Unfaded Splendor:

Unfaded Splendor:

2022/05/08
2022/06/14
Contemporary Development and Multiple Representations of Myanmar/ Burmese Classical Music 
展覽頁面呈現形式
橫式
時間軸
A Brief History of Burmese Music and Dance
Post-Colonial Contemporary History of Myanmar
展覽封面
88dfabb8352bb88b97ca4291285fa93d
展覽資料
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{ "id": "imgs-li6yyizi13-odd25xuq3c", "title": "木簡繪本(局部):在伊洛瓦底江上舉辦的功德法會(19世紀)", "desc": "木簡繪本。\n敏東國王 (1853-1878) 舉辦的功德法會,他坐在宮殿前觀看油燈被放置在伊洛瓦底江上漂浮的情景,右下方為塞恩樂團。", "primaryObj": { "oid": "78a082880c16bdc4802c784d42f2d083", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/9c409ae6218023c895756d580ee7fb8f.jpg?itok=vlDGPAzQ", "level": "primary", "title": "木簡繪本(局部):在伊洛瓦底江上舉辦的功德法會(19世紀)", "desc": "木簡繪本。\n敏東國王 (1853-1878) 舉辦的功德法會,他坐在宮殿前觀看油燈被放置在伊洛瓦底江上漂浮的情景,右下方為塞恩樂團。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/9c409ae6218023c895756d580ee7fb8f.jpg?itok=89gXw8P4", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/9c409ae6218023c895756d580ee7fb8f.jpg?itok=GDfSOpPI", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/9c409ae6218023c895756d580ee7fb8f.jpg?itok=OCPbsg1N", "background": 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<i>thabin</i>, a collective term for the performing arts. <i>Thabin</i> was divided into three categories: <a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/embed/remark/119804\" class=\"lightbox-link js-mfp-iframe\">high-stage drama (</a><i><a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/embed/remark/119804\" class=\"lightbox-link js-mfp-iframe\">amyint thabin</a></i><a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/embed/remark/119804\" class=\"lightbox-link js-mfp-iframe\">), low-stage drama (aneint</a><i><a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/embed/remark/119804\" class=\"lightbox-link js-mfp-iframe\"> thabin</a></i><a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/embed/remark/119804\" class=\"lightbox-link js-mfp-iframe\">), and </a><i><a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/embed/remark/119804\" class=\"lightbox-link js-mfp-iframe\">anyeint thabin</a></i>. During the Konbaung Dynasty (1752-1885), court performers were further classified into <a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/embed/remark/119805\" class=\"lightbox-link js-mfp-iframe\">four subcategories.&nbsp;</a><div><br></div></span>", "musicText": "", "musicURL": "" }, "basic-vx3yzdboem": { "id": "basic-vx3yzdboem", "type": "basic", "sortable": true, "primaryObj": { "oid": "1f8902a33d923185f6e3fa51ab2d0476", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/cb1995c7807cdb27aa9ab4a6074cad4c.jpg?itok=eawWlS4e", "level": "primary", "title": "撣族的孔雀舞", "desc": "19世紀末的金納俐和金納拉神鳥對舞,緬華將其轉型為撣族的孔雀舞。於2010年在中和國中舉行的點燈節所拍攝的田野照片。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/cb1995c7807cdb27aa9ab4a6074cad4c.jpg?itok=Q1H-7-yR", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/cb1995c7807cdb27aa9ab4a6074cad4c.jpg?itok=GTL6EoLz", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/cb1995c7807cdb27aa9ab4a6074cad4c.jpg?itok=jr_2QTya", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/cb1995c7807cdb27aa9ab4a6074cad4c.jpg?itok=hm29cjev", "mfid": "cb1995c7807cdb27aa9ab4a6074cad4c", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "Multiple Representational Perspectives Across Time and Space", "desc": "<span>The trajectory of changes in Burmese music under the sociopolitical contexts of various eras are presented in the wealth of historical text and image records since the 18th century, and in contemporary cultural performances. A diversity of representational perspectives is encompassed in the records of <i>the Manuscript of Qing History</i> and in the illustrated compendiums in <i>the collection of official statutes of the Qing dynasty</i> (<i>欽定大清會典圖, Qinding Da-Qing huidian tu</i>); as well as in the detailed portraits created by Burman court painters, and the corporeal performances by the Burmese diaspora community in Taiwan during the Thingyan Water Festival celebrations.&nbsp; </span><br><br>◎Swipe the arrow on the next page to see the elements in the ancient and modern celebrations!<br>\n<br>Find out more: <a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/muse/exhibition/cfc1863c12f4903e573d210badef49b4\">Multiple Representational Perspectives pf Burmese Songs and Dances Across Time and Space</a><br>", "musicName": "無", "weight": 9, "musicText": "", "musicURL": "" }, "embed_html-eoyjio1trm": { "id": "embed_html-eoyjio1trm", "type": "embed_html", "sortable": true, "weight": 10, "embed_html": "<iframe id=\"muse-iframe\" src=\"https://openmuseum.tw/muse_juxtapose/embed/image/118851\" frameborder=\"0\" width=\"100%\" height=\"800px\"></iframe>" }, "embed_html-w0iwh4bpm1": { "id": "embed_html-w0iwh4bpm1", "type": "embed_html", "sortable": true, "weight": 11, "embed_html": "<iframe id=\"muse-iframe\" src=\"https://openmuseum.tw/muse_juxtapose/embed/image/118797\" frameborder=\"0\" width=\"100%\" height=\"800px\"></iframe>" }, "theme-4lukq4mj4v": { "id": "theme-4lukq4mj4v", "type": "theme", "sortable": true, "primaryObj": { "oid": "e3ba9267dce031d46bc5d8fde8d2cd2d", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/2d5e4ffe21ddc965e605a90da9f10f19.jpg?itok=u7rRecTV", "level": "primary", "title": "英國王子艾伯特.維特(Albert Victor)與孩童舞群的合照(1889)", "desc": "Photography Collection, Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library, Astor, Lenox and Tilden Foundations", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/2d5e4ffe21ddc965e605a90da9f10f19.jpg?itok=6pQwNWNj", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/2d5e4ffe21ddc965e605a90da9f10f19.jpg?itok=k6LRNFGB", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/2d5e4ffe21ddc965e605a90da9f10f19.jpg?itok=oEmHL3Ff", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/2d5e4ffe21ddc965e605a90da9f10f19.jpg?itok=gq_tdBF5", "mfid": "2d5e4ffe21ddc965e605a90da9f10f19", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "The New York Public Library", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "British Colonial Period – Fusion and Transformation of Burmese Songs and Dances", "desc": "State systems, urban construction, educational systems, and cultural policies brought by the British during the colonial period (1885-1948) influenced Myanmar. This stimulated various developments and revitalized cultural exchanges between Myanmar and the West, promoting the fusion and transformation of music and dance. ", "musicName": "無", "weight": 12, "musicText": "", "musicURL": "" }, "imgs-2k6bmkkzh0": { "id": "imgs-2k6bmkkzh0", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "e622a9d9d83dfe149341dcab32cb4ba3", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/1ddda2f7f61c391d4595e2744a6048b3.jpg?itok=eAuryjyd", "level": "primary", "title": "以緬甸仰光大金塔為背景,由竹琴、三絃琴與歌手組成的阿佞樂團(1895)", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/1ddda2f7f61c391d4595e2744a6048b3.jpg?itok=EQO3bXzF", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/1ddda2f7f61c391d4595e2744a6048b3.jpg?itok=3jywdEbl", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/1ddda2f7f61c391d4595e2744a6048b3.jpg?itok=Q6bCTjMr", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/1ddda2f7f61c391d4595e2744a6048b3.jpg?itok=n0SXxeTV", "mfid": "1ddda2f7f61c391d4595e2744a6048b3", "musicURL": "", "musicName": "", "fileCreator": "Philip Adolphe Klier", "rights": "The British Library", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, { "oid": "56ff4abae462170389d3734642d8a4b2", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/922c0c5cd6096e92ce8fa38a6a5220e8.jpg?itok=S7b_CVUw", "level": "primary", "title": "木簡繪本(局部):傘頂舞臺(19世紀)", "desc": "木簡繪本局部", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/922c0c5cd6096e92ce8fa38a6a5220e8.jpg?itok=tzyiwsVo", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/922c0c5cd6096e92ce8fa38a6a5220e8.jpg?itok=T3qI5MeI", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/922c0c5cd6096e92ce8fa38a6a5220e8.jpg?itok=XOos6weZ", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/922c0c5cd6096e92ce8fa38a6a5220e8.jpg?itok=jriI46wT", "mfid": "922c0c5cd6096e92ce8fa38a6a5220e8", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "The British Library", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "公眾領域標章(Public Domain Mark)", "fileDisableLink": "1", "fileOversize": false } ], "items": { "imgs-2k6bmkkzh0-jggxr7g4gm": { "id": "imgs-2k6bmkkzh0-jggxr7g4gm", "title": "明信片:由竹琴、三絃琴與歌手組成的阿佞樂團(20世紀初)", "desc": "D. 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Instead, they presented their art to the British aristocracy and colonial officials. 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In the face of this cultural impact, many Burmese musicians either “adapted” or “innovated” so that these instruments were not only used to play Burmese music, but also incorporated into the orchestra, eventually replacing indigenous instruments to shape the colorful Burmese soundscape of that era. </span><br>", "musicName": "無", "weight": 15, "musicText": "", "musicURL": "" }, "embed_html-a487g5pd9m": { "id": "embed_html-a487g5pd9m", "type": "embed_html", "sortable": true, "weight": 16, "embed_html": "<iframe id=\"muse-curation-iframe\" class=\"height-fill\" src=\"https://openmuseum.tw/embed/qa_game/advance/2133\" frameborder=\"0\" scrolling=\"no\" width=\"100%\" height=\"800px\"></iframe>" }, "basic-wri7nr9wrd": { "id": "basic-wri7nr9wrd", "type": "basic", "sortable": true, "primaryObj": { "oid": "e12509f83dca81c7142d454ad465ee01", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/1745f8e1d7c3a096225827427405e8eb.jpg?itok=Pv-60yy0", "level": "primary", "title": "於英國王子艾伯特.維特(Albert Victor)前表演的女子集體舞(1889)", "desc": "Photography Collection, Miriam and Ira D. 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The minority of Western bourgeoisie occupied the top tier in the three-tiered pyramid of the urban hierarchical structure; those of Chinese and Indian descent, and the Burmese middle class made up the middle strata; while the lower ranks were comprised of a large laboring population. <br></span><br>During this period, a new form of music and dance integrating Burmese and Western characteristics emerged as mainstream entertainment for the colonial-era bourgeoisie. Dancers and photographers from the West documented a plethora of Burmese artistic performances. Among these, still photos and journal entries also reflected a multifarious imagination of the East. <br>", "musicName": "無", "weight": 17, "musicText": "", "musicURL": "" }, "theme-8axsikddji": { "id": "theme-8axsikddji", "type": "theme", "sortable": true, "primaryObj": { "oid": "6a44f2c372c8c26359b22dba67e1a4c7", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/e28279929605b6770d338c7cad62a61c.jpg?itok=OUooyiG9", "level": "primary", "title": "後殖民時期的緬甸表演藝術", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/e28279929605b6770d338c7cad62a61c.jpg?itok=lQTe3GjM", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/e28279929605b6770d338c7cad62a61c.jpg?itok=znwCyFNC", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/e28279929605b6770d338c7cad62a61c.jpg?itok=MFhJltXo", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/e28279929605b6770d338c7cad62a61c.jpg?itok=YxsMvgC2", "mfid": "e28279929605b6770d338c7cad62a61c", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "呂心純 Tasaw Lu", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "1", "fileOversize": false }, "title": "Postcolonialism: The Construction of National Music", "desc": "<div>After declaring independence in 1948, Burma (officially named “Myanmar” since 1993)<span>&nbsp;actively promoted cultural diplomacy through its traditional arts. As a representative musical genre, <i>thachin gyi</i> was often the designated performance program at diplomatic functions. However, in the state’s intention to attain political and diplomatic benefits through <i>thachin gyi</i>, they ignored the sustained development of the local culture and the nurturing of arts collectives.</span><br></div>", "musicName": "無", "weight": 18, "musicText": "", "musicURL": "" }, "timeline-b2hfxz": { "id": "timeline-b2hfxz", "type": "timeline", "sortable": true, "weight": 19, "sourceID": "167249" }, "basic-mzn49cq37v": { "id": "basic-mzn49cq37v", "type": "basic", "sortable": true, "primaryObj": { "oid": "fa950b0a97244ccdb482a478703482ec", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/470abafabfcacc2e7f65a81c87539f68.jpg?itok=pbqJAFdF", "level": "primary", "title": "塞恩樂團掛軸(局部)", "desc": "塞恩樂團之文創商品。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/470abafabfcacc2e7f65a81c87539f68.jpg?itok=FGn34OVq", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/470abafabfcacc2e7f65a81c87539f68.jpg?itok=yyuq2ZoW", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/470abafabfcacc2e7f65a81c87539f68.jpg?itok=q3UJfnVd", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/470abafabfcacc2e7f65a81c87539f68.jpg?itok=iPuIIig7", "mfid": "470abafabfcacc2e7f65a81c87539f68", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "Thachin Gyi: The Grand Tradition of Burmese Music", "desc": "<div>Spotlight Story: <a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/muse/exhibition/06a7f0b516dd51c93b877274819c9d4e#front\">National Music of Independent Burma</a><br><br><span>During the first half of the 20th century, in an effort to preserve court music created before the disintegration of empire and new classical music later created according to the characteristics of court music, authorities in Myanmar collected and recorded these works for compilation into the Mahagita Classical Music Collection. Mahagita is a Sanskrit word meaning “Grand Music.” This compendium of music became a centrally standardized model for basic training used in the community and in arts institutions, as well as serving as a foundation for Burmese classical music today. After the 20th century, in an effort to distinguish Burmese classical music from the popular music broadcast on contemporary radio, the national broadcast radio station invoked the Burmese equivalent for Mahagita, in the phrase <i>thachin gyi</i> to refer to a new musical genre. This was gradually adopted by the people of Burma, who used the term <i>thachin gyi</i> <span>in reference to Burmese classical music.<br></span></span><br><span>In the process of national construction, both democratic and military governments in independent Burma have attempted to create a post-colonial modernity through the national music of <i>thachin gyi</i>. These included multiple aspects of constructing Burmese nationalism, of emphasizing the orthodoxy of aristocratic lineage, and of resistance against Western hegemony, etc. </span><br></div>", "musicName": "無", "weight": 20, "musicText": "", "musicURL": "" }, "basic-1wmfuiojhq": { "id": "basic-1wmfuiojhq", "type": "basic", "sortable": true, "primaryObj": { "oid": "4849d56a4c5a105a144e62cf88ca6865", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/42813fab8ceae539b021d9a8bacdb935.jpg?itok=5-L03sgk", "level": "primary", "title": "木簡繪本:偉大皇塞恩進獻舞蹈(19世紀)", "desc": "木簡繪本", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/42813fab8ceae539b021d9a8bacdb935.jpg?itok=a-bEJ5jg", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/42813fab8ceae539b021d9a8bacdb935.jpg?itok=9p5Dxw_T", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/42813fab8ceae539b021d9a8bacdb935.jpg?itok=UX8rXae3", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/42813fab8ceae539b021d9a8bacdb935.jpg?itok=kHtPkfNI", "mfid": "42813fab8ceae539b021d9a8bacdb935", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "The British Library", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "Features of Thachin Gyi Music", "desc": "<span>Compared to the specific harmonies, rhythms, and melodies in Western music, the textures of Burmese <i>thachin gyi</i> music are complex and convoluted. The central musical threads ornamented by the overlapping variations and virtuosic skills of let <i>swan pyat</i> (showmanship) create intricate acoustic textures and interest favored by aficionados of <i>thachin gyi</i> <span>music. <br></span></span><br><span>Burmese music can be grouped into two categories according to performance function and musical texture of the instruments, namely the melody section and the rhythm section. The melody section can further be differentiated into monophonic instruments and double-tone instruments according to differences in musical textures; while the rhythm section includes both rhythmic instruments and punctuational instruments<span>. <br></span></span><br>Find Out More: <a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/muse/exhibition/93f5e63e910b8cc45cfd7a70a7941df1\">Burmese Musical Textures and Acoustic Aesthetics</a><br>", "musicName": "無", "weight": 21, "musicText": "", "musicURL": "" }, "basic-b2mon0wwb4": { "id": "basic-b2mon0wwb4", "type": "basic", "sortable": true, "primaryObj": { "oid": "f681b1438d1bada064b569858e81916a", "fileType": "video", "fileURI": "https://openmuseum.tw/muse_download/a44689ee880f65ca3c85339439a9b102", "level": "primary", "title": "口訣擬聲音樂記憶法 (Pazat-Hsaing)", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/externals/cf2d63444c1315f8a69bf56ac86eed63.jpg?itok=1iS3JPM3", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/styles/thumbnail_medium/public/externals/cf2d63444c1315f8a69bf56ac86eed63.jpg?itok=HQ2r8RZa", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/styles/thumbnail_big/public/externals/cf2d63444c1315f8a69bf56ac86eed63.jpg?itok=wBj0WWC2", "background": "https://openmuseum.tw/files/muse_portal/styles/w1920/public/externals/cf2d63444c1315f8a69bf56ac86eed63.jpg?itok=ZDbk5DZs", "mfid": "a44689ee880f65ca3c85339439a9b102", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "呂心純 Tasaw Lu", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": "1", "fileOversize": false }, "title": "The Oral Mnemonics of Burmese Musical Pedagogy ", "desc": "<span>The oral tradition of musical instruction known as <i>pazat</i> <i>hsaing</i> has been a feature of Burmese musical pedagogy since the <i>thabin</i> era, and has traditionally been the primary method of instruction for learning to play Burmese instruments. The Burmese word <i>pazat</i> refers to the mouth, and <i>hsaing</i> extends from its original meaning as a suspended or hanging drum to denote music. Hence, <i>pazat hsaing</i> means music reproduced orally, and has also been translated as the oral mnemonics of music. Traditional musicians apply this technique in listening, watching, and learning. In addition to using <i>pazat hsaing</i> <span>in the process of music instruction, performers also apply the technique in personal improvisation, as well as to distinguish variations in the performances of others through listening, and then applying these variations to their own performances.<br><br></span></span>However, Burmese musicians do not openly reveal their playing techniques to others. As a response to an environment that tends toward commercialization as a result of Western and government influences, many new generations of Burmese traditional musicians no longer regard their teachers as father figures, and gravitate instead toward a culture of instant expertise. As a result, special techniques and stylized variations are often taken to the grave by virtuoso musicians. On the whole, the transmission of knowledge is conservative, and many exciting and varied acoustic elements of Burmese music have been gradually lost in the midst of social and cultural change instigated by commercialization.&nbsp;", "musicName": "無", "weight": 22, "musicText": "", "musicURL": "" }, "embed_html-sya265a631": { "id": "embed_html-sya265a631", "type": "embed_html", "sortable": true, "weight": 23, "embed_html": "<div class=\"blank-horizontal\">\n<iframe id=\"muse-curation-iframe\" src=\"https://openmuseum.tw/embed/anotation/167268\" frameborder=\"0\" scrolling=\"no\" width=\"100%\" height=\"800px\"></iframe>\n</div>" }, "basic-0z5l0y2yr2": { "id": "basic-0z5l0y2yr2", "type": "basic", "sortable": true, "primaryObj": { "oid": "1efc215ff7ad81f436c745b809367e4e", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d604e1f33c85eb8e0b3208e9cf4c7dab.jpg?itok=ibJLtGmr", "level": "primary", "title": "美國爵士鋼琴樂手Count Basie 和緬甸演員暨歌手Win Oo(左一)排練的情景(1971)", "desc": "兩位樂手排練時的情景。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d604e1f33c85eb8e0b3208e9cf4c7dab.jpg?itok=zViiVEq6", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d604e1f33c85eb8e0b3208e9cf4c7dab.jpg?itok=94_ZrYO5", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d604e1f33c85eb8e0b3208e9cf4c7dab.jpg?itok=NFvU0NwM", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d604e1f33c85eb8e0b3208e9cf4c7dab.jpg?itok=_z1zNOeu", "mfid": "d604e1f33c85eb8e0b3208e9cf4c7dab", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "U Myat Gyi", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "fileOversize": false }, "title": "Music in the Media and in Diplomacy", "desc": "Spotlight Story: <a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/muse/exhibition/446b7ca9b031190672d619ec872e799a\">Music as Cold War Era Cultural Diplomacy</a><br><br>The Freedom League government adopted a relatively open attitude toward the media. Dissemination through the national media such as the Burmese Broadcasting Service (BBS) not only encouraged the development of Burmese arts and culture, but also achieved the purpose of political indoctrination. Burmese classical music steeped in local color became a tactic in consolidating friendly diplomatic relations in the midst of conflict between the Eastern Bloc and the West during the cold war. In the 1960s, Burma and China exchanged cultural delegations, and American “jazz diplomacy” ambassadors also visited Burma several times during the Freedom League and the subsequent military government eras. <br>", "musicName": "無", "weight": 24, "musicText": "", "musicURL": "" }, "imgs-cf1x22hxp8": { "id": "imgs-cf1x22hxp8", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "b33c8d805b922abd36aa72929bf9dc64", "title": "Muriel Williamson的緬甸彎琴專書摘錄", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/7e03a286ac67c72f1c7e1b86c1bdbfec.jpg?itok=mpoN65Ky", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/7e03a286ac67c72f1c7e1b86c1bdbfec.jpg?itok=RkNT9WPi", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/7e03a286ac67c72f1c7e1b86c1bdbfec.jpg?itok=Y32-lVJ0", "background": 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Despite the National League of Democracy led by Aung San Suu Kyi won by a landslide in the 1990 election. <span>&nbsp;The military government refused to recognize the election results and reinstated General Than Shwe in 1992, who continued in authoritarian autocratic rule.<br></span></span><br><span>The military government began a new phase of ethnic unification plans in the 1990s. 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A performance called <i>a-hlu</i> <i>win</i> is held on the eve of the <i>shinpyu</i>. The highlight of this joyous and lively occasion is the <i>shin-laung</i> <i>hle pwe</i> on the day of the ceremony. The <i>hsaing waing</i> orchestra performs during the <i>a-hlu</i> win and is an element integral to the folk rite, as well as for enlivening the atmosphere.&nbsp;</div>", "musicName": "無", "weight": 34, "musicText": "", "musicURL": "", "secondaryObj": { "oid": "e59923a7aaa5f6946aa9acea0246ad69", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/59e1cadafd85ce3378f858ef6461ef4c.jpg?itok=7NOIJdwG", "level": "secondary", "title": "扮演悉達多王子的準沙彌", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/59e1cadafd85ce3378f858ef6461ef4c.jpg?itok=Wj_B9MUf", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/59e1cadafd85ce3378f858ef6461ef4c.jpg?itok=9NdLjfja", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/59e1cadafd85ce3378f858ef6461ef4c.jpg?itok=hbCl8a--", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/59e1cadafd85ce3378f858ef6461ef4c.jpg?itok=irQOvXV1", "mfid": "59e1cadafd85ce3378f858ef6461ef4c", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false } }, "basic-7sw4hzcyfo": { "id": "basic-7sw4hzcyfo", "type": "basic", "sortable": true, "primaryObj": { "oid": "2ae42d4e3792aa4f00730a48246f68ad", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/538c5e6c06c805fccd9b43b916ef5d35.jpg?itok=M2dUlESa", "level": "primary", "title": "佛傘", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/538c5e6c06c805fccd9b43b916ef5d35.jpg?itok=YLrQ1Zpg", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/538c5e6c06c805fccd9b43b916ef5d35.jpg?itok=Fo-bWp09", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/538c5e6c06c805fccd9b43b916ef5d35.jpg?itok=5acyESeM", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/538c5e6c06c805fccd9b43b916ef5d35.jpg?itok=uOczhT8x", "mfid": "538c5e6c06c805fccd9b43b916ef5d35", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "The Buddhist Hti-Tin Pwe ceremony", "desc": "<div>Spotlight Story: <a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/muse/exhibition/92220e4ac79d46c2f5867b97c239e8c6\"><i>Hti-tin pwe</i></a></div><div><br></div><div><span>The <i>hti-tin </i>(Buddha umbrella) is a decorative element on the apex of the Buddhist pagoda structure. It is placed atop the pagoda only after a special blessing ceremony and benediction by </span><span>eminent monks. This process is called the “<i>hti-tin pwe</i>,” and has connotations of a blessing. The rite includes a performance of ritual music by the <i>hsaing waing.</i></span><br></div>", "musicName": "無", "weight": 35, "secondaryObj": { "level": "secondary", "oid": "d4ea852d63d5f66b328ec1ede25605e7", "title": "置佛傘儀式中的圍鑼演奏", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/8e683e1e4630373451b6c38283b40e30.jpg?itok=4JQLiVMk", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/8e683e1e4630373451b6c38283b40e30.jpg?itok=_DiuH_PU", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/8e683e1e4630373451b6c38283b40e30.jpg?itok=sRf4RTLx", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/8e683e1e4630373451b6c38283b40e30.jpg?itok=9vP-PTUT", "mfid": "8e683e1e4630373451b6c38283b40e30", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/8e683e1e4630373451b6c38283b40e30.jpg?itok=jXPawGA3", "fileType": "image", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "musicText": "", "musicURL": "" }, "theme-a0nkeia8t0": { "id": "theme-a0nkeia8t0", "type": "theme", "sortable": true, "primaryObj": { "oid": "57c0eca1db22adcdeca124e7f90f47bc", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/63c170dc47fb261a8b3319a227f0d8c3.jpg?itok=5pvDU85E", "level": "primary", "title": "U Myint Maung(右)與歌者Daw Yi(左)合影", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/63c170dc47fb261a8b3319a227f0d8c3.jpg?itok=IpLrAzev", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/63c170dc47fb261a8b3319a227f0d8c3.jpg?itok=iGRDX1dE", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/63c170dc47fb261a8b3319a227f0d8c3.jpg?itok=2p7i514H", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/63c170dc47fb261a8b3319a227f0d8c3.jpg?itok=GI8MK0lR", "mfid": "63c170dc47fb261a8b3319a227f0d8c3", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "People and Music: Contemporary Burmese Classical Musicians", "desc": "<div><div>As the main conduits of musical practice, human beings caught between an authoritarian government and a globalized market may be unable to fully express and create, but Burmese classical musicians have been able to create their own autonomy for Burmese classical music through their adaptability in daily actions.&nbsp;</div><div><br></div><div>This unit will focus on presenting an image of the people, music, and performances through the life stories of several Burmese musical maestros. The varied performance lives of four contemporary Burmese classical musicians are showcased through field photographs, advertising and promotional billboards, and published audio and video recordings.</div></div>", "musicName": "無", "weight": 36, "musicText": "", "musicURL": "" }, "basic-hexqb4kemi": { "id": "basic-hexqb4kemi", "type": "basic", "sortable": true, "primaryObj": { "oid": "5c2eee99a01275dc501a5fec6882127a", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ccca9a6c50a23eccf4aa34a5a6f0780e.jpg?itok=roCcxGKt", "level": "primary", "title": "赳赳迺在龍馬雷餐廳的表演", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ccca9a6c50a23eccf4aa34a5a6f0780e.jpg?itok=zdw_YK-V", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ccca9a6c50a23eccf4aa34a5a6f0780e.jpg?itok=2gfC8wgE", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ccca9a6c50a23eccf4aa34a5a6f0780e.jpg?itok=IFerpJ3p", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ccca9a6c50a23eccf4aa34a5a6f0780e.jpg?itok=x9qMYQK2", "mfid": "ccca9a6c50a23eccf4aa34a5a6f0780e", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "呂心純 Tasaw Lu", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "The Commercialized Diplomacy of Musical Culture", "desc": "<span>In addition to performing national music and dance traditions on important diplomatic occasions, the military government has also transformed these performances that originated in the royal courts into state-supported commercial cultural performances. With continued practice in the community, traditional and religious music and dance becomes a powerful national cultural asset and enables a new form of musical diplomacy.<br></span><br>However, artists are quick to detect deceit. Most foreign tourists before the end of the 1990s traveled to Myanmar for commercial interests, and were invited to high-end commercial music and dance performances for the purpose of an ultimate deal-making or singing business contracts. Few were truly interested in Burmese music or dance. The Burmese tourism industry experienced a severe decline in the beginning of the 2000s, and many musicians faced financial difficulties as a result.<br>", "musicName": "無", "weight": 37, "musicText": "", "musicURL": "" }, "basic-ubxkhtkrha": { "id": "basic-ubxkhtkrha", "type": "basic", "sortable": true, "primaryObj": { "oid": "718926cf4b601c58dc88902d99d0ef10", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/18e23a8522f8fc15074d8cec251759d5.jpg?itok=SguxWxZE", "level": "primary", "title": "Kyaw Kyaw Naing 與其樂團", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/18e23a8522f8fc15074d8cec251759d5.jpg?itok=VvAzuXOh", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/18e23a8522f8fc15074d8cec251759d5.jpg?itok=WiZu4ReP", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/18e23a8522f8fc15074d8cec251759d5.jpg?itok=w9m8GLQ1", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/18e23a8522f8fc15074d8cec251759d5.jpg?itok=PSOHRAKD", "mfid": "18e23a8522f8fc15074d8cec251759d5", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "Exiled Pat Waing (drum circle) Maestro Kyaw Kyaw Naing in the United States", "desc": "<div><i>Pat w</i><i>aing</i><span> musician Kyaw Kyaw Naing (b. 1964) was born to a renowned family of performers. His mother was a famed dancer, and his father was <i>pat w</i></span><i>aing</i> musician and the leader of the national <i>hsaing waing </i><span>orchestra. He grew up with his father’s orchestra and took over from his father as concert master when he was 22 (1985). He was renowned throughout Burma<span> for his <i>pat w</i></span><i>aing </i>performances. However, Kyaw Kyaw Naing decided to remain in the United States after concluding a Asia Pacific Performance Exchange (APPEX) artist’s residency in 1999. His wife, Yin Yin Aya, a principal dancer in Burma’s national dance company, and their two children, also immigrated to the U.S. in 2006.</span>&nbsp;</div><div><br></div><div>Find out more: <a target=\"_blank\" rel=\"nofollow\" href=\"https://openmuseum.tw/muse/exhibition/936a7a18140f20b5dc662143c1e39d78\">In Exile – The Musical Life of Kyaw Kyaw Naing</a></div><div><br></div>", "musicName": "無", "weight": 38, "musicText": "", "musicURL": "" }, "basic-9n6prhuy7m": { "id": "basic-9n6prhuy7m", "type": "basic", "sortable": true, "primaryObj": { "oid": "4ad20a136f10370eae64f8bbd6b2619a", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/73d400cd87c987162003e3744bcc75c1.jpg?itok=1HPdGPUp", "level": "primary", "title": "Ma Hlaing Than Tun", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/73d400cd87c987162003e3744bcc75c1.jpg?itok=sjviH13l", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/73d400cd87c987162003e3744bcc75c1.jpg?itok=pXyAhR9R", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/73d400cd87c987162003e3744bcc75c1.jpg?itok=yJkk0N5k", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/73d400cd87c987162003e3744bcc75c1.jpg?itok=Ksn00HqD", "mfid": "73d400cd87c987162003e3744bcc75c1", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "Singing the Songs of Life and Playing the Chauk Lon Pat (six tuned drums): Ma Hlaing Than Tun (b. 1956)", "desc": "<span>Born in Mandalay, Ma Hlaing Than Tun began training in classical singing from the age of 10. He sought instruction from several <i>hsaing waing </i>masters to refine his skills in Burmese classical music, and joined the Burmese national orchestra in 1975. Recently retired, Ma Hlaing Than Tun remains active on the music scene, and is not only involved in recording, production, and tours, but is also dedicated to composing and teaching traditional music.</span>", "musicName": "無", "weight": 39, "secondaryObj": { "level": "secondary", "oid": "dd3323b466e9950cbd68959567b2e2a3", "title": "Ma Hlaing Than Tun 創作樂曲的手稿", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/5f58172712ce221746594fb990315e4c.jpg?itok=Pe2dwu1M", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/5f58172712ce221746594fb990315e4c.jpg?itok=5ATpGDXe", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/5f58172712ce221746594fb990315e4c.jpg?itok=2oFXZL6_", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/5f58172712ce221746594fb990315e4c.jpg?itok=W1rgQCZC", "mfid": "5f58172712ce221746594fb990315e4c", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/5f58172712ce221746594fb990315e4c.jpg?itok=j0cpCa5N", "fileType": "image", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "musicText": "", "musicURL": "" }, "basic-flainlf9t1": { "id": "basic-flainlf9t1", "type": "basic", "sortable": true, "primaryObj": { "oid": "f760f75c0bbe542f622bc3deb561a675", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/4032120fb1eca1dc9a8eaa4c7aea5e0a.jpg?itok=RXcR4Qny", "level": "primary", "title": "Myo Hein Oo 於SOE錄音室側影", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/4032120fb1eca1dc9a8eaa4c7aea5e0a.jpg?itok=IyX4GiM6", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/4032120fb1eca1dc9a8eaa4c7aea5e0a.jpg?itok=hAWlm1Ge", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/4032120fb1eca1dc9a8eaa4c7aea5e0a.jpg?itok=unK4YIET", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/4032120fb1eca1dc9a8eaa4c7aea5e0a.jpg?itok=YDQFPNHi", "mfid": "4032120fb1eca1dc9a8eaa4c7aea5e0a", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "From Instrument Production to Musical Performance -- Myo Hein Oo (b. 1978)", "desc": "<span>Born to a musical family, Myo Hein Oo’s father and three brothers are all renowned <i>hsaing waing </i>performers. He established the Hein Yar Zar Hsaing Waing Orchestra<i> </i>in 2006, releasing several albums; and was active in various performance<i> </i>circuits to wide acclaim. In addition to performing, he has also apprenticed in drum making with several masters, and is among very few musicians in Yangon with the ability to make drums.</span>", "musicName": "無", "weight": 40, "secondaryObj": { "level": "secondary", "oid": "f4b30667114479f5023cd2bd694ef7b7", "title": "Myo Hein Oo 樂團招牌", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b7db5f7aa06a7a046902ed5152b8c7af.jpg?itok=QPCOfsB7", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b7db5f7aa06a7a046902ed5152b8c7af.jpg?itok=BFbFuKp_", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b7db5f7aa06a7a046902ed5152b8c7af.jpg?itok=rDOJGr77", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b7db5f7aa06a7a046902ed5152b8c7af.jpg?itok=FXHvjA8N", "mfid": "b7db5f7aa06a7a046902ed5152b8c7af", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b7db5f7aa06a7a046902ed5152b8c7af.jpg?itok=CcYBqFuG", "fileType": "image", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "musicText": "", "musicURL": "" }, "basic-drarq8vh6w": { "id": "basic-drarq8vh6w", "type": "basic", "sortable": true, "primaryObj": { "oid": "f7b44f3f8489b1cbddd4a3382ab09098", "fileType": "video", "fileURI": "https://openmuseum.tw/muse_download/fd225b592f732f00c892b7fd060216e8", "level": "primary", "title": "U Myint Maung紀錄片", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/externals/43e3a3d62b7577afa4d5af3491b0619f.jpg?itok=kXXZJfbe", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/styles/thumbnail_medium/public/externals/43e3a3d62b7577afa4d5af3491b0619f.jpg?itok=mCXGUmBN", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/styles/thumbnail_big/public/externals/43e3a3d62b7577afa4d5af3491b0619f.jpg?itok=Vv5YLoQx", "background": "https://openmuseum.tw/files/muse_portal/styles/w1920/public/externals/43e3a3d62b7577afa4d5af3491b0619f.jpg?itok=vMhiSgyK", "mfid": "fd225b592f732f00c892b7fd060216e8", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "title": "National Treasure Saung-Gauk (arched harp) Player -- U Myint Maung (1945-2005)", "desc": "<div><span>The national treasure-level <i>saung-gauk</i> harpist U Myint Maung studied with legendary maestro U Ba Than, and won the Mandalay Art School competition in 1965. Internationally acclaimed for his exquisite harp skills, he has released countless albums. Existing <i>saung-gauk</i> instructional texts today are all re-productions of U Myint Maung manuscripts, which illustrates his profound influence on the instruction of the <i>saung-gauk</i> harp in Burma.</span><br></div>", "musicName": "無", "weight": 41, "secondaryObj": { "oid": "4182e7facb94d388f9973011fb06fc8b", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3a013ba0d417cb471a95ff6ea11cb895.jpg?itok=Yxawi5B_", "level": "secondary", "title": "U Myint Maung演奏側影", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3a013ba0d417cb471a95ff6ea11cb895.jpg?itok=8rYqBeH1", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/3a013ba0d417cb471a95ff6ea11cb895.jpg?itok=iV7aF7qa", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/3a013ba0d417cb471a95ff6ea11cb895.jpg?itok=KUGC8NQc", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/3a013ba0d417cb471a95ff6ea11cb895.jpg?itok=9uFtul-v", "mfid": "3a013ba0d417cb471a95ff6ea11cb895", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中研院民族所博物館 Museum of the Institute of Ethnology, Academia Sinica", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "fileOversize": false }, "musicText": "", "musicURL": "" }, "quote-dknbltukxq": { "id": "quote-dknbltukxq", "type": "quote", "sortable": true, "musicName": "無", "weight": 42, "desc": "<span>Burma<span> made strides toward a quasi-civilian government amid a wave of democratic reforms in 2011, ushering in a new era in the transition from military government to democracy. The gradual opening up to foreign capital, the thriving industrial technological investments, and a high degree of globalized information and population mobility have contributed to accelerating the social and economic development of Burma. These have also created drastic changes to Burmese music. 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This attachment has benefited his establishing of his musical identity under the Asian Pacific power structure.</span><br></div>", "musicName": "無", "weight": 43, "musicText": "", "musicURL": "" }, "quote-2qzyoyb2o4": { "id": "quote-2qzyoyb2o4", "type": "quote", "sortable": true, "musicName": "無", "weight": 44, "desc": "<span>The modernity of contemporary music manifests in pointing out the various possibilities for “tradition” as intervention into various “present” perspectives, and vice versa. Hence, we can no longer regard music as an essentialized certainty, but varying degrees of continued re-production with ambiguous boundaries. Whether the Pyu music as documented by Tang Dynasty historiographers, the Qing Dynasty designations as Burmese “coarse” or “fine” music, the dance “Gleanings from Buddha Fields” performed by the Denishawn Dance Company, or the national music established by Burmese nationalism, each provides a perspective for how music should be presented, rather than simply focusing on the music itself.</span>", "musicText": "", "musicURL": "" }, "quote-zxjgmp0be0": { "id": "quote-zxjgmp0be0", "type": "quote", "sortable": true, "musicName": "無", "weight": 45, "musicText": "", "musicURL": "", "desc": "<b>In an overview of the history of Burmese music and dance over millennia, it is clear that the tradition of “re-production” is the legacy has endured to-date.<br></b><br><span>In the process of contextualization and recontextualization, the appearance of <i>thachin gyi</i> music has been infinitely regenerated and interpreted in diverse ways. 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