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Flowering Crab Apple
The Cleveland Museum of Art
As Shen Zhou's poem and inscription suggest, this is an informal and rapidly done presentation picture painted when he was 74 years old.
Shakyamuni Emerging from the Mountains
The Cleveland Museum of Art
Shakyamuni emerged from the mountains after years of ascetic practices, which anticipated his sermon in the Deer Park and attainment of enlightenment
Water Village
The Cleveland Museum of Art
In the autumn of 1570, Wen Boren painted this seemingly unemotional scene of low-lying marshlands with a chain of rounded mountains in the background.
Quails and Sparrows in an Autumn Scene
The Cleveland Museum of Art
The flower-and-bird subjects here are depicted in a careful and meticulous manner, echoing the academic tradition but translating the customary colore
The Poet Lin Bu Wandering in the Moonlight
The Cleveland Museum of Art
A figure with a staff walks at a leisurely pace in deep concentration.
The Five Hundred Arhats
The Cleveland Museum of Art
Disciples of the Buddha with supernatural powers, arhats (also called lohans) populate this scroll.
Cloudy Mountains
The Cleveland Museum of Art
Artist's inscription: Innumerable are the wonderful mountain peaks which join the end of the sky, Clear or cloudy, day or night, the misty atmosp
Scholar Reclining and Watching Rising Clouds, Poem by Wang Wei
The Cleveland Museum of Art
Artists at the Southern Song Painting Academy were often trained in illustrating poetry.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 1
The Cleveland Museum of Art
Leaf 1 portrays one of the three supreme deities in the Daoist religion.
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 11
The Cleveland Museum of Art
This album leaf depicts the Four Daoist Saints in martial garb from right to left: Field Marshal Tianpeng 天蓬大元帥, Vice Marshal Tianyou 天猷副元帥, True Lord
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 25
Cleveland Museum of Art
These twelve figures are personifications of the dizhi 地支, or Earthly Branches.
Dream Journey among Rivers and Mountains, no. 90
The Cleveland Museum of Art
Cheng Zhengkui depicted a series of "dream journeys" that were visionary landscapes that went beyond renderings of specific topographical si
Eighteen Views of Huzhou
The Cleveland Museum of Art
This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
Scholar Reclining and Watching Rising Clouds; Poem by Wang Wei
Cleveland Museum of Art
"Seventh Month" from the "Odes of Bin" (Binfeng)
The Cleveland Museum of Art
"Seventh Month" is an ancient poem, one of the Odes of Bin, which appears in the classic Shijing (Book of Poetry), an anthology of more than
Bamboo, Rock, and Tall Tree
The Cleveland Museum of Art
Hall of Lofty Pines
The Cleveland Museum of Art
Wang Hui 王翬, a leading painter in the orthodox school of the early Qing dynasty (1644–1911), was commissioned to paint this landscape with a country e
Old Trees by a Wintry Brook
The Cleveland Museum of Art
Wen Zhengming was one of the most celebrated calligraphers and painters during the Ming dynasty (1368–1644).
Buddha's Conversion of Five Bhiksu
The Cleveland Museum of Art
This episode stems from the life of the historical Buddha, who, after his enlightenment, was initially hesitant about preaching his own doctrine.
The Lantern Night Excursion of Zhong Kui
The Cleveland Museum of Art
Zhong Kui was an ancient ghostbuster.
Morning Sun over the Heavenly Citadel Peak
The Cleveland Museum of Art
Clouds rise from Mt. Xuanhu, where the waters flow into the Luo River; the morning sun is over the Heavenly Citadel Peak of Mt. Huang.
Clouds and Waves at the Wu Gorge
The Cleveland Museum of Art
The underlying notion of human existence in harmony with nature can be found in many traditional Chinese paintings.
Landscape after Guo Zhongshu
The Cleveland Museum of Art
The practice of imitating the work of the masters was to acquire the brush techniques and methods of the ancient masters as the basis for new creative