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Round Box with Decoration of Two Pheasants and Peonies
Cleveland Museum of Art
This box is among the extremely rare and precious carved lacquer ware from the Song and early Yuan period and is arguably one of the most monumental a
Mirror with Two Dragons and a Tiger
Cleveland Museum of Art
Inscription: I, Master Zhang, produced this mirror, When alien tribes in four corners were being subjugated.
Bird on a Flowering Branch
Cleveland Museum of Art
A male redstart, a type of small bird, sits hunched on the branch of a flowering plum tree in early spring.
Mirror with Concentric Circles and Linked Arcs
Cleveland Museum of Art
Inscription: Refine the copper to be pure and bright. Make it into a mirror to receive rightful decor.
Brush Rest: Guan ware
Cleveland Museum of Art
An 18th-century Korean collector Yu Man-joo (1755–1788) wrote that “spending money on luxury clothing, dishes, and decorations for the home is a waste
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 25
Cleveland Museum of Art
These twelve figures are personifications of the dizhi 地支, or Earthly Branches.
Waterfall
Cleveland Museum of Art
Plate with Peony Decoration
Cleveland Museum of Art
This lacquer dish of strikingly deep red color is decorated with a dynamically carved design of three peony blossoms.
Inlay for a Mirror or Box: shih-shih
Cleveland Museum of Art
The p'ing-t'o technique of inlaying gold and silver foil on lacquer produced luxurious articles of elegance and fragility.
Stele with Shakyamuni and Maitreya
Cleveland Museum of Art
In this stele, Shakyamuni (the historical Buddha) bears a benign smile in the hand gestures of fearlessness and gift giving.
Pair of Bowls with Peony Sprays on Diaper Ground (exterior); Chrysanthemum Sprays (interior)
Cleveland Museum of Art
The production of extraordinarily refined Qing imperial wares such as these could have involved the transportation of undecorated, plain porcelains fr
Standing Disciple Mahakasyapa Holding a Cylindrical Reliquary
Cleveland Museum of Art
Mahakasyapa, the disciple of Shakyamuni, is presented with closed eyes in an expression of meditative concentration.
Chicken-Headed Ewer
Cleveland Museum of Art
The development of high-fired celadon in the south was a significant achievement in Chinese ceramics history.
Bird-shaped Urn
Cleveland Museum of Art
An imaginative shape and abstract curvilinear patterns lend delightful charm to this functional jar.
Album of Daoist and Buddhist Themes: Kings of Hells: Leaf 27
Cleveland Museum of Art
This leaf is part of a set depicting the Ten Kings of Hell.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 14
Cleveland Museum of Art
These six martial figures are Field Marshals in the Daoist pantheon.
Eleven-Headed Guanyin
Cleveland Museum of Art
Guanyin, the bodhisattva of infinite compassion, can be identified by his attributes, carrying a tiny Amida Buddha in his crown, and holding a bottle
Samantabhadra
Cleveland Museum of Art
In the last chapter of the Lotus Sutra, one of the principal Buddhist texts, the great Bodhisattva Samantabhadra is described advancing to earth, ridi
Pair of Leather Bag-Shaped Flasks with Covers
Cleveland Museum of Art
Flasks like these derive their shapes from leather bags; even the edges are finely rouletted to resemble the seams of sewn leather.
Leather Bag-Shaped Flask with Cover
Cleveland Museum of Art
Flasks like these derive their shapes from leather bags; even the edges are finely rouletted to resemble the seams of sewn leather.
Tripod Container with Dragon-Head Handle (Zhadou)
Cleveland Museum of Art
The dragon, winged chimera, and grotesque monster's face presented in this case exhibit uninhibited imagination in the representation of fantasti
Mountain Landscape in Moonlight
Cleveland Museum of Art
Caparisoned Elephant
Cleveland Museum of Art
The six-tusked elephant holds the throne of Puxian (Samantabhadra), the Bodhisattva of Universal Virtue, who often appears with Wenshu (Manjusri), the