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On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
Mirror with Three Pairs of Pixie around a Loti-form Knob
The Cleveland Museum of Art
Wine Vessel (Hu)
The Cleveland Museum of Art
By the time this wine vessel was cast, bronzes were increasingly losing their ritual significance and becoming symbols of prestige and conspicuous con
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
Set of Headdress Ornaments
The Cleveland Museum of Art
Hair ornaments depicting flowers, butterflies, or birds were worn by ladies of the Manchu elite class.
A Pair of Peafowl
The Cleveland Museum of Art
A peacock and a peahen provide the focal point for this work that not only serves a decorative function but may also be a symbolic language to suggest
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
Leather Bag-Shaped Flask with Cover
The Cleveland Museum of Art
Flasks like these derive their shapes from leather bags; even the edges are finely rouletted to resemble the seams of sewn leather.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
Meiping Vase with Carved Floral Sprays
The Cleveland Museum of Art
This magnificent plum vase (meiping) derives its name from being used to hold a branch from a flowering plum tree.
Clearing Autumn Mists in the Chu Mountains
The Cleveland Museum of Art
In his inscription Lan Yin states that he uses Mi Fu’s methods to depict this landscape.
Pine Wind from Myriad Villages
The Cleveland Museum of Art
Marbled Bowl
The Cleveland Museum of Art
This bowl was potted using the marbling technique called jiaotai (mixed clay), whereby light- and dark-colored clays are combined to create natural pa
Leather Bag-Shaped Flask with Cover
Cleveland Museum of Art
Flasks like these derive their shapes from leather bags; even the edges are finely rouletted to resemble the seams of sewn leather.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
Tiger
The Cleveland Museum of Art
Covered Jar with Carved Lotus Petals
The Cleveland Museum of Art
This jar still has its original cover, which is rare among surviving examples. Its missing knob most likely had the shape of a lotus bud.
Vase with Golden Pheasants
The Cleveland Museum of Art
The flower-and-bird painting in this vase was intricately executed in colored enamels (falangcai), with careful modeling, shading, and blending of col
Fragrance Box
The Cleveland Museum of Art
An 18th-century Korean collector Yu Man-joo (1755–1788) wrote that “spending money on luxury clothing, dishes, and decorations for the home is a waste
Dragon; Tiger
The Cleveland Museum of Art
Fragrance Box (lid)
The Cleveland Museum of Art
An 18th-century Korean collector Yu Man-joo (1755–1788) wrote that “spending money on luxury clothing, dishes, and decorations for the home is a waste
Dragon
Cleveland Museum of Art
Full Sail on the Misty River
The Cleveland Museum of Art
Ten Bamboo Studio Painting and Calligraphy Handbook (Shizhuzhai shuhua pu): Miscellaneous
The Cleveland Museum of Art
An 18th-century Korean collector Yu Man-joo (1755–1788) wrote that “spending money on luxury clothing, dishes, and decorations for the home is a waste