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Morning Sun over the Heavenly Citadel Peak
The Cleveland Museum of Art
Clouds rise from Mt. Xuanhu, where the waters flow into the Luo River; the morning sun is over the Heavenly Citadel Peak of Mt. Huang.
Mt. Qingbian
The Cleveland Museum of Art
Dong Qichang radically transforms the landscape composition into a purely abstract design.
White-Robed Guanyin
The Cleveland Museum of Art
Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara, in Sanskrit), reveals himself in many forms.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Bodhisattva with Lion)
The Cleveland Museum of Art
This triptych is a rare example of Yuan Buddhist painting.
The Second Coming of the Fifth Patriarch
The Cleveland Museum of Art
Liu Haichan
The Cleveland Museum of Art
Landscape after Guo Zhongshu
The Cleveland Museum of Art
The practice of imitating the work of the masters was to acquire the brush techniques and methods of the ancient masters as the basis for new creative
Amitābha Triad
The Cleveland Museum of Art
This hanging scroll illustrates a dramatic apparition of Buddha Amitābha (阿彌陀 in Chinese) and the two attendant bodhisattvas, or saintly beings, in th
Lily and Butterflies
The Cleveland Museum of Art
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Bodhisattva with Elephant)
The Cleveland Museum of Art
This triptych is a rare example of Yuan Buddhist painting.
Shakyamuni under the Bodhi Tree
The Cleveland Museum of Art
Shakyamuni (the historical Buddha) achieved enlightenment and became the Buddha while meditating under a bodhi tree.
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra (Buddha)
The Cleveland Museum of Art
This triptych is a rare example of Yuan Buddhist painting.
Road to Shu
The Cleveland Museum of Art
Mountains with dramatically towering peaks and deep gorges show travelers leading loaded mules over footbridges and mountain paths transporting trade
Birds Gather under the Spring Willow
The Cleveland Museum of Art
A great variety of birds, including the peacock and peahen, are portrayed in a natural setting.
White-Robed Guanyin
The Cleveland Museum of Art
The original model for this ink drawing of Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara in Sanskrit), is accession number 1978.47.
Calligraphy in Semi-Cursive Style (xing-caoshu)
The Cleveland Museum of Art
This spontaneous, bold calligraphy style is characteristic of members of the Japanese Obaku sect of Chan Buddhism (Huangbo in Chinese), which was intr
Yellow Chrysanthemums and Red Osmanthus in the Style of Wang Yuan
The Cleveland Museum of Art
![Summer Mountains (after Dong Yuan [active about ad 937-975])](https://openmuseum.tw/files/muse_portal/muse_styles/waterfall_col_3/mcode/9b9aaffc058e59cbd730970fe3c9b8a9.jpg?itok=SczVMiPS "Summer Mountains (after Dong Yuan [active about ad 937-975])")
Summer Mountains (after Dong Yuan [active about ad 937-975])
The Cleveland Museum of Art
This monumental landscape is drawn in softly rounded strokes with darker lines frequently applied on top of lighter ones.
Layered Peaks and Splashing Waterfall: Portrait of Hua Yan as a Young Man
The Cleveland Museum of Art
This portrait was jointly executed by Wei Shijie and Hua Yan himself who painted the landscape in the background.
Greeting the Spring
The Cleveland Museum of Art
This masterfully composed landscape in light colors and delicate brushwork is an image of the water-rich Jiangnan region in southeast China, where Wu
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.