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色繪藤棚紋大盤
九州國立博物館
這件大盤描繪的是以雲狀花紋為背景，從竹架上垂下來的白色藤花隨著微風輕輕搖曳的圖案。 描繪雲形時，為了與盤子內側的下部進行區分，採用了染付輪廓線和淡彩描繪手法，而上部的白色底色則照原樣充分地加以運用。
雕刻唐津茶碗 銘 五葉
九州國立博物館
以旋制工藝製成的陶質碗，從底座旁開始水準旋起，腰部呈圓形，但基本上是垂直立起的。碗體上部微微向內收縮，口緣部稍稍打開直到口唇部。從碗體腹部到口緣部，從五個不同方向用力將碗扭彎，但雙手握住碗的側面時，彎曲的部分會很自然地合到手上。底座遒勁削出，作出了剛健的雙重底座。
奈良三彩壺
九州國立博物館
在日本，模仿唐三彩製作而成的首個三彩陶器就是這個奈良三彩陶器。胎土為略帶黃色的灰白色陶胎，燒制得比較堅硬。成體顯示，它是先用粘土條盤築成型，然後再進一步以旋制工藝整形，最後用刮刀將表面刮光製成的。容器的肩部較寬，下擺為縮窄的扁平球形，整體風格顯得落落大方。
綠釉四足壺
九州國立博物館
該壺為猿投窯產的綠釉陶器，在短頸壺上裝有支腳的四足壺。呈現白色軟質陶胎，使用旋製成形工藝薄薄地旋制而成，器形端莊而整潔。壺的口部略微外翻，口沿部分較短。壺體作成球形，但壺體下半部分略有些變寬，為平底。
油滴天目
九州國立博物館
容器形狀為被稱為建盞的獨特的天目形。有一個口緣向內側塌陷的「甲魚口」。碗的腹部略微膨脹，收腰，底座矮而小，底座裡面被削得既淺又平。胎土為鐵分較多、雜質較少的灰黑色，被燒制得十分堅硬。釉子為漆黑色，粘乎乎地掛得很厚，腰身以下為露胎。
文琳茶葉罐 銘 薩摩文琳
九州國立博物館
採用旋制工藝製成，從平底的底部處開始在擴開的同時向上立起，中央處為罐體的最大直徑。罐形近似于寬鬆豐滿的球形。罐體上部慢慢收縮，做成蘋果狀外形。所謂的文琳就是來自於蘋果狀外形的命名。罐頸較細向上直立著，口緣部略微向外敞開，口唇部為圓形。底部留有左線切痕跡，腰部進行了細緻的削刨。
色繪花鳥紋六角壺
九州國立博物館
六角罐的六個面，分別重複畫著相同的鳳凰紅葉樹、梅樹、鳳凰松樹圖案。罐肩與蓋子處畫著一圈花蔓草圖案的花紋。裝飾花紋所用的添繪水彩顏色與乳白色地兒配合得恰到好處，營造出了一種異國情調的幽雅氣氛。 本作品是在肥前有田製作而成的，屬柿右衛門風格的六角罐。使用陶板技法將粘土板貼合到一起製作成形的。
Cylindrical Jar
The Cleveland Museum of Art
Vessels like this often are call "hill jars" since many survive with conical covers shaped in rising peaks.
Meiping Vase with Cloud Collars and Peony Sprays
The Cleveland Museum of Art
This beautiful vase, called a meiping, is a testimony to the extremely high standards demanded for imperial white porcelain of the Yongle period.
Bottle Vase: Guan ware
The Cleveland Museum of Art
An 18th-century Korean collector Yu Man-joo (1755–1788) wrote that “spending money on luxury clothing, dishes, and decorations for the home is a waste
Brush Rest: Guan ware
Cleveland Museum of Art
An 18th-century Korean collector Yu Man-joo (1755–1788) wrote that “spending money on luxury clothing, dishes, and decorations for the home is a waste
Cup and Stand
The Cleveland Museum of Art
The kilns of Jingdezhen in Jiangxi province produced an extremely delicate porcelain made from the local resources of kaolin (white China clay) and pe
Dish
The Cleveland Museum of Art
Former director Sherman Lee stressed the significance of technical innovation in his study of Chinese ceramics.
Pair of Hexagonal Flower Pots
The Cleveland Museum of Art
This deep hexagonal flowerpot, one of a pair in the collection, is numbered "8" and bears additional inscriptions to indicate specifically t
Hexagonal Flower Pot
The Cleveland Museum of Art
This deep hexagonal flowerpot, one of a pair in the collection, is numbered "8" and bears additional inscriptions to indicate specifically t
Basin
The Cleveland Museum of Art
Guan ware was the official ware fired at the Southern Song imperial kilns in Hangzhou. Multiple glazing is characteristic of this ware.
Vase with Floral Scrolls
The Cleveland Museum of Art
Cizhou ware characteristically shows the use of slip coating, bold designs, and color contrasts to achieve stunning visual effects.
Jar (Hu)
The Cleveland Museum of Art
This superb Han dynasty jar has a robust shape imitating that of the bronze (hu) and is covered with a thin brownish-green glaze.
Pair of Bowls with Peony Sprays on Diaper Ground (exterior); Chrysanthemum Sprays (interior)
Cleveland Museum of Art
The production of extraordinarily refined Qing imperial wares such as these could have involved the transportation of undecorated, plain porcelains fr
Chicken-Headed Ewer
Cleveland Museum of Art
The development of high-fired celadon in the south was a significant achievement in Chinese ceramics history.
Bird-Headed Ewer
The Cleveland Museum of Art
With a lobed body, a bird-shaped head, and a birdfeather loop handle, this ewer is derived from West and Central Asian metalwork: Tang potters adopted
Bowl with Peony Sprays on Diaper Ground (exterior); Chrysanthemum Sprays (interior)
The Cleveland Museum of Art
The production of extraordinarily refined Qing imperial wares such as these could have involved the transportation of undecorated, plain porcelains fr
Bowl with Peony Sprays on Diaper Ground (exterior); Chrysanthemum Sprays (interior)
The Cleveland Museum of Art
The production of extraordinarily refined Qing imperial wares such as these could have involved the transportation of undecorated, plain porcelains fr
Candle Stand
The Cleveland Museum of Art
This magnificent candle or lamp stand consists of a shallow dish and a cylindrical holder, below which is a columnar support embellished with palmette