Ren Renfa's horse images are elegant in appearance and vigorous in spirit.
Old Pine Tree
Old Pine Tree
The Cleveland Museum of Art
Here the natural appearance of a gnarled and vine-entangled pine has been transformed into a rhythmic abstraction of brushstrokes and ink tonalities,
The Woodcutter of Luofu
The Woodcutter of Luofu
The Cleveland Museum of Art
This landscape illustrates the traditionalism of Chinese painting: while the brush manner is novel, the composition is based on early Song dynasty (96
Portraits of the Qianlong Emperor and His Twelve Consorts
Portraits of the Qianlong Emperor and His Twelve Consorts
The Cleveland Museum of Art
Formal portraiture contributed to the affirmation of status and construction of role and identity.
Playing the Qin in a Secluded Valley
Playing the Qin in a Secluded Valley
The Cleveland Museum of Art
The poem inscribed in this painting reads: "Ten thousand layered lofty mountains are presented to the cultivated eye, A thousand feet of cascadin
Old Trees by a Cool Spring
Old Trees by a Cool Spring
The Cleveland Museum of Art
A Prunus in the Moonlight
A Prunus in the Moonlight
The Cleveland Museum of Art
This magnificent plum tree under the full moon is a masterwork of powerful brushwork and composition.
Barbarian Royalty Worshiping the Buddha
Barbarian Royalty Worshiping the Buddha
The Cleveland Museum of Art
Flowering Crab Apple
Flowering Crab Apple
The Cleveland Museum of Art
As Shen Zhou's poem and inscription suggest, this is an informal and rapidly done presentation picture painted when he was 74 years old.
Water Village
Water Village
The Cleveland Museum of Art
In the autumn of 1570, Wen Boren painted this seemingly unemotional scene of low-lying marshlands with a chain of rounded mountains in the background.
Quails and Sparrows in an Autumn Scene
Quails and Sparrows in an Autumn Scene
The Cleveland Museum of Art
The flower-and-bird subjects here are depicted in a careful and meticulous manner, echoing the academic tradition but translating the customary colore
Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Cursive Script Style (xingshu)
Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Cursive Script Style (xingshu)
The Cleveland Museum of Art
A poem by the influential Wen Zhengming expresses Wen’s gratitude to the Jiajing emperor (reigned 1522–1567) for a gift of embroidered silk bestowed i

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