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Hangzhou Landscape
The Walters Art Museum
Inscribed in the upper right corner of this painting is a line taken from a poem by the 9th-century classical Chinese writer Zhang Hu.
Mountain Landscape in Song Dynasty Style
The Walters Art Museum
The 11th-century Song masters developed techniques to depict mountains, trees, and mists in an essentially realistic fashion.
Cabbages and Butterflies
The Walters Art Museum
In China, the butterfly can be a symbol of happiness in marriage.
Mt. Qingbian
The Cleveland Museum of Art
Dong Qichang radically transforms the landscape composition into a purely abstract design.
The Second Coming of the Fifth Patriarch
The Cleveland Museum of Art
Road to Shu
The Cleveland Museum of Art
Mountains with dramatically towering peaks and deep gorges show travelers leading loaded mules over footbridges and mountain paths transporting trade
![The Qingming [Ch'ing-ming] Festival](https://openmuseum.tw/files/muse_portal/muse_styles/waterfall_col_3/mcode/fad76d688333ecccab169a89c7652012.jpg?itok=CxOUdxh3 "The Qingming [Ch'ing-ming] Festival")
The Qingming [Ch'ing-ming] Festival
The Walters Art Museum
This is a copy of--or a variation upon--one of the most famous of all Chinese handscrolls, a depiction of life along the Yellow River in the Song-dyna
Listening-to-the-Rain Studio
The Walters Art Museum
A descendant of an illustrious family of painters, Wang Chen upheld the literary-man's style of painting in the second half of the 18th century.
The Chinese Monk Budai
The Walters Art Museum
This rubbing is of an engraving at Shaolin Temple in the Shantung province.
Album of Landscapes
The Walters Art Museum
Now detached, these four leaves were originally joined together. They were to be looked at one by one, like pages in a book.
Free Spirits Among Streams and Mountains
The Walters Art Museum
When he painted this long handscroll in 1684, Wang Yuanqi [Wang Yüan-ch'i], the greatest orthodox master of the Qing [Ch'ing] dynasty, had n
Calligraphy
The Walters Art Museum
An important government official and poet, Qian Feng [Ch'ien Feng] is remembered for his courage in speaking out against corruption in high place
Purification at the Orchid Pavilion
Cleveland Museum of Art
This painting records a historic event in the year AD 353.
Music-Making in a Pavilion
The Walters Art Museum
This painting is intended to suggest an earlier ideal time: the landscape is painted in the "blue-and-green" style that dates back to the Ta
Album of Calligraphies and Paintings
The Walters Art Museum
This board-bound, accordion-fold Chinese album consists of 26 pages.
Birds Gather under the Spring Willow
The Cleveland Museum of Art
A great variety of birds, including the peacock and peahen, are portrayed in a natural setting.
Calligraphy in Semi-Cursive Style (xing-caoshu)
The Cleveland Museum of Art
This spontaneous, bold calligraphy style is characteristic of members of the Japanese Obaku sect of Chan Buddhism (Huangbo in Chinese), which was intr
White-Robed Guanyin
The Cleveland Museum of Art
The original model for this ink drawing of Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara in Sanskrit), is accession number 1978.47.
Yellow Chrysanthemums and Red Osmanthus in the Style of Wang Yuan
The Cleveland Museum of Art
The Lantern Night Excursion of Zhong Kui（元顏輝鍾馗元夜出遊圖 卷）
The Cleveland Museum of Art
A Vignette of Life on the Frontier
The Cleveland Museum of Art
![Summer Mountains (after Dong Yuan [active about ad 937-975])](https://openmuseum.tw/files/muse_portal/muse_styles/waterfall_col_3/mcode/9b9aaffc058e59cbd730970fe3c9b8a9.jpg?itok=SczVMiPS "Summer Mountains (after Dong Yuan [active about ad 937-975])")
Summer Mountains (after Dong Yuan [active about ad 937-975])
The Cleveland Museum of Art
This monumental landscape is drawn in softly rounded strokes with darker lines frequently applied on top of lighter ones.
River Village in a Rainstorm
The Cleveland Museum of Art
Over this vista, the diagonal sweeps of the storm—the bands of wind and rain that conceal the land and stir up the river while bending all the vegetat