「竹感心」

竹編工藝保存者-涂素英、黃啟祥、劉興澤三人聯展

展覽頁面呈現形式

橫式

策展者

國立傳統藝術中心

展覽封面

2ae15ece9bc7118e97916a19e9489eb6

展覽資料

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表皮堅硬有光澤，桿肉不厚，抗彎強度大，劈剝容易。</div><div>用途:常用於農漁器具、生活用品、建築傢俱等。<br><br><div><b>保青處理</b></div><div>運用葉綠素的銅鎂置換化學反應來達到保持竹材表面青綠的效果，竹材種類、化學配方、濃度劑量的不同會影響保青處理的時效性。<br><br><div><b>煮沸處理</b></div><div>運用鹼性水溶液煮沸後，在將竹材放入處理槽中進行去油去汙的過程。鹼性溶液濃度會影響煮沸處理的效果，濃度不足則竹材表面油垢不易去除；濃度過高則會導致竹材表面泛黃。<br><br><div><b>碳化處理</b> </div><div>將竹材放入高溫高壓鍋爐內進行處理，竹材經過碳化反應後表裡顏色會因為表面水洗作業、溫度、壓力、時間等因素變成深淺不同的褐色效果，材料彈性強度會相對降低但對防蟲防霉有較佳的效果。</div></div></div></div>", "musicName": "無", "weight": 3, "musicText": "", "musicURL": "" }, "basic-3b70xmo7mv": { "id": "basic-3b70xmo7mv", "type": "basic", "sortable": true, "primaryObj": { "oid": "9a94420efb35332180763785d0597ea8", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/0ad8469603e980373d3768d3266da567.jpg?itok=-7dcnHQp", "level": "primary", "title": "展場巡禮", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/0ad8469603e980373d3768d3266da567.jpg?itok=1WP5SOIc", "thumbMediumURI": 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"<div><b>刮青</b> </div><div>使用刮青刀刮去竹材表面竹青外皮，雙手握住刮刀柄並施以均勻力道刮除竹青，使竹材能夠製作較細膩精緻的竹篾，也比較容易進行染色與塗裝等後續加工。<br><br><div><b>劈分</b></div><div>運用劈篾刀先將竹筒劈分成兩等分或四等分，再依竹篾寬度需求將竹筒細分。劈分過程中劈篾刀順著竹纖維方向剖分，完成後再將內部竹節去除完成劈分動作。<br><br><div><b>剖剝</b></div><div>使用劈篾刀從竹片尾端截面順著纖維方向縱剖至竹片另一端使竹篾變薄。剖剝方式有日式與臺式技法，兩種方式皆可看見藝師運用雙手與劈篾刀將竹篾剖剝，日式技法則會以坐姿並運用腳的食拇指夾住竹篾前端輔助剖剝動作，兩種方式皆有藝師使用。<br><br><div><b>定寬</b></div><div>將定寬刀調整好距離角度並固定於木檯上，再將欲修整的竹篾放入兩片定寬刀之間，一手在定寬刀之前壓住竹篾，另一手將竹篾拉出，反覆削整竹篾至需求寬度。<br><br><div><b>削薄</b></div><div>使用劈篾刀以45度向外固定在竹篾上，再用手將竹篾往後拉來削薄剖剝後厚度不一的竹篾。亦可使用桌上削薄器進行修整，調整削薄器刀口距離即可反覆修整竹篾。<br><br><div><b>倒角</b></div><div>竹篾經過寬度與厚度修整完成後邊緣鋒利有毛邊，一般使用定寬刀調整距離角度來將竹篾做最後邊緣修整與倒角，避免在後續編織過程中觸感粗糙與鋒利割手。</div></div></div></div></div></div>", "musicName": "無", "weight": 4, "musicText": "", "musicURL": "" }, "basic-bq9lyce2hm": { "id": "basic-bq9lyce2hm", "type": "basic", "sortable": true, "primaryObj": { "oid": "6bbbc45decbba8b46ac4d9ad2b9ad830", "fileType": "image", "fileURI": 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"fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "編織器物(竹篾到作品)", "desc": "<div><b>起底</b></div><div>起底又稱編底，為竹編器物編織的第一個基礎步驟。起底基本編法種類可從簡單到複雜，依照藝師創作的想法與基本編法的變化來搭配進行。<br><br><div><b>立編、編器身</b></div><div>立編又稱轉折，可用手彎、加熱或增加支撐材料的方式將竹篾彎曲達到立體效果。立編完成後即可開始編織器身，也就是形塑作品的尺寸大小、造型結構與表面編織效果的過程。<br><br><div><b> 收緣口、支腳 </b></div><div>收緣口與支腳為竹編器物收尾的加強步驟。收緣口又稱作收口、收邊、收編，將收邊部位竹篾整齊、紮實固定避免鬆脫導致作品鬆散。支腳又稱底足、圈足，加強竹編作品底部受力強度與耐用度。<br><br><div><b>提把</b></div><div>提把為竹編作品附加的功能造型，增加竹編器物的攜帶性與整體美感搭配，提把在與竹編器物結合時需固定紮實避免鬆脫。<br><br><div><b>塗裝</b>  </div><div>竹編作品的保護有採取擦漆（天然漆）與運用化學塗料噴塗、浸染、刷塗等方式，主要是在竹編作品表面進行保護處理，達到防污、防霉、防潮與防蟲的保護作用。</div></div></div></div></div>", "musicName": "無", "weight": 5, "musicText": "", "musicURL": "" }, "theme-dtzpa44acb": { "id": "theme-dtzpa44acb", "type": "theme", "sortable": true, "primaryObj": { "oid": "223cd233c0dbff7faff2f00601364434", "fileType": "image", "fileURI": 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