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Calligraphy in Semi-Cursive Style (xing-caoshu)
The Cleveland Museum of Art
This bold calligraphy written by Yueshan, an Obaku sect monk, consists of five characters tentatively translated as “Pine trees singing in the wind.”
Herdboys and Buffalo in Landscapes
The Cleveland Museum of Art
Herdboys tend their buffalo in a bucolic landscape by a winding stream.
Buddha Amitābha with Two Attending Bodhisattvas
The Cleveland Museum of Art
The supreme deities that rule over the Western Paradise—Amitābha (阿彌陀 in Chinese), Avalokiteśvara (Guanyin 觀音), and Mahāsthāmaprāpta (Dashizhi 大勢至)—ar
Heavenly King Virudhaka
The Cleveland Museum of Art
Heavenly Kings are guardians who watch over the cardinal directions: north, south, west, and east.
Greeting the Spring
The Cleveland Museum of Art
This masterfully composed landscape in light colors and delicate brushwork is an image of the water-rich Jiangnan region in southeast China, where Wu
Frontispiece for the Lotus Sutra
The Cleveland Museum of Art
The frontispiece of this sutra, a sacred Buddhist scripture, illustrates episodes mentioned in the Buddha’s teaching.
White-Robed Guanyin
The Cleveland Museum of Art
As an artist, Zhang Yuehu was better known in Japan than in his own country.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
The Hermit Xu You Resting by a Stream
The Cleveland Museum of Art
The subject of this painting, Xu You, is an ancient worthy and reclusive figure who, when offered the throne by the legendary emperor Yao, refused it
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
A Pair of Peafowl
The Cleveland Museum of Art
A peacock and a peahen provide the focal point for this work that not only serves a decorative function but may also be a symbolic language to suggest
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
Clearing Autumn Mists in the Chu Mountains
The Cleveland Museum of Art
In his inscription Lan Yin states that he uses Mi Fu’s methods to depict this landscape.
Pine Wind from Myriad Villages
The Cleveland Museum of Art
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
Tiger
The Cleveland Museum of Art
Dragon; Tiger
The Cleveland Museum of Art
Dragon
Cleveland Museum of Art
Squirrel on a Pine Branch
The Cleveland Museum of Art
The squirrel on this pine tree branch glances toward a flying insect, the animal’s curiosity giving the scene an almost humorous note.
Mountain Landscape in Moonlight
Cleveland Museum of Art
Bodhidharma Meditating Facing a Cliff
Cleveland Museum of Art
Bodhidharma is the legendary founder of Chan (Zen) Buddhism in China. Here he is seen meditating in front of a cliff, atop Mount Song.
Lily and Butterflies
The Cleveland Museum of Art