Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 29

Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 29

典藏者
The Cleveland Museum of Art
This leaf belongs to the album’s second series of narratives, Ten Kings of Hells. It demonstrates a Chinese-Buddhist approach in which the netherworld is divided into ten realms, each ruled by one of these kings. This particular version portrays the king in a benevolent guise, though his identity remains unclear. He holds an ivory plaque, is draped in a robe, and wears a hat that sports two slender side arms—similar to the headgear worn by Song dynasty emperors. A vertical scroll hangs to his left, depicting in the lower two-thirds a rectangular architectural plan with buildings aligned in a symmetrical arrangement not unlike a Buddhist temple or a Confucian shrine. Above, the scene also features a building and could show a specific mountain. One of the Ten Kings is known as the King of Taishan (or Mt. Tai). This depiction would represent a unique treatment of the king, not shared with other renditions of the same figure elsewhere.

詳細資料

主要名稱
Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 29
典藏者
The Cleveland Museum of Art
內容描述

This leaf belongs to the album’s second series of narratives, Ten Kings of Hells. It demonstrates a Chinese-Buddhist approach in which the netherworld is divided into ten realms, each ruled by one of these kings. This particular version portrays the king in a benevolent guise, though his identity remains unclear. He holds an ivory plaque, is draped in a robe, and wears a hat that sports two slender side arms—similar to the headgear worn by Song dynasty emperors. A vertical scroll hangs to his left, depicting in the lower two-thirds a rectangular architectural plan with buildings aligned in a symmetrical arrangement not unlike a Buddhist temple or a Confucian shrine. Above, the scene also features a building and could show a specific mountain. One of the Ten Kings is known as the King of Taishan (or Mt. Tai). This depiction would represent a unique treatment of the king, not shared with other renditions of the same figure elsewhere.

物件類別
文物
其他內容描述
取得方式: 

John L. Severance Fund in honor of Dr. Ju-hsi Chou and Gift of various donors to the department of Asian Art (by exchange)

取得方式: 

Wang Hui 王翬 [1632–1717]

取得方式: 

Li Jiale 李嘉樂 [jinshi of 1863]

取得方式: 

Zhu Hang 朱沆 [active 19th century]

取得方式: 

1910-?Dr. F. R. (Fredrik Robert) Martin [1868–1933], Stockholm, Sweden, and Munich, Germany

取得方式: 

?-1947Mrs. L. M. Morris [20th century], England

取得方式: 

1947(Sotheby's, London, sale, 25 March 1947, lot 118, sold to Stephen Junkunc III)

取得方式: 

1947-78István “Stephen" Junkunc III [1904-1978], by descent to his son Stephen Junkunc IV

取得方式: 

1978-2004(Stephen Junkunc IV [b. 1937], Miami, FL, sold to the Cleveland Museum of Art)

取得方式: 

2004-The Cleveland Museum of Art, Cleveland, OH

尺寸: 

Sheet: 34.2 x 38.3 公分 (13 7/16 x 15 1/16 英吋)

材質: 

紙本

類型: 
類型: 
色彩: 

水墨設色

創建時間
創建時間: 
1200s
創建時間: 
南宋
創建地點
創建地點: 
中國
識別碼
2004.1.29
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