Go! Figures

展覽頁面呈現形式

橫式

策展者

Teri Silvio 司黛蕊

中研院民族所博物館

展覽封面

78bc1811613c341cb9975210b32b069f

展覽資料

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"相片攝於1891年。圖中共有六尊神像，由左至右分别為觀世音菩薩、玄天上帝、天上聖母媽祖、土地公、三太子哪吒、神農大帝。\n臺灣在明鄭時代，鄭成功退守臺灣之際，便曾有兵工攜帶神像渡台的記載。清朝中葉以後，中國沿海各省來台的民眾逐年增多，為保佑渡海安全抵達，將自身的宗教信仰與崇奉神像一起帶來，拜神像保平安。馬偕四處傳教時，當民眾改信主後，就常將他們拜多年的神像送給馬偕博士（George Leslie Mackay），他就放置於淡水住所的博物館，供學生研究。", "primaryObj": { "oid": "1916c5a4dd9bdba19a59c31a1fc984d1", "title": "馬偕收集的民間宗教偶像", "desc": "相片攝於1891年。圖中共有六尊神像，由左至右分别為觀世音菩薩、玄天上帝、天上聖母媽祖、土地公、三太子哪吒、神農大帝。\n臺灣在明鄭時代，鄭成功退守臺灣之際，便曾有兵工攜帶神像渡台的記載。清朝中葉以後，中國沿海各省來台的民眾逐年增多，為保佑渡海安全抵達，將自身的宗教信仰與崇奉神像一起帶來，拜神像保平安。馬偕四處傳教時，當民眾改信主後，就常將他們拜多年的神像送給馬偕博士（George Leslie Mackay），他就放置於淡水住所的博物館，供學生研究。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/fa31a508a02a7708d665adc8431a0bc3.jpg?itok=JzBPVqHY", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/fa31a508a02a7708d665adc8431a0bc3.jpg?itok=Fn4jH4sI", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/fa31a508a02a7708d665adc8431a0bc3.jpg?itok=GD6vU8T9", 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They are worshiped in Chenghuang Temple 城隍庙. Both geenrals are responsible for grabbing evil spirits of dead people to the judge. They always walk in the front of the parade whenever there is one starting from Chenghuang Temple (NCL).", "primaryObj": { "oid": "5bd98cbb3e396ba18ff56aefb35bea7d", "title": "（臺灣風俗）臺灣祭祀典禮的大人偶/（臺灣風俗）臺灣祭祀典禮的大人偶", "desc": "[英文]The cancellation stamp on the back indicates the year Taisho 14, or 1925 七爺八爺因其外型又稱作長爺短爺（高爺矮爺），又叫黑白無常鬼，習慣上又稱為謝、范二將軍，從祀在城隍廟，專押解人犯去神祗前審判，凡是城隍出巡賽會，必為行列的最前端。 Englisha Translation:The masked generals xie 谢将军 and Fan 范将军 on this postcard are known as Long 长爷 and Short 短爷, also named as White Grim Reaper 黑无常 and Black Grim Reaper 白无常. They are worshiped in Chenghuang Temple 城隍庙. Both geenrals are responsible for grabbing evil spirits of dead people to the judge. 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"imgs-ngefarlrm2-h3y6m6b45x": { "id": "imgs-ngefarlrm2-h3y6m6b45x", "title": "鹿港天后宮媽祖公仔", "desc": "", "primaryObj": { "oid": "9eb2cf3c2ac9a6ed7c6790c7c24db875", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/a1aacfdc44f21bdc6326727cfae40bcc.jpg?itok=iTjiptXR", "level": "primary", "title": "鹿港天后宮媽祖公仔", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/a1aacfdc44f21bdc6326727cfae40bcc.jpg?itok=nHsKSCjS", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/a1aacfdc44f21bdc6326727cfae40bcc.jpg?itok=SvTtgJI1", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/a1aacfdc44f21bdc6326727cfae40bcc.jpg?itok=41OavHtq", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/a1aacfdc44f21bdc6326727cfae40bcc.jpg?itok=lFIU7YAF", "mfid": "a1aacfdc44f21bdc6326727cfae40bcc", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "鹿港天后宮", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "sortable": true, "type": "imgs-child", "weight": 7 }, "imgs-ngefarlrm2-4so5mum3w2": { "id": "imgs-ngefarlrm2-4so5mum3w2", "title": "M&Ms神明公仔", "desc": "Mars公司的M&Ms糖果logo角色與中國神明的crossover，2011年購於萊爾富便利超商。\nCrossover of the Mars M&Ms logo characters and Daoist gods, purchased at Hi-Life convenience store, Taipei, 2011.", "primaryObj": { "oid": "1ecb7373e431a3fdcdeb539841dd48f8", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=F7sLMgVF", "level": "primary", "title": "M&Ms神明公仔", "desc": "Mars公司的M&Ms糖果logo角色與中國神明的crossover，2011年購於萊爾富便利超商。\nCrossover of the Mars M&Ms logo characters and Daoist gods, purchased at Hi-Life convenience store, Taipei, 2011.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=6EUY2VRN", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=kzjuJZ3_", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=3ftp-XCA", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=q2Y4EZTI", "mfid": "ae4cab11f19af51a4a31e3ab3818ed2f", "musicURL": "", "musicName": "", "fileCreator": "HOT DOG TOYZ", "rights": "HOT DOG TOYZ", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "sortable": true, "type": "imgs-child", "weight": 8 }, "imgs-ngefarlrm2-atz4u7587b": { "id": "imgs-ngefarlrm2-atz4u7587b", "title": "好耶公仔", "desc": "這套「好耶公仔」是財團法人卓越藝術傳播基金會為了淡江教會的復活節活動而設計製造的。This set of cute plaster figurines show Jesus as he appears in different Bible parables – as a healer, providing loaves and fish, as the “good shepherd,” and as a “fisher of men.” The figurines were given away during the Easter season by a Protestant church in Danshui, in exchange for proof of purchase at participating shops in the community.", "primaryObj": { "oid": "421224e8003d98a4202089997b16cdb9", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=2bmraxjM", "level": "primary", "title": "好耶公仔", "desc": "這套「好耶公仔」是財團法人卓越藝術傳播基金會為了淡江教會的復活節活動而設計製造的。This set of cute plaster figurines show Jesus as he appears in different Bible parables – as a healer, providing loaves and fish, as the “good shepherd,” and as a “fisher of men.” The figurines were given away during the Easter season by a Protestant church in Danshui, in exchange for proof of purchase at participating shops in the community.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=36EDJsgY", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=8Nzz2bnR", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=-HZb60Vi", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=sJ3vS5iU", "mfid": "05e9ed631d4987582bfb795f571a02d2", "musicURL": "", "musicName": "", "fileCreator": "財團法人卓越藝術傳播基金會", "rights": "財團法人卓越藝術傳播基金會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "sortable": true, "type": "imgs-child", "weight": 9 } }, "musicName": "無", "weight": 1, "primaryObj": { "oid": "3eb5d44fb2cb24cda8c66f166b9855a2", "title": "岩偶", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/5e7af93e4664d37bc63ea323a53da504.jpg?itok=vl_O_9ec", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/5e7af93e4664d37bc63ea323a53da504.jpg?itok=4klA2rkQ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/5e7af93e4664d37bc63ea323a53da504.jpg?itok=4F6yauqm", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/5e7af93e4664d37bc63ea323a53da504.jpg?itok=8Q_Ow6RQ", "mfid": "5e7af93e4664d37bc63ea323a53da504", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/5e7af93e4664d37bc63ea323a53da504.jpg?itok=cPXs2wNM", "fileType": "image", "fileCreator": "", "rights": "東京國立博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, "desc": "<div><div>In some cultures, human beings are rarely represented in art.  Some sects of Judaism, Christianity, and Islam ban all representations of persons.  In other cultures, only certain human representations are forbidden.   For instance, some cultures forbid making or seeing images of the dead, or of rulers, or images of human beings are only made in certain styles or using certain materials.  </div><div><br></div><div>But in Chinese culture, from the ancient past up to the present, artistic representations of people -- living, dead, or imaginary -- are both common and extremely diverse in their forms and functions.  This exhibit aims to explore the cultural significance of one kind of human representation, the <i>ou</i>, or figure.  </div></div><div><br></div>", "title": "Representation in different cultures", "musicText": "", "musicURL": "" }, "text-9pop0kqwjv": { "id": "text-9pop0kqwjv", "type": "text", "sortable": true, "musicName": "無", "weight": 2, "title": " What is ou?", "desc": "<span><div><div>In classical Chinese, the character <i>ou</i> (偶) originally meant a copy or double. The character contains the radical for “person,” and in modern Mandarin refers to a three-dimensional image of the human form. It is often modified to specify a specific type of figure, such as <i>mu ou</i> (木偶), or “wooden <i>ou</i>,” to mean a puppet.  The Minnan (Hokkien) term <i>ang-a</i> (尪仔) has a very similar meaning to <i>ou</i>, and there are similar terms in other Chinese languages.  </div><div><br></div><div>This exhibit takes a new look at figures in the Chinese –speaking world, exploring their diverse forms, functions and meanings.  We look at different types of <i>ou</i>, including statues made for religious worship, puppets, and toys.  These <i>ou</i> represent characters which people think of as having different ontologies, that is, levels and kinds of existence, including historical persons, gods and goddesses, and fictional characters. </div></div><br></span><br>", "musicText": "", "musicURL": "" }, "text-tc9wyr8d8u": { "id": "text-tc9wyr8d8u", "type": "text", "sortable": true, "musicName": "無", "weight": 3, "title": "Thinking about ou", "desc": "<div>Anthropomorphic figures combine elements of both the human and the non-human, of the material and the immaterial.  </div><div><br></div><div>By looking at the specific forms these figures take, and at how people make and interact with figures, we can learn a lot about how people think about what makes people human, and what makes the non-human non-human.  </div><div><br></div><div>Looking at figures from an anthropological point of view, we can gain insights into many aspects of Chinese cultures, past and present.  We can ask such questions as:</div>", "musicText": "", "musicURL": "" }, "text-h8ohgelviw": { "id": "text-h8ohgelviw", "type": "text", "sortable": true, "musicName": "無", "weight": 4, "desc": "<ul>\n <li>How have the forms, functions, and meanings of figures changed\n over time? </li>\n</ul>\n\n \n\n<ul>\n <li>Figures are a medium for representing human beings, so by\n looking at figures, we can ask, how do Chinese people (in different\n historical periods and regional contexts) think about what it means to be\n human?  For instance, what aspect of humanity is represented in\n different kinds of figures –Life force? Personality? Social position or\n role? Moods and emotions? </li>\n</ul>\n\n \n\n<ul>\n <li>Likewise, since figures are objects as well as representations,\n we can look at figurines to ask, how do Chinese people think about\n “objects”? For instance, what kinds of materials are used to make what\n kinds of figures, and why?  What kinds of forms and styles are used\n for figures with different social functions?</li>\n</ul>\n\n \n\n<ul>\n <li>What makes some kinds of figures seem to have a life of their\n own?  What can this tell us about what it means to have “life” or\n “agency”?  </li>\n</ul>\n\n \n\n<ul>\n <li>How do people interact with figures, and how is this different\n or the same with how they interact with real people?</li>\n</ul><br>", "musicText": "", "musicURL": "" }, "theme-ma744ph0s7": { "id": "theme-ma744ph0s7", "type": "theme", "sortable": true, "primaryObj": { "oid": "e3576a382d18edad446e0251807228a7", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/cc8147ebed127af8b503804086d43083.jpg?itok=i94z6_Hd", "level": "primary", "title": "關公的多元形象", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/cc8147ebed127af8b503804086d43083.jpg?itok=jbZ30UH7", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/cc8147ebed127af8b503804086d43083.jpg?itok=YTxgR71b", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/cc8147ebed127af8b503804086d43083.jpg?itok=n6OZ5oSh", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/cc8147ebed127af8b503804086d43083.jpg?itok=N0-w0Tee", "mfid": "cc8147ebed127af8b503804086d43083", "musicURL": "", "musicName": "", "fileCreator": "Bali Nangavulan", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "Context of the Figure: Guan Gong", "desc": "Chinese folk religion (<i>minjian zongjiao</i> 民間宗教) is practiced by the majority of Han people in Taiwan today, and was practiced by the majority of Han people within China from the second century BC to the 1950s. <br><br>In Taiwan, as throughout much of imperial Chinese history, folk religion combines Daoism and Buddhism, although less mixed forms of those teachings are also practiced. Beliefs and practices vary widely across times and regions.<br>", "musicName": "無", "weight": 5, "musicText": "", "musicURL": "" }, "imgs-8oizoba79v": { "id": "imgs-8oizoba79v", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "6d85ed7cfc920b0519c6e26526bec1b8", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ec1375b84e0ef1b830edb44dd899f3b2.jpg?itok=ko61FCBK", "level": "primary", "title": "神像雕刻圖稿：關聖帝君", "desc": "即關公。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ec1375b84e0ef1b830edb44dd899f3b2.jpg?itok=1wnLIA32", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ec1375b84e0ef1b830edb44dd899f3b2.jpg?itok=WuD1jDRW", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ec1375b84e0ef1b830edb44dd899f3b2.jpg?itok=gvnXRZTw", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ec1375b84e0ef1b830edb44dd899f3b2.jpg?itok=rtpHC_Sv", "mfid": "ec1375b84e0ef1b830edb44dd899f3b2", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, { "oid": "7c5e1e4eaf49812dc5e2b2b70fbd2647", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3b6bb17b76aca2a51f45e6d0dd323e56.jpg?itok=AsfkVpPI", "level": "primary", "title": "關帝君神像", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3b6bb17b76aca2a51f45e6d0dd323e56.jpg?itok=3cYdV41Z", "thumbMediumURI": 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"fileDisableLink": "1", "fileOversize": false, "level": "primary" }, "desc": "Popular styles of <i>ou</i> can influence how deities and historical persons are represented in other media.  Guan Yu/ Guan Gong is one of the most widely worshipped deities throughout the Chinese-speaking world, and his representation is an excellent example of this. <br>", "musicText": "", "musicURL": "", "title": " Inter Media" }, "theme-j9rnthy0bh": { "id": "theme-j9rnthy0bh", "type": "theme", "sortable": true, "primaryObj": { "oid": "601015c7727cf9c8f16f39d798594bcc", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ee69441b5a1991b2152339b46a5c307e.jpg?itok=x3c7Hy3Q", "level": "primary", "title": "台灣的神明公仔", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ee69441b5a1991b2152339b46a5c307e.jpg?itok=BJXHS8iA", "thumbMediumURI": 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Wealth. </div><div><br></div><div>In July 2007, the Family Mart convenience store chain in Taiwan released a series of “Good God Figurines,” 10 small plastic figurines of familiar Buddhist and Daoist deities in a new, Japanese-influenced, cute style. This started a craze for cute-style representations of gods – more and more gods are being “cutified,” and in more and more media every year.  </div>", "musicName": "無", "weight": 10, "musicText": "", "musicURL": "" }, "basic-l8gy2ug03d": { "id": "basic-l8gy2ug03d", "type": "basic", "sortable": true, "primaryObj": { "oid": "db9f8971dafdfb217b78aa4b15cde5fa", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/6b2465d3bfa44316080f2a415269056e.jpg?itok=oLv2igjt", "level": "primary", "title": "搜尋好神公仔 google 頁面", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/6b2465d3bfa44316080f2a415269056e.jpg?itok=1bM_4nA3", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/6b2465d3bfa44316080f2a415269056e.jpg?itok=yFF4qHb4", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/6b2465d3bfa44316080f2a415269056e.jpg?itok=6sUtLSz7", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/6b2465d3bfa44316080f2a415269056e.jpg?itok=A-VDVU9t", "mfid": "6b2465d3bfa44316080f2a415269056e", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "1", "fileOversize": false }, "title": "Kawaii Deity Figurines", "desc": "<div>Japanese manga and logo characters (<i>kyara</i>) are very popular in Taiwan, and some of the features that make these figures cute comes from the Japanese <i>kawaii</i> aesthetic (e.g., extra-large heads and eyes, a lack of sharp angles and texture, and often the absence of a nose and mouth).  </div><div><br></div><div>Much of the meaning of this cute style is also imported from Japanese commercial culture. Thus, both designers and collectors of these toys say that looking at these toys gives them a sense of comfort and creates a feeling of intimacy (<i>qinqiegan</i> ) with the gods and goddesses.  </div><div><br></div><div>（We have not been able to obtain the license to reproduce images of the Family Mart's Good God Figurines series.  If you want to see what they look like, we suggest you search on Google or see if any of your friends have collected them. ）</div>", "musicName": "無", "weight": 11, "musicText": "", "musicURL": "" }, "imgs-o5bucwjm67": { "id": "imgs-o5bucwjm67", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "dfce2d78c4065a2bb1b109d085a094af", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/735b9dfe2951444e2076bc693da1907e.jpg?itok=dArNNkmQ", "level": "primary", "title": "Q-版的神明公仔-1", "desc": "其實，這種Q-版的神明公仔在2003、 2004年時，在台灣的觀光老街上已經可以買得到了。This kind of cute style plaster figurine of Buddhist and Daoist deities were 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But in 2009, these figurines were very popular.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/4e9c144f5cb5bed202cb1c683700925c.jpg?itok=Z5Sx4w3G", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/4e9c144f5cb5bed202cb1c683700925c.jpg?itok=LxJSznC-", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/4e9c144f5cb5bed202cb1c683700925c.jpg?itok=EQ7q_kTJ", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/4e9c144f5cb5bed202cb1c683700925c.jpg?itok=GqKMFFS6", "mfid": "4e9c144f5cb5bed202cb1c683700925c", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "全國城隍廟聯誼會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "sortable": true, "type": "imgs-child", "weight": 6 } }, "musicName": "無", "weight": 13, "primaryObj": { "oid": "6483eaf574a659ee4540253f8771045d", "title": "鹿港媽祖口罩包裝", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/cfb7dc9a69614c586c8fc94ae9f4711c.jpg?itok=59T7RjaQ", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/cfb7dc9a69614c586c8fc94ae9f4711c.jpg?itok=611IREXd", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/cfb7dc9a69614c586c8fc94ae9f4711c.jpg?itok=O1YunVjr", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/cfb7dc9a69614c586c8fc94ae9f4711c.jpg?itok=vIANW208", "mfid": "cfb7dc9a69614c586c8fc94ae9f4711c", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/cfb7dc9a69614c586c8fc94ae9f4711c.jpg?itok=UGjf2L6d", "fileType": "image", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, "title": "Deity Figurines Produced by Temples", "desc": "<div>After the huge success of the Family Mart “Good God Figurines” series, many temples in Taiwan decided to produce their own deity figurines. They hoped the figurines would attract more young people to worship. The figurines sold in temple gift stores, or given away as souvenirs of temple activities, like the Family Mart figurines, represent the gods in a cute style, but they are often different from the deity figurines sold in convenience stores in terms of the materials used, packaging, and function. <br></div>", "musicText": "", "musicURL": "" }, "basic-xdgeoac9fj": { "id": "basic-xdgeoac9fj", "type": "basic", "sortable": true, "primaryObj": { "oid": "02877436b36b0e2131ae6fd185e5ecc8", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/325ea705e3c6f92e8d355beba7104137.jpg?itok=13k4sq0q", "level": "primary", "title": "新港奉天宮的文昌君鉛筆、原子筆套", "desc": "The figurine which caps the pen and pencil is of Wen Chang Jun, the god of scholars, and the pen and pencil are the kind stipulated for use in national exams.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/325ea705e3c6f92e8d355beba7104137.jpg?itok=FHB30DuA", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/325ea705e3c6f92e8d355beba7104137.jpg?itok=5MbQecuc", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/325ea705e3c6f92e8d355beba7104137.jpg?itok=4ZdESEjt", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/325ea705e3c6f92e8d355beba7104137.jpg?itok=Qd7uWjHG", "mfid": "325ea705e3c6f92e8d355beba7104137", "musicURL": "", "musicName": "", "fileCreator": "Teri Silvio 司黛蕊", "rights": "新港奉天宮", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "Wen Chang pen and pencil set", "desc": "<div>The Feng Tian Mazu Temple in Hsinkang hired a professional designer to design this pen and pencil set.  The pen and pencil feature a detachable top which is a small, cute figurine of the god Wen Chang Jun, a god who looks after scholars.  The pencil case also features Wen Chang Jun as a cute cartoon character.  <br><br>The set was made for students taking the national high school and college entrance exams, and the pencil was the type used to fill in paper test forms that are scored by scanning, so that students could have Wen Chang Jun with them as they sit the exam.</div><div><br></div>", "musicName": "無", "weight": 14, "musicText": "", "musicURL": "" }, "basic-mnwjjxht91": { "id": "basic-mnwjjxht91", "type": "basic", "sortable": true, "primaryObj": { "oid": "b800be012f3a79f5203ae8c3ac54f554", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/89bd2474311e2de93a19de09eec612ab.jpg?itok=uYDgmY03", "level": "primary", "title": "新港奉天宮媽祖公仔", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/89bd2474311e2de93a19de09eec612ab.jpg?itok=epVWpG6M", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/89bd2474311e2de93a19de09eec612ab.jpg?itok=jB9WeV5c", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/89bd2474311e2de93a19de09eec612ab.jpg?itok=qbxc6Hbs", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/89bd2474311e2de93a19de09eec612ab.jpg?itok=k7NUAopC", "mfid": "89bd2474311e2de93a19de09eec612ab", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "新港奉天宮", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "Mazu Figurine Produced for the Hsin Kang Feng Tian Temple", "desc": "<span><div>When the Hsin Kang Feng Tian Temple decided to produce cute figurines of Mazu, they wanted them to have a concrete connection to the temple and the city. So they had them made from <i>jiaozhi</i> porcelain, a kind of ceramics for which the city is famous, and they hired the same family of <i>jiaozhi</i> porcelain craftsmen to make the figurines that have been making decorations for the inside of the temple for decades. </div><div><br></div><div>They also included an incense ash charm with the figurine, and the top of the package contained fortunes which could be drawn as fortune sticks are at the temple (note that the second Family Mart “Good God” series also included fortune sticks inside the figurines which could be shaken out). </div><div><br></div><div>Temple employees urged buyers of the Mazu figurines to pass them over the incense burner in front of their Mazu icon, to imbue the figurine with Mazu's power to bless and protect.</div></span>", "musicName": "無", "weight": 15, "musicText": "", "musicURL": "", "secondaryObj": { "oid": "504e9b2ec6a4d4656f4140ea2066269b", "fileType": "image", "fileURI": 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"https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false } }, "img-884oh6lrbx": { "id": "img-884oh6lrbx", "type": "img", "sortable": true, "primaryObj": { "oid": "421224e8003d98a4202089997b16cdb9", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=2bmraxjM", "level": "primary", "title": "好耶公仔", "desc": "這套「好耶公仔」是財團法人卓越藝術傳播基金會為了淡江教會的復活節活動而設計製造的。This set of cute plaster figurines show Jesus as he appears in different Bible parables – as a healer, providing loaves and fish, as the “good shepherd,” and as a “fisher of men.” The figurines were given away during the Easter season by a Protestant church in Danshui, in exchange for proof of purchase at participating shops in the community.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=36EDJsgY", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=8Nzz2bnR", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=-HZb60Vi", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/05e9ed631d4987582bfb795f571a02d2.jpg?itok=sJ3vS5iU", "mfid": "05e9ed631d4987582bfb795f571a02d2", "musicURL": "", "musicName": "", "fileCreator": "財團法人卓越藝術傳播基金會", "rights": "財團法人卓越藝術傳播基金會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": " In Taiwan, Jesus is cutified too.", "desc": "This set of cute plaster figurines show Jesus as he appears in different Bible parables – as a healer, providing loaves and fish, as the “good shepherd,” and as a “fisher of men.”  The figurines were given away during the Easter season by a Protestant church in Danshui, in exchange for proof of purchase at participating shops in the community.", "musicName": "無", "weight": 16, "musicText": "", "musicURL": "" }, "imgs-6axybhmrxk": { "id": "imgs-6axybhmrxk", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "1d25e4991ce15073be550b7cbc5228b1", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/9b3f152b3451bc696591a6deec8a2ffe.jpg?itok=iJhGff2j", "level": "primary", "title": "媽祖搭配2011年台北國際花卉博覽會logo公仔的吊飾", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/9b3f152b3451bc696591a6deec8a2ffe.jpg?itok=0ILRHyzs", "thumbMediumURI": 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"Mars公司的M&Ms糖果logo角色與中國神明的crossover，2011年購於萊爾富便利超商。\nCrossover of the Mars M&Ms logo characters and Daoist gods, purchased at Hi-Life convenience store, Taipei, 2011.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=6EUY2VRN", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=kzjuJZ3_", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=3ftp-XCA", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ae4cab11f19af51a4a31e3ab3818ed2f.jpg?itok=q2Y4EZTI", "mfid": "ae4cab11f19af51a4a31e3ab3818ed2f", "musicURL": "", "musicName": "", "fileCreator": "HOT DOG TOYZ", "rights": "HOT DOG TOYZ", "rightsLogo": 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Since the beginning of the twenty-first century, Taiwanese deity figurines have become very diverse.  </div><div><br></div><div>Children in Taiwan today get to know Guan Gong,<i> </i>Mazu, and other deities through a different set of media than their parents did.  The long tradition of Chinese folk religion adapting  new media and absorbing new artistic movements continues. </div><div><br></div><div>How will the new generation of Taiwanese imagine the gods? 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Unlike human-form deities, statues of Hu Ye cannot be placed on top of altars, and are usually found beneath the altar in many temples. </div><div><br></div><div>Given the popularity of cats in Taiwan, as pets and internet celebrities, it is not surprising that cute images of <i>Hu Ye</i> have proliferated in the twenty-first century.</div>", "musicName": "無", "weight": 18, "musicText": "", "musicURL": "" }, "imgs-k3980dsnqb": { "id": "imgs-k3980dsnqb", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "eb38a4d8b7b5ce309f7e21dec0d04f93", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/e89092de561f24c9f7bf28b5fe56e720.jpg?itok=T3Yc_E1Y", "level": "primary", "title": "肆、招進寶", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/e89092de561f24c9f7bf28b5fe56e720.jpg?itok=GwUNWOTQ", "thumbMediumURI": 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"戰後時期的台灣布袋戲，發展出「金光戲」風格。金光布袋戲的最大特色，就是木偶的頭大，武俠劇情，並使用很多聲響特效。Lent by the Lin Liu-Hsin Puppet Theatre Museum.\nIn the 1950s to 1970s, a new style of hand puppet theater called “Golden Light Theater” developed in Taiwan. “Golden Light Theater” is characterized by puppets with large, brightly colored heads, plots featuring swordfighting heroes and supernatural opponents, and lots of special light and sound effects.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/21dd5afb556f79aa20a27bdfb7108ca6.jpg?itok=usCYsDMb", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/21dd5afb556f79aa20a27bdfb7108ca6.jpg?itok=iTaSLsEW", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/21dd5afb556f79aa20a27bdfb7108ca6.jpg?itok=zwu0XKtf", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/21dd5afb556f79aa20a27bdfb7108ca6.jpg?itok=e5SawCUV", "mfid": 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href=\"http://www.ncfta.gov.tw\">http://www.ncfta.gov.tw</a><br>Yunlin Hand Puppet Museum<br><a target=\"_blank\" rel=\"nofollow\" href=\"http://tour.yunlin.gov.tw/huwei/about/index1.asp\">http://tour.yunlin.gov.tw/huwei/about/index1.asp</a>", "musicText": "", "musicURL": "" }, "theme-ofywh0ffxf": { "id": "theme-ofywh0ffxf", "type": "theme", "sortable": true, "primaryObj": { "oid": "2729ea49328abb0a396cb0daee562491", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b771f5a8b9c0a0bf15c321fcacc4279f.jpg?itok=_sbO0JZt", "level": "primary", "title": "霹靂布袋戲", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b771f5a8b9c0a0bf15c321fcacc4279f.jpg?itok=uBQ0ZOcx", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b771f5a8b9c0a0bf15c321fcacc4279f.jpg?itok=5rTeO-Fg", "thumbBigURI": 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main promoters of a new style of puppetry, called “Golden Light Theater,” which used lots of special effects and brightly painted puppets with extra large heads.  <br><br></div><div>Huang Haidai's son, Huang Chunhsiung, made further innovations by bringing the hand-puppet theater to television.  Huang Chunhsiung's 1970 television puppetry serial, “Shi Yanwen,” was hugely popular, getting ratings of 97% percent.  Huang Chunhsiung's sons, Chris and Vincent Huang, took over their father's business in the 1990s, and gradually transformed the <i>Shi Yanwen</i> series into their own Pili television puppetry serials. The Pili serials combine traditional hand-puppetry with action cinema editing style and digital animation special effects. Today, the video puppetry serials made by the Pili International Multimedia Company are watched by over one million viewers in Taiwan every week. 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"fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/a2391d172cb209e96e86bccb2510334a.jpg?itok=OkGfQsYI", "level": "primary", "title": "素還真", "desc": "霹靂公司於2003年發行的13吋木偶，上有總經理兼配音人黃文擇先生的親筆簽名。These puppets were sold through 7-11 convenience stores in 2003. This one is autographed by Vincent Huang.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/a2391d172cb209e96e86bccb2510334a.jpg?itok=mgvE9y94", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/a2391d172cb209e96e86bccb2510334a.jpg?itok=fJGpQg0c", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/a2391d172cb209e96e86bccb2510334a.jpg?itok=kTvNnr4v", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/a2391d172cb209e96e86bccb2510334a.jpg?itok=cZK1-b6C", "mfid": "a2391d172cb209e96e86bccb2510334a", "musicURL": "", "musicName": "", "fileCreator": "Teri Silvio 司黛蕊", "rights": "大霹靂國際整合行銷股份有限公司", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "Pili “idol” tie-in products", "desc": "When the Pili Company first started, they only produced video cassettes.  Starting in the 1990s, they started to use the “media mix” business model used by the Disney Corporation and Japanese manga and anime studios.  They began to use more varied media to represent the Pili characters.  In 2000, they produced their first movie, Legend of the Sacred Stone.  <br><br>In this early period, the Pili Company also started to sell some tie-in products, for example, photo albums and music CDs.  Today, in Pili's stores, both brick-and-mortar and online, you can find all kinds of Pili merchandise, including DVD sets, video games, puppets, vinyl figurines, stationery, clothing, and other goods for daily use.<br><br>The Pili Company also copyrighted the images of their characters, and sells the license to manufacturers to use those images to promote their products.  So the images of Su Huanzhen, Yi Ye Shu, and other Pili heroes can be seen on soft drink and liquor bottles, and snack packages, and these characters are also the “spokesmodels” for notebook computers and other electronic products.<br><br>In 2003, the Pili Company sold this 13 inch puppet\nof Su Huanzhen, which was a treasured collector's item for fans.  This puppet was a gift from the company to\nthe curator, and Vice President and voice artist Vincent Huang signed his\nautograph inside its robe.<br>", "musicName": "無", "weight": 31, "musicText": "", "musicURL": "" }, "basic-7kkia2oesf": { "id": "basic-7kkia2oesf", "type": "basic", "sortable": true, "primaryObj": { "oid": "b6e407148def5c3dd94364cd1ae24b5b", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/addf6778d474c3a4c8413572fda7b13e.jpg?itok=PXcQA9Nn", "level": "primary", "title": "7-11 霹靂激鬥名鑑系列公仔(二代)，2009年", "desc": "這個系列的霹靂公仔，是日本有名的模型公司海洋堂製造的，在正式販售的第一天就賣光了! Given away by the 7-11 convenience store chain in exchange for proof of purchase stickers. This series was produced by the famous Japanese toy company, Kaiyodo. The whole series was completely sold out within hours.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/addf6778d474c3a4c8413572fda7b13e.jpg?itok=358J0tZA", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/addf6778d474c3a4c8413572fda7b13e.jpg?itok=N65_DaCR", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/addf6778d474c3a4c8413572fda7b13e.jpg?itok=o5AUcP1k", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/addf6778d474c3a4c8413572fda7b13e.jpg?itok=Yk-onVpS", "mfid": "addf6778d474c3a4c8413572fda7b13e", "musicURL": "", "musicName": "", "fileCreator": "Teri Silvio 司黛蕊", "rights": "海洋堂", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "Pili Character Figurine Series, 2009", "desc": "<div>Given away by the 7-11 convenience store chain in exchange for proof of purchase stickers. This series was produced by the famous Japanese toy company, Kaiyodo. The whole series was completely sold out within hours.</div>", "musicName": "無", "weight": 32, "musicText": "", "musicURL": "" }, "basic-cylpx62xgr": { "id": "basic-cylpx62xgr", "type": "basic", "sortable": true, "primaryObj": { "oid": "648c46a77d6340c459f664fcbd548471", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/06ec330b7c46ddf418fd3e8b0331d8f9.jpg?itok=McZpHXWG", "level": "primary", "title": "霹靂音樂盒系列", "desc": "一組7隻，每隻12-15 cm高", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/06ec330b7c46ddf418fd3e8b0331d8f9.jpg?itok=gwLxmRzC", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/06ec330b7c46ddf418fd3e8b0331d8f9.jpg?itok=E7wlnSSX", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/06ec330b7c46ddf418fd3e8b0331d8f9.jpg?itok=RhsOdHoE", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/06ec330b7c46ddf418fd3e8b0331d8f9.jpg?itok=_4oBTptn", "mfid": "06ec330b7c46ddf418fd3e8b0331d8f9", "musicURL": "", "musicName": "", "fileCreator": "夢工廠模形公仔工作室 Design company: Dream Factory,Teri Silvio 司黛蕊", "rights": "夢工廠模形公仔工作室", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "Pili character figurines, music box series", "desc": "Design company: Dream Factory", "musicName": "無", "weight": 33, "musicText": "", "musicURL": "" }, "basic-aayt0r13da": { "id": "basic-aayt0r13da", "type": "basic", "sortable": true, "primaryObj": { "oid": "da8907b0c98fd4a33e1f09b5c8fd010e", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/cbb9d63899cf8547a8abbafc18b52921.jpg?itok=nf2gFg1Q", "level": "primary", "title": "霹靂Qee系列", "desc": "霹靂公司與Toy2R公司合作的公仔。Qee是香港Toy2R公司的平台玩具(platform toy)。平台玩具是一種玩具類別，使用一個基本的造型模組，讓很多不同的設計師可以將它「客製化」。在本展覽中，你看到多少公仔是屬於平台玩具呢?These Pili character figurines were made using the Qee platform toy (sold by Toy2R Company). Platform toys take a simple, easily mass-produced form, and different designers “customize” them, painting them in their own style and sometimes rearranging parts. How many other platform toys can you find in this exhibit?", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/cbb9d63899cf8547a8abbafc18b52921.jpg?itok=a1Zq_3pj", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/cbb9d63899cf8547a8abbafc18b52921.jpg?itok=jlV6jyXd", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/cbb9d63899cf8547a8abbafc18b52921.jpg?itok=VBKeSyBf", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/cbb9d63899cf8547a8abbafc18b52921.jpg?itok=2LCZpZ2i", "mfid": "cbb9d63899cf8547a8abbafc18b52921", "musicURL": "", "musicName": "", "fileCreator": "設計／包子 Designer: Baozi", "rights": "包子", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "Qee 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the international market. <br><br>How is it that Pili puppetry can be commercialized and globalized, and yet still seen by its fans as deeply and uniquely Taiwanese?  Puppeteers and fans see the puppets themselves as the source of Pili's attraction.  For international viewers, the Pili puppets may be a creative and beautiful way to tell stories.  For Taiwanese fans, who often compare the puppets to religious icons, they are also powerful objects that contain the souls of the characters. <br><br><br>Further reading: <br>Teri Silvio, “What is the source of Pili puppetry's charm? The meaning of popular culture.” (in Chinese)<br><a target=\"_blank\" rel=\"nofollow\" href=\"https://guavanthropology.tw/article/6683\">https://guavanthropology.tw/article/6683</a><br>", "musicName": "無", "weight": 37, "musicText": "", "musicURL": "" }, "basic-x2ht8wvpr6": { "id": "basic-x2ht8wvpr6", "type": "basic", "sortable": true, "primaryObj": { "oid": "a438930f00332e5ee2b99da2bdaa2f22", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3a5965a0d7bbc8a4b81f9b520a669c89.jpg?itok=_pxa1X7M", "level": "primary", "title": "《Puppets, Gods, and Brands》書封", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3a5965a0d7bbc8a4b81f9b520a669c89.jpg?itok=Ua9NmWsr", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/3a5965a0d7bbc8a4b81f9b520a669c89.jpg?itok=0uCsTSHx", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/3a5965a0d7bbc8a4b81f9b520a669c89.jpg?itok=H62PVTfJ", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/3a5965a0d7bbc8a4b81f9b520a669c89.jpg?itok=ZSrs8BxU", "mfid": "3a5965a0d7bbc8a4b81f9b520a669c89", "musicURL": "", "musicName": "", "fileCreator": "Teri Silvio 司黛蕊", "rights": "Teri Silvio 司黛蕊", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan", "desc": "<span>The Curator Teri Silvio is an anthropologist. Originally curated by Silvio in 2012, this exhibition was part of the research findings and then turned into a monograph, <i>Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan</i><span>, in 2019.<br><br></span></span><span><b>Know more about the book:</b><br></span><span>- <a target=\"_blank\" rel=\"nofollow\" href=\"http://open.spotify.com/episode/5ODyGMD1d7DZrS0ECEUzoy\">Podcast (English)-Taiwan On-Air (2022)</a><br></span><span>- <a target=\"_blank\" rel=\"nofollow\" href=\"http://www.youtube.com/watch?v=-66gmDnoWeQ\">Video(English)-Ballard Institute and Museum of Puppetry Summer Forum #8 (2020)</a><br></span>- <a target=\"_blank\" rel=\"nofollow\" href=\"http://campanthropology.org/2019/11/18/teri-silvio-puppets-gods-brands/?fbclid=IwAR3idCPLhHFwWSHfysltL__yCpXRW6r4sBveJykhS5unZGn2QjNFqcsany4\">Blog(English)- CaMP Anthropology(2019)</a>", "musicName": "無", "weight": 38, "musicText": "", "musicURL": "" }, "basic-5e6n0uswux": { "id": "basic-5e6n0uswux", "type": "basic", "sortable": true, "primaryObj": { "oid": "9289555210ee7aed31237c8d3f219f4f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/98f8240c3de02fdd83b431c85eda414b.jpg?itok=Ed9bNW93", "level": "primary", "title": "國寶級雕刻師傅徐柄垣的偶頭", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/98f8240c3de02fdd83b431c85eda414b.jpg?itok=_2A5ybK7", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/98f8240c3de02fdd83b431c85eda414b.jpg?itok=020hp-4H", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/98f8240c3de02fdd83b431c85eda414b.jpg?itok=LiEzl42p", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/98f8240c3de02fdd83b431c85eda414b.jpg?itok=KARHW1qa", "mfid": "98f8240c3de02fdd83b431c85eda414b", "musicURL": "", "musicName": "", "fileCreator": "徐柄垣,Teri Silvio 司黛蕊", "rights": "Teri Silvio 司黛蕊", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "Ou comes alive: Ang-á, Taiwan and Animation", "desc": "<span>In <i>Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan</i>, Teri Silvio presents an anthropology of animation through a detailed ethnographic account of how characters, objects, and abstract concepts are invested with lives, personalities, and powers—and how people interact with them—in contemporary Taiwan. The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. Different cultures have different modes of animation, and <i>ang-á</i><span> is a Taiwanese mode of animation. <br><br></span></span>Looking at the representations of Guan Gong、deity toys、puppetry traditions and Pili puppets helps us to think about the relationships between body and soul, spiritual power and the material world. The case of Taiwan, where Chinese traditions merge with Japanese and American popular culture, uncovers alternatives to seeing animation as either an expression of animism or as “playing God.”<br>", "musicName": "無", "weight": 39, "musicText": "", "musicURL": "" }, "img-jjc9qm2twh": { "id": "img-jjc9qm2twh", "type": "img", "sortable": true, "primaryObj": { "oid": "d5a112b9eacc92d33ee0c64f72f8c93e", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3171a403b58d0ee066a2436bdadb06c6.jpg?itok=W2tMdkEm", "level": "primary", "title": "漢人民間宗教與神像相關書籍", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3171a403b58d0ee066a2436bdadb06c6.jpg?itok=VrgjTILd", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/3171a403b58d0ee066a2436bdadb06c6.jpg?itok=c3lXrse2", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/3171a403b58d0ee066a2436bdadb06c6.jpg?itok=PdHz7gxv", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/3171a403b58d0ee066a2436bdadb06c6.jpg?itok=pXmzwPKs", "mfid": "3171a403b58d0ee066a2436bdadb06c6", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "Teri Silvio 司黛蕊", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "Learn More about Chinese Folk Religion and Shenxiang", "desc": "<span><b>Further readings:<br><br></b>1. </span><span>Jordan, David. 1972. <i>Gods, Ghosts, and Ancestors: Folk Religion in a Taiwanese Village</i><span><i>.</i> Press.<br></span></span>2. <span>Sanger, P. Steven. 1987. <i>History and Magical Power in a Chinese Community.</i><br>3. </span><span>Howard, Angela Falco, Wu Hung, L i Song, and Yang Hong, eds. 2006. <i>Chinese Sculpture</i><span><i>.</i><br>4. </span></span><span>Clart, Philip and Charles B. Jones, eds. 2003 Religion in Modern Taiwan. Duara, Prasenjit. 1988. “<i>Superscribing Symbols: the Myth of Guandi, Chinese God of War.</i>” <i>Journal of Asian Studies</i><span> 47(4): 778-795.<br>5. </span></span><span>Lin, Wei-ping. 2015. <i>Materializing Magic Power: Chinese Popular Religion in Villages and Cities</i><i>.<br><br></i></span><span>（Chinese）<br></span>1. <span>林瑋嬪 Lin, Wei-ping （2003），〈臺灣漢人的神像：談神如何具象〉，《臺灣人類學刊》1卷2期，頁115-147。<br>2. </span>劉文山 Liu, Wensan（1981），《台灣神像藝術》。", "musicName": "無", "weight": 40, "musicText": "", "musicURL": "" }, "img-vi9wpeplld": { "id": "img-vi9wpeplld", "type": "img", "sortable": true, "primaryObj": { "oid": "d300709d768e2aa01b2cf4ad775f55bd", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/37e87f4b621fc28e25072ec0291dd3b8.jpg?itok=Azvl9xBc", "level": "primary", "title": "布袋戲相關書籍", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/37e87f4b621fc28e25072ec0291dd3b8.jpg?itok=JI3SmcrH", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/37e87f4b621fc28e25072ec0291dd3b8.jpg?itok=1vKIDsgO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/37e87f4b621fc28e25072ec0291dd3b8.jpg?itok=99CtgdWi", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/37e87f4b621fc28e25072ec0291dd3b8.jpg?itok=4c1ikA4U", "mfid": "37e87f4b621fc28e25072ec0291dd3b8", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "Teri Silvio 司黛蕊", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "Learn More about Hand-puppets and Pili Puppets", "desc": "<span><b>Further readings:</b><br><br>1. </span><span>江武昌Wuchang Jiang（1990），〈布袋戲簡史〉，《民俗曲藝》，67／68期，頁88-126。（Chinese）<br>2. </span><span>陳斐雯Chen Feiwen（1997），《霹靂英雄大補帖：最喜愛的布袋戲人物》。（Chinese）<br>3. </span><span>吳明德Wu Mingde（2005），《台灣布袋戲表演藝術之美》。（Chinese）<br>4. </span><span>劉元立Liu Yuanli（2005），《台灣布袋戲與傳統文化創意產業研討會論文集》。（Chinese）<br>5. </span><span>陳龍廷Chen Longting（2007），《台灣布袋戲發展史》。（Chinese）<br>6. </span><span>司黛蕊 Teri Silvio（2019）, <span><i>Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan.<br></i>7. </span></span><span>Robin Ruizendaal（2006）, <span><i>Marionette Theater in Quanzhou.</i><br></span></span>8. <span>Roberta Stalberg（1984）, <span><i>China’s Puppets. </i> </span></span>", "musicName": "無", "weight": 41, "musicText": "", "musicURL": "" }, "basic-pv0eld9ci3": { "id": "basic-pv0eld9ci3", "type": "basic", "sortable": true, "primaryObj": { "oid": "c65ee4471582532d66ee6d669424cbde", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d68043fb718fcd639ad180f6c11fab03.jpg?itok=BRJMVE8a", "level": "primary", "title": "2012年〈偶的世界，偶的魅力〉實體展示海報", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d68043fb718fcd639ad180f6c11fab03.jpg?itok=b4ZLCyb_", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d68043fb718fcd639ad180f6c11fab03.jpg?itok=wzt8q-sW", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d68043fb718fcd639ad180f6c11fab03.jpg?itok=g8QNQirV", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d68043fb718fcd639ad180f6c11fab03.jpg?itok=0-ps_WyL", "mfid": "d68043fb718fcd639ad180f6c11fab03", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "Curatorial Statement", "desc": "<div><span>From the point of view of cultural\nanthropology, the ou opens a special window into Taiwanese and Chinese\nculture.  Through an exploration of how\nthree-dimensional anthropomorphic figures are used and talked about, we can see\nhow different people think about the material and the spiritual, religion and\ncommerce, tradition and innovation.  <br><br>The\n<i>ou</i> is a medium that crosses the boundaries between different fields within\nTaiwanese society, including religion, politics, economics, fine art, and\nentertainment. </span></div><br><br>Further reading:  Teri Silvio, “Go! Figure” (in Chinese)<br><a target=\"_blank\" rel=\"nofollow\" href=\"https://guavanthropology.tw/article/3492\">https://guavanthropology.tw/article/3492</a><br>", "musicName": "無", "weight": 42, "musicText": "", "musicURL": "" }, "thanks": { "id": "thanks", "type": "thanks", "sortable": false, "thanksList": { "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica": { "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "obj": [ "b9677b342283e0b500f3d6334c107098", "935220aecd8da573501892c6b7f346bc", "e3576a382d18edad446e0251807228a7", "6d85ed7cfc920b0519c6e26526bec1b8", "7c5e1e4eaf49812dc5e2b2b70fbd2647", "1e196ee89ef221a571e0caac194e5e43", "0c3b9b558ac0b32fc35e0434a8347baa", "9ac1a33430031033dc4a99fa769f46b2", "352c953617a745b227668efc2654aaa8", "cea36a25d128154679b40eda1d8c3074", "10033ead581ce4aa354417a56160332a", 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