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Man, Buffalo, and Calf
The Cleveland Museum of Art
This round fan painting by Li You depicts a rustic theme. His rendering of the scene was bold, exquisite, and detailed.
Saying Farewell at Xunyang
The Cleveland Museum of Art
Wen Boren depicted the chilly autumn water with a fishnet pattern.
Palace Ladies
The Cleveland Museum of Art
This handscroll illustrates the pursuits of court ladies in a palace precinct on a spring day.
Spring Rain Thatched Hut
The Cleveland Museum of Art
With its striking simplicity, this painting captures the pure serenity of a private garden in the moist atmosphere of a spring morning on a small rive
Birds in a Grove in a Mountainous Winter Landscape
The Cleveland Museum of Art
Calligraphy in Semi-Cursive Style (xing-caoshu)
The Cleveland Museum of Art
This bold calligraphy written by Yueshan, an Obaku sect monk, consists of five characters tentatively translated as “Pine trees singing in the wind.”
Drinking in the Moonlight
The Cleveland Museum of Art
In the lower left corner, a figure leans back to gaze at the moon appearing between mountain peaks in the upper right.
Herdboys and Buffalo in Landscapes
The Cleveland Museum of Art
Herdboys tend their buffalo in a bucolic landscape by a winding stream.
Greeting the Spring
The Cleveland Museum of Art
This masterfully composed landscape in light colors and delicate brushwork is an image of the water-rich Jiangnan region in southeast China, where Wu
White-Robed Guanyin
The Cleveland Museum of Art
As an artist, Zhang Yuehu was better known in Japan than in his own country.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
The Knickknack Peddler
The Cleveland Museum of Art
There is a skull, upside down, near the top of the right basket.
The Hermit Xu You Resting by a Stream
The Cleveland Museum of Art
The subject of this painting, Xu You, is an ancient worthy and reclusive figure who, when offered the throne by the legendary emperor Yao, refused it
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
A Pair of Peafowl
The Cleveland Museum of Art
A peacock and a peahen provide the focal point for this work that not only serves a decorative function but may also be a symbolic language to suggest
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
Clearing Autumn Mists in the Chu Mountains
The Cleveland Museum of Art
In his inscription Lan Yin states that he uses Mi Fu’s methods to depict this landscape.
Pine Wind from Myriad Villages
The Cleveland Museum of Art
Tiger
The Cleveland Museum of Art
Dragon; Tiger
The Cleveland Museum of Art
Full Sail on the Misty River
The Cleveland Museum of Art
Ten Bamboo Studio Painting and Calligraphy Handbook (Shizhuzhai shuhua pu): Miscellaneous
The Cleveland Museum of Art
An 18th-century Korean collector Yu Man-joo (1755–1788) wrote that “spending money on luxury clothing, dishes, and decorations for the home is a waste