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Mt. Qingbian
Mt. Qingbian
The Cleveland Museum of Art
Dong Qichang radically transforms the landscape composition into a purely abstract design.
Wine Jar with Carp among Water Weeds and Lotuses
Wine Jar with Carp among Water Weeds and Lotuses
The Walters Art Museum
This extraordinary Chinese porcelain wine jar was made at the Jingdezhen [Ching-te Chen] kilns during the reign of the Jiajing [Chia-ching] emperor (1
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 21
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 21
The Cleveland Museum of Art
This leaf is part of an important album of 50 drawings encompassing three subjects: processions of Daoist deities to the celestial spheres, the Ten Ki
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 22
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 22
The Cleveland Museum of Art
This leaf is part of an important album of 50 drawings encompassing three subjects: processions of Daoist deities to the celestial spheres, the Ten Ki
Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 29
Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 29
The Cleveland Museum of Art
This leaf belongs to the album’s second series of narratives, Ten Kings of Hells.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 4
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 4
The Cleveland Museum of Art
Leaf 4 depicts one of the sanguan (Three Officials of Heaven, Earth, and Water) in the Daoist pantheon.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 19
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 19
The Cleveland Museum of Art
This leaf is part of an important album of 50 drawings encompassing three subjects: processions of Daoist deities to the celestial spheres, the Ten Ki
Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 35
Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 35
The Cleveland Museum of Art
This ink line drawing belongs to a set of leafs illustrating the Ten Kings of Hell.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 12
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 12
The Cleveland Museum of Art
This section of the Daoist pantheon depicts six generals, five of whom are identifiable by inscriptions.
Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 27
Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 27
Cleveland Museum of Art
This leaf is part of a set depicting the Ten Kings of Hell.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Bodhisattva with Elephant)
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Bodhisattva with Elephant)
The Cleveland Museum of Art
This triptych is a rare example of Yuan Buddhist painting.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Bodhisattva with Lion)
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Bodhisattva with Lion)
The Cleveland Museum of Art
This triptych is a rare example of Yuan Buddhist painting.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 16
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 16
The Cleveland Museum of Art
The upper most figure in the center of the composition is the Heavenly Lord Liu Hou 劉後.
The Qingming [Ch'ing-ming] Festival
The Qingming [Ch'ing-ming] Festival
The Walters Art Museum
This is a copy of--or a variation upon--one of the most famous of all Chinese handscrolls, a depiction of life along the Yellow River in the Song-dyna
Listening-to-the-Rain Studio
Listening-to-the-Rain Studio
The Walters Art Museum
A descendant of an illustrious family of painters, Wang Chen upheld the literary-man's style of painting in the second half of the 18th century.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Buddha)
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Buddha)
The Cleveland Museum of Art
This triptych is a rare example of Yuan Buddhist painting.
Album of Daoist and Buddhist Themes: Search the Mountain: Leaf 41
Album of Daoist and Buddhist Themes: Search the Mountain: Leaf 41
The Cleveland Museum of Art
The principal—and largest—figure in this leaf portrays Erlang, a celestial commander in a popular myth. Here he wears full armor and holds his sword.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 15
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 15
The Cleveland Museum of Art
Four Field Marshals of the Daoist pantheon dressed in military garb are, from right to left, Tian 田元帥, Peng 彭元帥, Tao Yuanxin 陶元信, and Zhang Xiansheng
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 13
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 13
The Cleveland Museum of Art
These six martial figures are Field Marshals in the Daoist pantheon.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 14
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 14
Cleveland Museum of Art
These six martial figures are Field Marshals in the Daoist pantheon.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra
The Cleveland Museum of Art
This triptych is a rare example of Yuan Buddhist painting.
The Second Coming of the Fifth Patriarch
The Second Coming of the Fifth Patriarch
The Cleveland Museum of Art
Simhavaktra
Simhavaktra
The Walters Art Museum
Simhavaktra, a Buddhist goddess whose name means “lion-faced,” dramatically embodies the ideal of enlightenment.
The Chinese Monk Budai
The Chinese Monk Budai
The Walters Art Museum
This rubbing is of an engraving at Shaolin Temple in the Shantung province.

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