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Cleveland Museum of Art

Leaf 4 This leaf alludes to Wang Wei's poetic lines: In empty hills, there is no one there; Yet one can hear the sound of conversation.

The Cleveland Museum of Art

Leaf 2 This leaf is, perhaps, based on Du Mu's poetic line: The herdboy pointed to the distant Apricot Village.

The Cleveland Museum of Art

Leaf 9 Zhou Yi's colophon reads: Ancient trees share the slanting rays of the setting sun. Chilly ravens hover round their branches.

The Cleveland Museum of Art

Leaf 6 Zhou Yi's colophon reads: The bright moon emerges through the willow, The fragrance of flowers is already difficult to retain.

The Cleveland Museum of Art

Leaf 5 This leaf evokes Zuo Si's poetic line: I shake my robe atop the cliff of thousand ren.

The Cleveland Museum of Art

Leaf 1 may be inspired by Li Bai's poetic line: A small boat has sailed through ten thousand layers of hills.

The Cleveland Museum of Art

The Japanese artist Tomioka Tessai (1836-1924) adds a colophon on the last page, commenting on the rarity of Fan Qi's paintings among those of th

Album of Miscellaneous Subjects

The Cleveland Museum of Art

Half of this album depicts landscapes; the other half depicts insects, birds, and natural subjects.

The Cleveland Museum of Art

Leaf 7 Han Tan's colophon reads: Thoughts of autumn in the nuptial chamber with the new chill arising, The white frost all persuasive with a brig

The Cleveland Museum of Art

Leaf 8 Li Bing's colophon reads: Maple leaves drift in the wind, the autumn gusts bracing, Hibiscus flowers steeped with water, the evening breez

The Cleveland Museum of Art

Leaf 10 Zhou Yi's colophon reads: Green bamboos stand alone with a snowy covering, In the deep recesses of a secluded valley, the evening breeze

Cleveland Museum of Art

This painting records a historic event in the year AD 353.

The Cleveland Museum of Art

Leaf 3

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