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Streams and Mountains without End
The Cleveland Museum of Art
Streams and Mountains without End was a landmark acquisition of 1953, made just a year after Sherman Lee had returned to Cleveland as curator of Orien
Kneeling Winged Monster
The Cleveland Museum of Art
This kneeling monster from the cave-temple complex at Xiangtangshan was originally placed below some wall niches on the perimeter.
Scepter (Gui) with Miscellaneous Poems by Tao Qian (AD 365-427)
The Cleveland Museum of Art
This piece derives its shape from the ancient jade scepter known as gui.
Text of the Perfection of Wisdom (Mahāprajñāpāramitā) Sūtra
The Cleveland Museum of Art
This precious text fragment is one of the earliest calligraphies in the collection.
Round Box with Decoration of Two Pheasants and Peonies
The Cleveland Museum of Art
This box is among the extremely rare and precious carved lacquer ware from the Song and early Yuan period and is arguably one of the most monumental a
Shakyamuni as an Ascetic
The Cleveland Museum of Art
This statue is of monumental scale and exceptionally fine workmanship.
Mirror with Four Nipples and Eight Animals
The Cleveland Museum of Art
Inscription: On the day of wu, the first month, the first year of Yongkang, I made the bright mirror at the first of dawn by refining the yellow and t
Mirror with Deities, Chariot, and the White Tiger
The Cleveland Museum of Art
Depicted on the mirror back are two Daoist deities: the King Father of the East (Dongwanggong) and the Queen Mother of the West (Xiwangmu).
Manjushri
The Cleveland Museum of Art
A Chinese artist's interpretation of an Indo- Nepalese throne surrounds the white figure of Manjushri, the bodhisattva of wisdom, who is identifi
Mirror with Deities and Animals Surrounded by Rings of Squares and Semicircles
The Cleveland Museum of Art
Inscription: I made this bright mirror, By refining three metals.
Inlays for a Mirror or Box
The Cleveland Museum of Art
The p'ing-t'o technique of inlaying gold and silver foil on lacquer produced luxurious articles of elegance and fragility.
Cylindrical Jar
The Cleveland Museum of Art
Vessels like this often are call "hill jars" since many survive with conical covers shaped in rising peaks.
Mirror with Auspicious Animals Surrounded by Rings of Squares and Semicircles
The Cleveland Museum of Art
Inscription: I made this bright mirror By refining the three metals. BoYa is making music; The multitude of gods display their forms.
Mirror with Paired Felines
The Cleveland Museum of Art
The two leopard-like creatures stalking each other around the knob of this mirror display a naturalistic animal style that emerged with the Sui and Ta
Mirror with Four Spirits
The Cleveland Museum of Art
Inscription: The immortal peaks rise as twins. The wise river now has a rival. Morning flowers are made bright and charming.
Set of Bells with Diamond-Shaped Insignia
The Cleveland Museum of Art
These rare, elegant bronze bells were made in a tribal village along the southern borders of China.
Mirror Featuring Deities and Kings in Three Sections Surrounded by Rings of Squares and Semicircles
The Cleveland Museum of Art
Inscription: I made this bright mirror By refining the three metals. With my fine skill, I engraved [the design].
Bell with Diamond-Shaped Insignia
The Cleveland Museum of Art
These rare, elegant bronze bells were made in a tribal village along the southern borders of China.
Bell with Diamond-Shaped Insignia
The Cleveland Museum of Art
These rare, elegant bronze bells were made in a tribal village along the southern borders of China.
Bell with Diamond-Shaped Insignia
The Cleveland Museum of Art
These rare, elegant bronze bells were made in a tribal village along the southern borders of China.
Bell with Diamond-Shaped Insignia
The Cleveland Museum of Art
These rare, elegant bronze bells were made in a tribal village along the southern borders of China.
Meiping Vase with Cloud Collars and Peony Sprays
The Cleveland Museum of Art
This beautiful vase, called a meiping, is a testimony to the extremely high standards demanded for imperial white porcelain of the Yongle period.
Faceted Bottle
The Cleveland Museum of Art
An 18th-century Korean collector Yu Man-joo (1755–1788) wrote that “spending money on luxury clothing, dishes, and decorations for the home is a waste
Tripod with Cover (lid)
The Cleveland Museum of Art
An 18th-century Korean collector Yu Man-joo (1755–1788) wrote that “spending money on luxury clothing, dishes, and decorations for the home is a waste