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Streams and Mountains without End
Streams and Mountains without End
The Cleveland Museum of Art
Streams and Mountains without End was a landmark acquisition of 1953, made just a year after Sherman Lee had returned to Cleveland as curator of Orien
The Ninth Day Literary Gathering at Xing’an
The Ninth Day Literary Gathering at Xing’an
The Cleveland Museum of Art
This group portrait and commemorative work keeps alive the memory of a literary gathering held in 1743 at a private garden in Yangzhou.
Album of Landscapes
Album of Landscapes
The Cleveland Museum of Art
Chrysanthemums and Cabbage
Chrysanthemums and Cabbage
The Cleveland Museum of Art
On an autumn day in Beijing, Tao Cheng had a gathering with a group of scholar-officials and created two paintings in a spontaneous, casual style.
Bamboo, Rocks and Lonely Orchids
Bamboo, Rocks and Lonely Orchids
The Cleveland Museum of Art
Zhao Mengfu, a great scholar-painter, wrote this famous and much admired verse: Rocks must be painted in the feibai mode, / The trees done by brush st
Landscape in the Style of Huang Gongwang
Landscape in the Style of Huang Gongwang
The Cleveland Museum of Art
A sweeping vista of energized mountains, hills, small islands, sand bars, and rivers, this painting retains a simple coherence of ideas and images.
Lady Xuanwen Giving Instruction on the Rites of Zhou
Lady Xuanwen Giving Instruction on the Rites of Zhou
The Cleveland Museum of Art
This extraordinary painting by Chen Hongshou depicts the story of Xuanwen Jun, or Lady of Literary Propagation, at a venerable age, instructing young
Mt. Taibo in the Style of Wang Meng
Mt. Taibo in the Style of Wang Meng
The Cleveland Museum of Art
When a Chinese painter "imitated" a painting by a past master, the intention was never to produce an exact copy.
River and Mountains on a Clear Autumn Day
River and Mountains on a Clear Autumn Day
The Cleveland Museum of Art
Beggars and Street Characters
Beggars and Street Characters
The Cleveland Museum of Art
This painting demonstrates Zhou Chen’s masterful skill in rendering impoverished people from his memories of figures in the street.
Kneeling Winged Monster
Kneeling Winged Monster
The Cleveland Museum of Art
This kneeling monster from the cave-temple complex at Xiangtangshan was originally placed below some wall niches on the perimeter.
Nine Songs
Nine Songs
The Cleveland Museum of Art
Painted in the baimiao, or fine-line drawing style, this ancient work demonstrates the literati’s use of abstract calligraphic brushwork for self-expr
A Scholar's Retreat amid Autumn Trees
A Scholar's Retreat amid Autumn Trees
The Cleveland Museum of Art
Wang Fu painted this going-away present and 3 friends added poems wishing the best for their departing friend Gongyi.
Poetic Feeling in a Thatched Pavilion
Poetic Feeling in a Thatched Pavilion
The Cleveland Museum of Art
Ink Flowers
Ink Flowers
The Cleveland Museum of Art
Zhao Zhong's flowers, each paired with a poem, echo the fine-style colored flowers of the academic tradition, but instead he used only ink.
In the Palace
In the Palace
The Cleveland Museum of Art
Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea
Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea
The Cleveland Museum of Art
The Yuan dynasty calligrapher Zhao Mengfu (1254–1322) is said to have transcribed the Heart Sutra for a certain priest named Li in exchange for tea.
Scepter (Gui) with Miscellaneous Poems by Tao Qian (AD 365-427)
Scepter (Gui) with Miscellaneous Poems by Tao Qian (AD 365-427)
The Cleveland Museum of Art
This piece derives its shape from the ancient jade scepter known as gui.
Snow Coloring the World White
Snow Coloring the World White
The Cleveland Museum of Art
Fa Ruozhen was a scholar-official and prolific poet who focused on painting as his government career declined.
Sericulture (The Process of Making Silk)
Sericulture (The Process of Making Silk)
The Cleveland Museum of Art
From right to left, this handscroll illustrates stages in the production of silk, from the raising of silkworms to the weaving of silk cloth.
Flowers of Four Seasons, with Poems
Flowers of Four Seasons, with Poems
The Cleveland Museum of Art
In this painting, flowers are loosely arranged by the seasons: narcissus and peony represent early spring; yellow loquat and lotus, summer; chrysanthe
Text of the Perfection of Wisdom (Mahāprajñāpāramitā) Sūtra
Text of the Perfection of Wisdom (Mahāprajñāpāramitā) Sūtra
The Cleveland Museum of Art
This precious text fragment is one of the earliest calligraphies in the collection.
Plum Blossoms and Peonies
Plum Blossoms and Peonies
The Cleveland Museum of Art
This was painted in 1741, the year when Gao decided to leave the south and return home to Shandong province.

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