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Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 18
The Cleveland Museum of Art
This leaf is part of an important album of 50 drawings encompassing three subjects: processions of Daoist deities to the celestial spheres, the Ten Ki
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 21
The Cleveland Museum of Art
This leaf is part of an important album of 50 drawings encompassing three subjects: processions of Daoist deities to the celestial spheres, the Ten Ki
Wine Jar with Carp among Water Weeds and Lotuses
The Walters Art Museum
This extraordinary Chinese porcelain wine jar was made at the Jingdezhen [Ching-te Chen] kilns during the reign of the Jiajing [Chia-ching] emperor (1
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 22
The Cleveland Museum of Art
This leaf is part of an important album of 50 drawings encompassing three subjects: processions of Daoist deities to the celestial spheres, the Ten Ki
Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 29
The Cleveland Museum of Art
This leaf belongs to the album’s second series of narratives, Ten Kings of Hells.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 4
The Cleveland Museum of Art
Leaf 4 depicts one of the sanguan (Three Officials of Heaven, Earth, and Water) in the Daoist pantheon.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 19
The Cleveland Museum of Art
This leaf is part of an important album of 50 drawings encompassing three subjects: processions of Daoist deities to the celestial spheres, the Ten Ki
Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 35
The Cleveland Museum of Art
This ink line drawing belongs to a set of leafs illustrating the Ten Kings of Hell.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 12
The Cleveland Museum of Art
This section of the Daoist pantheon depicts six generals, five of whom are identifiable by inscriptions.
Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 27
Cleveland Museum of Art
This leaf is part of a set depicting the Ten Kings of Hell.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Bodhisattva with Elephant)
The Cleveland Museum of Art
This triptych is a rare example of Yuan Buddhist painting.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Bodhisattva with Lion)
The Cleveland Museum of Art
This triptych is a rare example of Yuan Buddhist painting.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 16
The Cleveland Museum of Art
The upper most figure in the center of the composition is the Heavenly Lord Liu Hou 劉後.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Buddha)
The Cleveland Museum of Art
This triptych is a rare example of Yuan Buddhist painting.
Album of Daoist and Buddhist Themes: Search the Mountain: Leaf 41
The Cleveland Museum of Art
The principal—and largest—figure in this leaf portrays Erlang, a celestial commander in a popular myth. Here he wears full armor and holds his sword.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 15
The Cleveland Museum of Art
Four Field Marshals of the Daoist pantheon dressed in military garb are, from right to left, Tian 田元帥, Peng 彭元帥, Tao Yuanxin 陶元信, and Zhang Xiansheng
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 13
The Cleveland Museum of Art
These six martial figures are Field Marshals in the Daoist pantheon.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 14
Cleveland Museum of Art
These six martial figures are Field Marshals in the Daoist pantheon.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra
The Cleveland Museum of Art
This triptych is a rare example of Yuan Buddhist painting.
Simhavaktra
The Walters Art Museum
Simhavaktra, a Buddhist goddess whose name means “lion-faced,” dramatically embodies the ideal of enlightenment.
Kalachakra and Vishvamata
The Walters Art Museum
Locked in a passionate embrace, the male Buddha Kalachakra and his female partner, Vishvamata, manifest the ideal of complete enlightenment, the supre
Bowl with Lotus Decoration
The Walters Art Museum
Chinese blue and white porcelains were some of the most commonly exported pieces to Europe, the Near East, and Southeast Asia.
Plate with Dutch Couple
The Walters Art Museum
Chinese export porcelain appeared in European markets as early as 1517, the year king of Portugal Manuel I established an embassy at Beijing.
Snuff Bottle with Pair of Dragons
The Walters Art Museum
This bottle has been adapted for snuff with a very wide neck plus a matching stopper with a large cork and shovel-shaped ivory spoon.