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Cloudy Mountains

The Cleveland Museum of Art

Artist's inscription: Innumerable are the wonderful mountain peaks which join the end of the sky, Clear or cloudy, day or night, the misty atmosp

Scholar Reclining and Watching Rising Clouds, Poem by Wang Wei

The Cleveland Museum of Art

Artists at the Southern Song Painting Academy were often trained in illustrating poetry.

Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 1

The Cleveland Museum of Art

Leaf 1 portrays one of the three supreme deities in the Daoist religion.

Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 11

The Cleveland Museum of Art

This album leaf depicts the Four Daoist Saints in martial garb from right to left: Field Marshal Tianpeng 天蓬大元帥, Vice Marshal Tianyou 天猷副元帥, True Lord

Dream Journey among Rivers and Mountains, no. 90

The Cleveland Museum of Art

Cheng Zhengkui depicted a series of "dream journeys" that were visionary landscapes that went beyond renderings of specific topographical si

Eighteen Views of Huzhou

The Cleveland Museum of Art

This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China.

On Happiness, Calligraphy in Seal Script Style (zhuanshu)

The Cleveland Museum of Art

Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.

"Seventh Month" from the "Odes of Bin" (Binfeng)

The Cleveland Museum of Art

"Seventh Month" is an ancient poem, one of the Odes of Bin, which appears in the classic Shijing (Book of Poetry), an anthology of more than

Bamboo, Rock, and Tall Tree

The Cleveland Museum of Art

Hall of Lofty Pines

The Cleveland Museum of Art

Wang Hui 王翬, a leading painter in the orthodox school of the early Qing dynasty (1644–1911), was commissioned to paint this landscape with a country e

Old Trees by a Wintry Brook

The Cleveland Museum of Art

Wen Zhengming was one of the most celebrated calligraphers and painters during the Ming dynasty (1368–1644).

Buddha's Conversion of Five Bhiksu

The Cleveland Museum of Art

This episode stems from the life of the historical Buddha, who, after his enlightenment, was initially hesitant about preaching his own doctrine.

The Lantern Night Excursion of Zhong Kui

The Cleveland Museum of Art

Zhong Kui was an ancient ghostbuster.

Morning Sun over the Heavenly Citadel Peak

The Cleveland Museum of Art

Clouds rise from Mt. Xuanhu, where the waters flow into the Luo River; the morning sun is over the Heavenly Citadel Peak of Mt. Huang.

Clouds and Waves at the Wu Gorge

The Cleveland Museum of Art

The underlying notion of human existence in harmony with nature can be found in many traditional Chinese paintings.

Landscape after Guo Zhongshu

The Cleveland Museum of Art

The practice of imitating the work of the masters was to acquire the brush techniques and methods of the ancient masters as the basis for new creative

Bodhidharma Crossing the Yangzi on a Reed

The Cleveland Museum of Art

Bodhidharma was a legendary Indian monk who is said to have transmitted the Chan (or Zen) doctrine from India to China in the 6th century.

Writing Books under the Pine Trees

The Cleveland Museum of Art

Wang Meng is traditionally considered on of the four masters of the Yuan dynasty.

Portrait of Priest Dazhi (1048-1116), the Master of Law

The Cleveland Museum of Art

A native of Hangzhou, the priest Dazhi was known for his eloquent exposition of Buddhist doctrines and for his success in winning many converts.

White-Robed Guanyin

The Cleveland Museum of Art

Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara, in Sanskrit), reveals himself in many forms.

Fishermen-Hermits in Stream and Mountain

The Cleveland Museum of Art

Aspiring to free and harmonious living in the natural world was a recurring theme in traditional Chinese landscapes, especially paintings by gentleman