相和吟

曲名取自古代音樂體裁 《相和歌》，即所謂「絲竹更相合，執節者歌」之說。亦取其相互配合、融合之意。作者欲借此表現形式體現其多維的音樂思緒：各聲部語句、氣息的呼應；音樂進程中樂思之張弛與發展：空間內現場演奏與預製聲場之交疊；時空間傳統元素與電子手段之交融和對置。曲中蘊含……一絲狂放…！…略帶…彷徨？……和那分…詩意……
In music...there is something wildness...！ ...something...a little? ...incertitude...And that...Poetry......The title of the piece is from the ancient music form "Xianghe Song" of China. As once called "the music is consonance, and the man is singing with it", which sentiment the composer tried to express.The special form of the piece is designed to express the multidimensional music felling： the combination of different sound； the development of music process； the spatial environment of live performance and prepared sound； the contraposition of traditional and electronic elements.The chanter part contains some music style of Chinese traditional drama. And the bamboo flute and pipa are also played sometimes with Chinese folk tone. All these could be regard as "oriental element".