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The Five Hundred Arhats
The Five Hundred Arhats
The Cleveland Museum of Art
Disciples of the Buddha with supernatural powers, arhats (also called lohans) populate this scroll.
Cloudy Mountains
Cloudy Mountains
The Cleveland Museum of Art
Artist's inscription: Innumerable are the wonderful mountain peaks which join the end of the sky, Clear or cloudy, day or night, the misty atmosp
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
Bamboo, Rock, and Tall Tree
Bamboo, Rock, and Tall Tree
The Cleveland Museum of Art
Hall of Lofty Pines
Hall of Lofty Pines
The Cleveland Museum of Art
Wang Hui 王翬, a leading painter in the orthodox school of the early Qing dynasty (1644–1911), was commissioned to paint this landscape with a country e
Old Trees by a Wintry Brook
Old Trees by a Wintry Brook
The Cleveland Museum of Art
Wen Zhengming was one of the most celebrated calligraphers and painters during the Ming dynasty (1368–1644).
Buddha's Conversion of Five Bhiksu
Buddha's Conversion of Five Bhiksu
The Cleveland Museum of Art
This episode stems from the life of the historical Buddha, who, after his enlightenment, was initially hesitant about preaching his own doctrine.
The Lantern Night Excursion of Zhong Kui
The Lantern Night Excursion of Zhong Kui
The Cleveland Museum of Art
Zhong Kui was an ancient ghostbuster.
Morning Sun over the Heavenly Citadel Peak
Morning Sun over the Heavenly Citadel Peak
The Cleveland Museum of Art
Clouds rise from Mt. Xuanhu, where the waters flow into the Luo River; the morning sun is over the Heavenly Citadel Peak of Mt. Huang.
Landscape after Guo Zhongshu
Landscape after Guo Zhongshu
The Cleveland Museum of Art
The practice of imitating the work of the masters was to acquire the brush techniques and methods of the ancient masters as the basis for new creative
Bodhidharma Crossing the Yangzi on a Reed
Bodhidharma Crossing the Yangzi on a Reed
The Cleveland Museum of Art
Bodhidharma was a legendary Indian monk who is said to have transmitted the Chan (or Zen) doctrine from India to China in the 6th century.
Portrait of Priest Dazhi (1048-1116), the Master of Law
Portrait of Priest Dazhi (1048-1116), the Master of Law
The Cleveland Museum of Art
A native of Hangzhou, the priest Dazhi was known for his eloquent exposition of Buddhist doctrines and for his success in winning many converts.
White-Robed Guanyin
White-Robed Guanyin
The Cleveland Museum of Art
Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara, in Sanskrit), reveals himself in many forms.
Waterfall
Waterfall
Cleveland Museum of Art
Shade of Pines in a Cloudy Valley
Shade of Pines in a Cloudy Valley
The Cleveland Museum of Art
Spring Landscape
Spring Landscape
The Cleveland Museum of Art
One of the acclaimed "Four Monks" (the other three being Zhu Da, Daoji, and Hongren), Kuncan was known for the rough and rustic style of his
Empty Arbor and Rapid Waterfall
Empty Arbor and Rapid Waterfall
The Cleveland Museum of Art
Mountain Village Embraced by the Summer
Mountain Village Embraced by the Summer
The Cleveland Museum of Art
Peonies
Peonies
The Cleveland Museum of Art
In China, the peony is considered the Queen of Flowers, representing the late spring season.
Lonely Retreat Overlooking a Misty Valley
Lonely Retreat Overlooking a Misty Valley
The Cleveland Museum of Art
Conversation in Autumn
Conversation in Autumn
Cleveland Museum of Art
Two figures sit conversing in a thatched cottage.
Waterfowl and Reeds
Waterfowl and Reeds
The Cleveland Museum of Art
This album leaf now mounted as a hanging scroll is attributed to the 13th-century artist Liang Kai, who served for a time in the Southern Song court a
Bamboo in Four Seasons: Summer
Bamboo in Four Seasons: Summer
The Cleveland Museum of Art
The painting depicts high bamboo stems in a breeze with leaves all torn in one direction. The rock on the right suggests a garden setting.

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