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Mirror with Concentric Circles, an Immortal, and Auspicious Animals
The Cleveland Museum of Art
Mirror with Continuous Arcs against Whorl Pattern
The Cleveland Museum of Art
Three-Sectional Altar Group: Koro (bottom section of base)
The Cleveland Museum of Art
Bowl with Flower Petals
The Cleveland Museum of Art
Yuan dynasty Shufu ware was a further development of the earlier qingbai ware and is characterized by a more heavily constructed body, opaque white gl
Mirror with Five Blossoms and Overlapping Lozenges
The Cleveland Museum of Art
Mirror with Quatrefoil, Four Nipples, Animals, and Birds
The Cleveland Museum of Art
Mirror with Three Dragons
The Cleveland Museum of Art
Mirror with Quatrefoil and Feather Pattern
The Cleveland Museum of Art
Mirror with Clouds and Nebulae
The Cleveland Museum of Art
Mirrors provided literal reflection and were decorated with symbolic imagery that illuminated universal themes.
Cottages in a Misty Grove in Autumn
The Cleveland Museum of Art
Paintings after Ancient Masters: Portrait of Zhongqing in a Landscape
Cleveland Museum of Art
Three-Sectional Altar Group: Cylindrical Carving with Phoenix (base)
Cleveland Museum of Art
Brush Holder
The Cleveland Museum of Art
This porcelain brush holder is considered to have been made in the "Transitional period," a term used to define the period between about 162
Lotus Petal Vase
The Cleveland Museum of Art
The "peach-bloom" glaze developed during the Kangzi era has also been described as "drunken with beauty." Technical achievements w
Album of Landscape Paintings Illustrating Old Poems: A Man Reclines beneath an Overhanging Branch
The Cleveland Museum of Art
Oval Cup Stand with Animal Masks
The Cleveland Museum of Art
This tablet is engraved with minuscule characters; the inscribed text is an essay by the Qianlong emperor.
Three-Sectional Altar Group
The Cleveland Museum of Art
Album of Landscape Paintings Illustrating Old Poems: Children Play in a Rocky Grove
The Cleveland Museum of Art
Funerary Urn (Hunping)
The Cleveland Museum of Art
Green-glazed stoneware developed greater variety in the south after the Han dynasty.
Fragments of a Lacquer Tray
The Cleveland Museum of Art