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Landscape after Guo Zhongshu
The Cleveland Museum of Art
The practice of imitating the work of the masters was to acquire the brush techniques and methods of the ancient masters as the basis for new creative
White-Robed Guanyin
The Cleveland Museum of Art
Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara, in Sanskrit), reveals himself in many forms.
Shade of Pines in a Cloudy Valley
The Cleveland Museum of Art
Spring Landscape
The Cleveland Museum of Art
One of the acclaimed "Four Monks" (the other three being Zhu Da, Daoji, and Hongren), Kuncan was known for the rough and rustic style of his
Empty Arbor and Rapid Waterfall
The Cleveland Museum of Art
Listening to the Sound of Autumn in a Misty Grove
The Cleveland Museum of Art
Mountain Village Embraced by the Summer
The Cleveland Museum of Art
Lonely Retreat Overlooking a Misty Valley
The Cleveland Museum of Art
Waterfowl and Reeds
The Cleveland Museum of Art
This album leaf now mounted as a hanging scroll is attributed to the 13th-century artist Liang Kai, who served for a time in the Southern Song court a
Looking for a Monastery in the Misty Mountains
The Cleveland Museum of Art
Scholar Watching the Waterfall
The Cleveland Museum of Art
White Clouds and Red Trees
The Cleveland Museum of Art
Mt. Qingbian
The Cleveland Museum of Art
Dong Qichang radically transforms the landscape composition into a purely abstract design.
The Second Coming of the Fifth Patriarch
The Cleveland Museum of Art
Road to Shu
The Cleveland Museum of Art
Mountains with dramatically towering peaks and deep gorges show travelers leading loaded mules over footbridges and mountain paths transporting trade
Birds Gather under the Spring Willow
The Cleveland Museum of Art
A great variety of birds, including the peacock and peahen, are portrayed in a natural setting.
White-Robed Guanyin
The Cleveland Museum of Art
The original model for this ink drawing of Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara in Sanskrit), is accession number 1978.47.
Yellow Chrysanthemums and Red Osmanthus in the Style of Wang Yuan
The Cleveland Museum of Art
![Summer Mountains (after Dong Yuan [active about ad 937-975])](https://openmuseum.tw/files/muse_portal/muse_styles/waterfall_col_3/mcode/9b9aaffc058e59cbd730970fe3c9b8a9.jpg?itok=SczVMiPS "Summer Mountains (after Dong Yuan [active about ad 937-975])")
Summer Mountains (after Dong Yuan [active about ad 937-975])
The Cleveland Museum of Art
This monumental landscape is drawn in softly rounded strokes with darker lines frequently applied on top of lighter ones.
River Village in a Rainstorm
The Cleveland Museum of Art
Over this vista, the diagonal sweeps of the storm—the bands of wind and rain that conceal the land and stir up the river while bending all the vegetat
Layered Peaks and Splashing Waterfall: Portrait of Hua Yan as a Young Man
The Cleveland Museum of Art
This portrait was jointly executed by Wei Shijie and Hua Yan himself who painted the landscape in the background.
Thin Forest and Distant Mountains
The Cleveland Museum of Art
Saying Farewell at Xunyang
The Cleveland Museum of Art
Wen Boren depicted the chilly autumn water with a fishnet pattern.
Palace Ladies
The Cleveland Museum of Art
This handscroll illustrates the pursuits of court ladies in a palace precinct on a spring day.