鶯色拾光─再見胭脂紅

鶯色拾光─再見胭脂紅

2020/07/07
2020/07/14
<h3>「胭脂紅」是鶯歌陶瓷的代表顏色,在印刷貼花的技術尚未崛起前獨佔風彩,一度在全臺盛行,與臺灣人民走過經濟起飛的歲月。在2008年,陶博館展出「戀戀胭脂紅」展現風華絕代的記憶。</h3><h3>此刻,再次戀上那一抹來自鶯歌的浪漫「胭脂紅」。</h3>
展覽頁面呈現形式
橫式
策展者
新北市立鶯歌陶瓷博物館
展覽封面
24b4fc03a830c667a844d2e64ef3caa6
展覽資料
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"這是一件鶯歌製家庭用的湯碗,和本館藏品(編號:A_2000_02_017)的形制及紋飾大同小異,不同的是花卉數的多少而已。自從粉紅彩出現之後,給予鶯歌業者許多啟示,就是如何在產品設計上加以變化,以爭取更多的商機和利潤。最簡單的方法就是多畫幾朵花,提高產品價值。(摘自阿嬤硘仔思想起,修訂一版,p.30)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/825ae587108dc01fcbf4428210297d8b.jpg?itok=3ft6TBIG", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/825ae587108dc01fcbf4428210297d8b.jpg?itok=KF45_rN4", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/825ae587108dc01fcbf4428210297d8b.jpg?itok=Ih--Sv-W", "mfid": "825ae587108dc01fcbf4428210297d8b", "fileCreator": "", "rights": "新北市立鶯歌陶瓷博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileOversize": false }, "title": "暗花青花大碗", "desc": "<div>年代:1950</div><div>尺寸:18.5×18.5×8公分</div><div>這是一件鶯歌製家庭用的湯碗,和本館藏品(編號:A_2000_02_017)的形制及紋飾大同小異,不同的是花卉數的多少而已。自從粉紅彩出現之後,給予鶯歌業者許多啟示,就是如何在產品設計上加以變化,以爭取更多的商機和利潤。最簡單的方法就是多畫幾朵花,提高產品價值。(摘自阿嬤硘仔思想起,修訂一版,p.30)</div>", "weight": 10 }, "basic-ito1rx58ll": { "id": "basic-ito1rx58ll", "type": "basic", "sortable": true, "primaryObj": { "oid": "890031ae0086724f03fd54b29b8e4d3f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/7687101ea604eb733a306df0903ee3c2.jpg?itok=QHrIwSBR", "level": "primary", "title": "蓮花盤", "desc": "這件盤子坯體使用北投土,胎色較潔白,圖案的色彩濃淡有別,已經具有陰影效果,葉片的停筆處留下較濃的墨漬,顯示手繪的特徵。在色彩方面完全沒有使用青花。推其原因,一方面是因為作為青花主要材料的氧化鈷價格昂貴,另一方面是因為色料材料的豐富,業者有更多的選擇,即使不用青花,也可以得到相同或更好的畫面效果。(摘自阿嬤硘仔思想起,修訂一版,p.54)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/7687101ea604eb733a306df0903ee3c2.jpg?itok=ZAteFFlc", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/7687101ea604eb733a306df0903ee3c2.jpg?itok=2h2e8iW-", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/7687101ea604eb733a306df0903ee3c2.jpg?itok=pwTsaSh8", "mfid": "7687101ea604eb733a306df0903ee3c2", "fileCreator": "", "rights": "新北市立鶯歌陶瓷博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileOversize": false }, "title": "蓮花盤", "desc": "<b></b><b></b>年代:1950<div>尺寸:25.6×25.6×4.3公分</div><div>這件盤子坯體使用北投土,胎色較潔白,圖案的色彩濃淡有別,已經具有陰影效果,葉片的停筆處留下較濃的墨漬,顯示手繪的特徵。在色彩方面完全沒有使用青花。推其原因,一方面是因為作為青花主要材料的氧化鈷價格昂貴,另一方面是因為色料材料的豐富,業者有更多的選擇,即使不用青花,也可以得到相同或更好的畫面效果。(摘自阿嬤硘仔思想起,修訂一版,p.54)<b></b></div>", "weight": 11 }, "basic-xryj34lw4v": { "id": "basic-xryj34lw4v", "type": "basic", "sortable": true, "primaryObj": { "oid": "bcf98d7410a3d3cb953eafa9c81ff5f0", "fileType": 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"fileLicence": "著作權利所有-可用於本站提供的服務", "fileOversize": false }, "title": "花草盤", "desc": "<div>年代:1950</div><div>尺寸:26×26×3.5公分</div><div>以邊緣有特殊造形之石膏模鏇坯或注漿製成,整體在白陶胎上以釉料繪製,圖案區域分盤心與外圈兩層,外圈以櫻花章沾藍釉等距蓋印8朵排列成一圈,兩層間有一藍釉圈區隔,藍圈以逆時針旋轉右手畫成,盤心有一褐枝綠葉粉紅花之折枝花卉,葉以雙筆繪製並刮出葉脈線條,盤緣捺凹紋處繪褐釉。本件藏品用土雜質較多,顯現於盤面釉彩之上。</div>", "weight": 12 }, "basic-9yqg5m751s": { "id": "basic-9yqg5m751s", "type": "basic", "sortable": true, "primaryObj": { "oid": "e0628a042f6d649c4c3980381ac6dfdc", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/250d9816fd5bf2fe0d114dddb3a54e39.jpg?itok=y9jB_yYT", "level": "primary", "title": "草花大碗", "desc": "這件湯碗在器腹上以青色和粉紅色畫上簡單的花卉紋。在民國42、43年左右,業者把釉下青花和粉紅彩配在一起使用,而產生了青紅雙色碗盤的新品種,在當時曾風行一時,善於仿製的鶯歌窯場紛紛加入製作的行列,成為當時的主力產品。這種粉紅色調也成為鶯歌陶瓷的特徵,但事實上這種說法不見得完全正確,因為粉紅色在其他地區也有使用者。(摘自阿嬤硘仔思想起,修訂一版,p.30)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/250d9816fd5bf2fe0d114dddb3a54e39.jpg?itok=bDHU55mx", "thumbMediumURI": 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"https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/f9e373d0907b242d040cb4a46c959e2a.jpg?itok=7pZ2Gw_G", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/f9e373d0907b242d040cb4a46c959e2a.jpg?itok=GeCdhNL9", "mfid": "f9e373d0907b242d040cb4a46c959e2a", "fileCreator": "", "rights": "新北市立鶯歌陶瓷博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileOversize": false }, "title": "彩繪梅花蓋杯", "desc": "<div>年代:1950<br></div><div>尺寸:7.3×7.3×9公分</div>", "weight": 17 }, "basic-ozs2tfy4yd": { "id": "basic-ozs2tfy4yd", "type": "basic", "sortable": true, "primaryObj": { "oid": "0393a2442b1cbadbab6a40047cc1d2e6", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/f54203f607f0ecc145cc17394ce41594.jpg?itok=RAW5Jv07", "level": "primary", "title": "彩繪藤蔓碗(小)", "desc": "", 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新北市立鶯歌陶瓷博物館