Clouds Visiting a Mountain Retreat
詳細資料
The artist’s inscription states that he painted this landscape in the style of Kao Kegong, who in turn followed Mi Fu’s and Mi Youren’s cloudy landscapes by applying layers of ink dots and washes to give texturing and shading to mountains. While the earlier Northern Song masters created their brush idioms to capture the impressionistic effects of nature, later followers adopted the ancient methods for creative improvisations.
Andrew R. and Martha Holden Jennings Fund
Tseng Hsien-chi
Tseng Hsien-chi
Painting: 176.4 x 101 公分 (69 7/16 x 39 3/4 英吋)
Overall with knobs: 290 x 121.3 公分 (114 3/16 x 47 3/4 英吋)
絹本
Artist's inscription, signature and two seals: Imitating Kao Fan-shan's [Kao K'o-kung's] brush at Liu-yün-ho [Valley of Lingering Clouds] during a spring day in the kuei-yu year [1633]. Yen-shan, T'ao Hung [seals] T'ao Hung chih-yin; tzu Ch'iu-shui. trans. WKH_x000D_
_x000D_
1 additional seal unidentified.
水墨