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Thin Forest and Distant Mountains
Thin Forest and Distant Mountains
The Cleveland Museum of Art
Saying Farewell at Xunyang
Saying Farewell at Xunyang
The Cleveland Museum of Art
Wen Boren depicted the chilly autumn water with a fishnet pattern.
Palace Ladies
Palace Ladies
The Cleveland Museum of Art
This handscroll illustrates the pursuits of court ladies in a palace precinct on a spring day.
Calligraphy in Semi-Cursive Style (xing-caoshu)
Calligraphy in Semi-Cursive Style (xing-caoshu)
The Cleveland Museum of Art
This bold calligraphy written by Yueshan, an Obaku sect monk, consists of five characters tentatively translated as “Pine trees singing in the wind.”
Herdboys and Buffalo in Landscapes
Herdboys and Buffalo in Landscapes
The Cleveland Museum of Art
Herdboys tend their buffalo in a bucolic landscape by a winding stream.
Greeting the Spring
Greeting the Spring
The Cleveland Museum of Art
This masterfully composed landscape in light colors and delicate brushwork is an image of the water-rich Jiangnan region in southeast China, where Wu
White-Robed Guanyin
White-Robed Guanyin
The Cleveland Museum of Art
As an artist, Zhang Yuehu was better known in Japan than in his own country.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
The Hermit Xu You Resting by a Stream
The Hermit Xu You Resting by a Stream
The Cleveland Museum of Art
The subject of this painting, Xu You, is an ancient worthy and reclusive figure who, when offered the throne by the legendary emperor Yao, refused it
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
A Pair of Peafowl
A Pair of Peafowl
The Cleveland Museum of Art
A peacock and a peahen provide the focal point for this work that not only serves a decorative function but may also be a symbolic language to suggest
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
On Happiness, Calligraphy in Seal Script Style (zhuanshu)
The Cleveland Museum of Art
Yang Yisun transcribed this ancient text on six narrow scrolls, starting at the top right and ending at the bottom left.
Clearing Autumn Mists in the Chu Mountains
Clearing Autumn Mists in the Chu Mountains
The Cleveland Museum of Art
In his inscription Lan Yin states that he uses Mi Fu’s methods to depict this landscape.
Pine Wind from Myriad Villages
Pine Wind from Myriad Villages
The Cleveland Museum of Art
Tiger
Tiger
The Cleveland Museum of Art
Dragon; Tiger
Dragon; Tiger
The Cleveland Museum of Art
Squirrel on a Pine Branch
Squirrel on a Pine Branch
The Cleveland Museum of Art
The squirrel on this pine tree branch glances toward a flying insect, the animal’s curiosity giving the scene an almost humorous note.
Lily and Butterflies
Lily and Butterflies
The Cleveland Museum of Art
Zhong Kui Supported by Ghosts
Zhong Kui Supported by Ghosts
The Cleveland Museum of Art
Calligraphy in Running Style based on Wang Bo's Essay on Tengwang Pavilion
Calligraphy in Running Style based on Wang Bo's Essay on Tengwang Pavilion
The Cleveland Museum of Art
A member of the Donggo clan, Tiebao belonged to the Manchu Plain Yellow Banner army.
A Hundred Birds and the Three Friends
A Hundred Birds and the Three Friends
The Cleveland Museum of Art
Among the most talented court painters of the Ming dynasty (1368–1644), Bian Wenjin was known for harmoniously combining elegant calligraphic brushwor

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