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Saying Farewell at Xunyang
The Cleveland Museum of Art
Wen Boren depicted the chilly autumn water with a fishnet pattern.
Palace Ladies
The Cleveland Museum of Art
This handscroll illustrates the pursuits of court ladies in a palace precinct on a spring day.
Spring Rain Thatched Hut
The Cleveland Museum of Art
With its striking simplicity, this painting captures the pure serenity of a private garden in the moist atmosphere of a spring morning on a small rive
Transitional Blue-and-White Square Bottle
The Cleveland Museum of Art
The shape of this flask derives from European gin bottles.
Headrest with Three Lions
The Cleveland Museum of Art
Three lions—two ferocious adults and one playful cub—form the base of this Chinese headrest.
Bowl with Poppies, Tree Peony, and Flowering Mimosa
The Cleveland Museum of Art
Developments in enamel technology led to new possibilities in polychrome decoration.
Birds in a Grove in a Mountainous Winter Landscape
The Cleveland Museum of Art
Calligraphy in Semi-Cursive Style (xing-caoshu)
The Cleveland Museum of Art
This bold calligraphy written by Yueshan, an Obaku sect monk, consists of five characters tentatively translated as “Pine trees singing in the wind.”
Drinking in the Moonlight
The Cleveland Museum of Art
In the lower left corner, a figure leans back to gaze at the moon appearing between mountain peaks in the upper right.
Herdboys and Buffalo in Landscapes
The Cleveland Museum of Art
Herdboys tend their buffalo in a bucolic landscape by a winding stream.
Buddha Amitābha with Two Attending Bodhisattvas
The Cleveland Museum of Art
The supreme deities that rule over the Western Paradise—Amitābha (阿彌陀 in Chinese), Avalokiteśvara (Guanyin 觀音), and Mahāsthāmaprāpta (Dashizhi 大勢至)—ar
Heavenly King Virudhaka
The Cleveland Museum of Art
Heavenly Kings are guardians who watch over the cardinal directions: north, south, west, and east.
Greeting the Spring
The Cleveland Museum of Art
This masterfully composed landscape in light colors and delicate brushwork is an image of the water-rich Jiangnan region in southeast China, where Wu
Jar with Dragon and Phoenix Design
The Cleveland Museum of Art
A phoenix and dragon alternating with two auspicious ornate characters—“fortune” 福（fu) and “longevity” 壽 (shou)—adorn this exquisitely carved lacquer
Frontispiece for the Lotus Sutra
The Cleveland Museum of Art
The frontispiece of this sutra, a sacred Buddhist scripture, illustrates episodes mentioned in the Buddha’s teaching.
Vase (Meiping) with Waves
The Cleveland Museum of Art
Jizhou ware characteristically shows the use of slip coating, bold designs, and color contrasts to achieve stunning visual effects.
White-Robed Guanyin
The Cleveland Museum of Art
As an artist, Zhang Yuehu was better known in Japan than in his own country.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
The Knickknack Peddler
The Cleveland Museum of Art
There is a skull, upside down, near the top of the right basket.
Ink Cake
The Cleveland Museum of Art
The design is Jingci Temple, a Buddhist temple beside West Lake in Hangzhou, China.
Ewer with a Lion-shaped Spout
The Cleveland Museum of Art
This remarkable ewer is most likely a very early and rare type of Yaozhou ware, with the shape and decoration recalling Tang metal ware.
The Hermit Xu You Resting by a Stream
The Cleveland Museum of Art
The subject of this painting, Xu You, is an ancient worthy and reclusive figure who, when offered the throne by the legendary emperor Yao, refused it
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
Mirror with Three Pairs of Pixie around a Loti-form Knob
The Cleveland Museum of Art