Entering Through the Front Gate

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The architectural appearance and interior decoration are ingenious, with a classic and modern style that also incorporates elements of European style, Moorish Style (Isalamic &amp; Arabic), Chinese culture, Taiwanese tradition, and Japanese characteristics.<br>\u3000\u3000At the time, the Japanese government built the Taipei City Public Auditorium with nearly one million Japanese yen. It is a four-story modern building with an assembly and banquet hall. The scale is second only to Tokyo Hibiya Public Hall, Osaka City Central Public Hall, and Nagoya Civic Assembly. After its completion, it became one of Japan\u2019s four major public auditoriums. It was designed and built with characteristics that profoundly reflected the ideas of the colonial government. On the one hand, it gives meaning to a \u201cmilestone of modernization\u201d and serves as a landmark to the fruitful achievements of Japanese rule in Taiwan. On the other hand, it takes the opportunity to remove the Qing Dynasty\u2019s official offices, such as the Qing D ynasty Taiwan Provincial Administration Hall, from the site to erase the people\u2019s memory of the former Chinese regime. The design of the Taipei City Public Auditorium, which faces west and east toward the rising sun, expresses the designer\u2019s reverence and attachment to his home country of Japan.<br>\u3000\u3000Putting aside the political considerations of the Taipei City Public Auditorium, the multi-purpose hall is a work of art worthy of careful appreciation. In addition to its longstanding role as Taipei\u2019s premier venue for arts and cultural performances and as a cradle for artistic culture, the outstanding people who have come and gone here, and the remarkable stories that have been told all add to the vividness of this magnificent building.<br>\u3000\u3000Now, we will open the front gate of the Taipei\nCity Public Auditorium and enter this ancient building, exploring from\nevery brick and tile in this building the memories from former times that have\nbeen sealed inside.","musicText":"","musicURL":"","title":"The Architecture of Zhongshan 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During the planning process, the building was expanded and finally became what it is today. The initial designer was Wentaro Nagashima, the Department Chief of the Taipei City Hall Maintenance and Repair Division. In 1932, when the design was finalized, Ide Kaoru, the Director of the Taiwan Soutokufu (Government-General of Taiwan), was appointed as the coordinator. These two were undoubtedly the two driving forces behind the Taipei City Public Auditorium.<br><\/span><span>\u3000\u3000Ide Kaoru (1879-1944) graduated from Tokyo Imperial University with a degree in architecture. He came to Taiwan in 1910 to work at the Taiwan Soutokufu (Government-General of Taiwan), serving as President of the Architectural Institute of Taiwan. He was involved in several projects. Aside from the Taipei City Public Auditorium, there is also the campus of National Taiwan University (the Administration Building, the College of Liberal Arts, the Old Main Library) and the High Court. He was a central figure in the construction of the Taipei City Public Auditorium, and it was he who reported on the construction process at the inauguration ceremony and who wrote the completion report, the \"Report on the Completion of the Taipei City Public Auditorium.\"<br>\u3000\u3000The other person in charge, Wentaro Nagashima (1883-?), was the Chief of the Taipei City Construction Division. As the highest-ranking construction official in the Taipei City Hall Office, he was instrumental in planning and constructing the Taipei City Public Auditorium. Nagashima was also an active architect. In 1912, the Taiwan Soutokufu (Government-General of Taiwan) established the Department of Carpentry of the Industrial College, the precursor to the Department of Architecture at the National Taipei University of Technology. Wentaro Nagashima was one of the first faculty members of the Department.<br>\u3000\u3000These two men were not only the driving force behind the Taipei City Public Auditorium but also devoted themselves to the concept of \"localization\u201d to approach Taiwan\u2019s architecture, which had a profound impact on the architecture of the public sector in Taiwan in the early twentieth century.<br><\/span><\/span>","musicText":"","musicURL":"","displayMode":"fixed-width-loop-off"},"basic-2c9hyutpvn":{"id":"basic-2c9hyutpvn","type":"basic","sortable":true,"primaryObj":{"oid":"5b858dc02e9ead7e115f5c08711606cd","fileType":"image","fileURI":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/w1024\/mcode\/c6daa9faef2aae4ae52afd68d1b43ce8.jpg?itok=WX3kymza","level":"primary","title":"\u81fa\u5317\u516c\u6703\u5802\u68df\u672d","desc":"","thumbURI":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/square_thumbnail_100\/mcode\/c6daa9faef2aae4ae52afd68d1b43ce8.jpg?itok=GqEhrbHW","thumbMediumURI":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/thumbnail_medium\/mcode\/c6daa9faef2aae4ae52afd68d1b43ce8.jpg?itok=gRuXUvmX","thumbBigURI":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/thumbnail_big\/mcode\/c6daa9faef2aae4ae52afd68d1b43ce8.jpg?itok=p-CqHEsY","background":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/w1920\/mcode\/c6daa9faef2aae4ae52afd68d1b43ce8.jpg?itok=g8mqnEdv","mfid":"c6daa9faef2aae4ae52afd68d1b43ce8","musicURL":"","musicName":"","fileCreator":"","rights":"\u9ec3\u83ef\u5b89","rightsLogo":"https:\/\/openmuseum.tw\/files\/muse_portal\/styles\/square_thumbnail_100\/public\/default_rights\/memder_non-03.png?itok=h0rkcAOw","fileLicence":"\u8457\u4f5c\u6b0a\u5229\u6240\u6709-\u50c5\u80fd\u700f\u89bd","fileDisableLink":0,"sourceID":"","creator":"","fileOversize":false},"title":"\u8acb\u8f38\u5165\u9801\u9762\u6a19\u984c","desc":"<span><br>\u3000\u3000If you explore inside the spacious building of Zhongshan Hall, you will\nsee there is a catwalk near the ceiling of the Zhongzheng Auditorium. There you\nwill definitely see an enormous wooden plaque that cannot be ignored: the\n\"Munafuda,\" which is like an ID card for the Taipei City Public Auditorium, it says when it was built.<br><\/span>\u3000\u3000In Japanese-style buildings, they use something called a \u201cMunafuda.\u201d It is written on wooden planks, inscribed with when the Munafuda&nbsp; &nbsp;was when the Munafuda was raised to the roof of the ceiling.&nbsp; The owner, the designer, the contractor, the supervisor, and so on&nbsp; &nbsp;all gathered for a \u201cJyotoshiki\u201d ceremony, during which the shrine priest and the owner will place the \"Munafuda\" and fix it to the highest beam of the building.&nbsp;\n\n<br><span>\u3000\u3000The \"Munafuda\" of the Taipei City Public Auditorium is a two-meter-tall wooden sign still hanging high above the catwalk in the Zhongzheng Auditorium. The front and back sides of the Munafuda are both inscribed, but we can only see the front side of the Munafuda. The middle line reads \"House of Offering to Guardian Toyoukebime,\" \"Toyoukebime,\" is the Japanese goddess of agriculture and industry, indicating that the goddess Toyoukebime is the guardian of the Taipei City Public Auditorium. In Japanese mythology, on the right side of the Munafuda is the chronology of the first emperor, Emperor Jimmu; on the left side of the Munafuda is the chronology of the reigning Emperor Sh\u014dwa (Hirohito). \"June 13 of the year of Showa Kinotoi (June 13, 1935)\" is also the exact date when the Munafuda was raised to the roof of the ceiling.&nbsp;<br><\/span>\u3000\u3000The Munafuda is like an ID card for the building. It contains information about the owner and contractor and also clarifies the ownership and responsibility of the building. The name of the guardian deity placed in the middle is even more important, representing the blessing of the gods and Buddhas. In this way, the Munafuda is an object of communication between the human world and the gods. As long as the building is intact, the Munafuda will always convey the blessing of the guardian deity and the builder over the 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the outside, the Taipei\nCity Public Auditorium is a compound building. It is symmetrical, like a stack\nof blocks, combining a large hall (Zhongzheng Auditorium) in front and a large\nbanquet hall (Guangfu Auditorium). The structure of the building is mainly made\nof giant building blocks, with ten small and medium building blocks stacked on\ntop of each other, creating a visual effect of straight geometric lines, which has\na modernist style. The building's architecture is particularly fascinating\nbecause it comprises layers of blocks to create an imposing whole.<br><\/span>\u3000\u3000From the outside, the Taipei\nCity Public Auditorium is a compound building. It is symmetrical, like a stack\nof blocks, combining a large hall (Zhongzheng Auditorium) in front and a large\nbanquet hall (Guangfu Auditorium). The structure of the building is mainly made\nof giant building blocks, with ten small and medium building blocks stacked on\ntop of each other, creating a visual effect of straight geometric lines, which has\na modernist style. 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Conyngham \u65e9\u5e74\u65bc\u4e2d\u83ef\u5546\u5834\u6536\u8cfc\uff0c2002 \u5e74\u6350\u8d08\u5165\u85cf\u3002The wooden bottom part is red-painted, decorated with coppers and shells; the upper part is a netting pocket, its mouth is decorated with small rattan rings and a strand that can tie up the mouth. Hollowing out a whole section of a log is the most common approach to make a kit. All sides of the kit, except the bottom, are made with carvings. The themes of carvings usually are humans and animals: the patterns of\u00a0hundred-pace snake (Deinagkistrodon) and deer are the most typical. Items equipped with the kit are diverse in different tribes. But, generally, the kit is equipping with small knives, bamboo tubes, wooden-square plates, pig skins, pig bones, bark, nuts, small gourds, and pebbles. Purchase by Edward F. Conyngham in Zhonghua Rd. shopping center (Taipei), donated to the Museum of the Institute of Ethnology in 2002. 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It is a style of architecture that blends classical and modern\nelements. The Taipei City Public Auditorium is the most typical representative\nof eclecticism in Taiwan. From the interior and exterior, both classical and\nmodern features can be seen everywhere.<br><\/span><span>\u3000\u3000The exterior of the Taipei City Public Auditorium has a\nstepped pediment. Compared to the pointed arch of the Greek Romanesque church,\nthe stepped roof is more subdued. In contrast to the straight classical style\nof the pediment, the stepped form shows the influence of the Art Deco style\nthat was born during the war.<br><\/span>\u3000\u3000The picture shows the longitudinal section of\nthe Taipei City Public Auditorium, which clearly shows the internal structure\nof the building. The leftmost side is the entrance to the main building, has a grand\ncentral staircase is set up behind the center of the main building. It cleverly\nseparates the east and west sides of the main building into a grand assembly\nhall in front (also known as the Zhongzheng Auditorium post-war) and a grand\nbanquet hall in the back (also known as the Guangfu Auditorium post-war), each\nforming an independent space.\n\n<span>The north and south\nsides of the building are composed of exhibition rooms, general assembly rooms,\nVIP rooms, and service spaces such as entertainment rooms and restaurants open\nto the general public.<br><\/span>\u3000\u3000The picture shows the longitudinal section of\nthe Taipei City Public Auditorium, which clearly shows the internal structure\nof the building. The leftmost side is the entrance to the main building, has a grand\ncentral staircase is set up behind the center of the main building. 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When we walk up the stairs, a monumental light plaster relief sculpture appears in our eyes, this is the treasure of Zhongshan Hall: the Water Buffaloes.<\/div><div>\u3000\u3000Water Buffaloes (formerly known as The Southern Country) is the work of Taiwan's first sculptor, Huang Tu-shui, and was donated to the Taipei City Public Auditorium by Huang's widow, Liao Chiu-Gui when the Taipei City Public Auditorium was completed in 1936.&nbsp; The official decision was made to place it on the front wall of the central staircase for permanent public viewing. Water Buffaloes is a piece of artwork by Huang Tu-shui completed in 1930, which is 2.5 meters high and 5.55 meters wide. It is a rare masterpiece in Taiwan's art history and a masterpiece designated as a national treasure by the Ministry of Culture in 2009.<br><\/div><div>\u3000\u3000The scene is set in a banana garden in summer, with five buffaloes crossing heads and tails and three naive shepherd boys. On the left side, a shepherd boy rides on the back of a buffalo, holding a long pole and wearing a bucket hat, with a mischievous look on his face. On the right side, one of the shepherd boys wears a bucket hat and sits on the back of the buffalo, while the other stands in front of the buffalo, holding his hand on the buffalo's jaw, seemingly whispering to the buffalo. The harmonious integration of man and nature has a poetic and philosophical sense of the unity between nature and humanity. The vivid composition makes people feel the bright southern sun and hot, humid air. 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The local scenery of Taiwan was the source of his creation and the eternal peach blossom the source in his heart, and he was particularly good at using buffalo as his subject matter. <i>Water Buffaloes<\/i> is a low-relief sculpture. It has a very limited depth, he succeeded in depicting the musculature and weight of the buffalo's body, as well as the draping of the banana leaves and the shiny skin of the naked shepherd boy. The details are vivid and lifelike, presenting the genuine sentiment of the countryside in Taiwan using the techniques of Western sculpture.<\/div><div>\u3000\u3000In 1930, he died in Tokyo at the age of 36 after overworking himself to produce <i>Water Buffaloes<\/i>.<br><\/div><div><div>\n\n<\/div>\n\n<\/div>","musicName":"\u7121","weight":26,"musicText":"","musicURL":""},"basic-9r77sr634b":{"id":"basic-9r77sr634b","type":"basic","sortable":true,"primaryObj":{"oid":"01a15ff8665ed94e57c70cb0a3940cca","fileType":"image","fileURI":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/w1024\/mcode\/7ef392b81de9392c506a0b62d4c3982d.jpg?itok=sWr_iV4B","level":"primary","title":"\u9ec3\u571f\u6c34\u8207\u300a\u6c34\u725b\u7fa4\u50cf\u300b\u5408\u5f71\u7167\u7247","desc":"","thumbURI":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/square_thumbnail_100\/mcode\/7ef392b81de9392c506a0b62d4c3982d.jpg?itok=_ehRJUv_","thumbMediumURI":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/thumbnail_medium\/mcode\/7ef392b81de9392c506a0b62d4c3982d.jpg?itok=K55OVtLS","thumbBigURI":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/thumbnail_big\/mcode\/7ef392b81de9392c506a0b62d4c3982d.jpg?itok=uPtcVQvH","background":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/w1920\/mcode\/7ef392b81de9392c506a0b62d4c3982d.jpg?itok=0iMyONCq","mfid":"7ef392b81de9392c506a0b62d4c3982d","musicURL":"","musicName":"","fileCreator":"","rights":"\u300a\u81fa\u7063\u7f8e\u8853\u5168\u96c619 \u9ec3\u571f\u6c34\u300b","rightsLogo":"https:\/\/openmuseum.tw\/files\/muse_portal\/styles\/square_thumbnail_100\/public\/default_rights\/memder_non-04.png?itok=gq-PTcKL","fileLicence":"\u8457\u4f5c\u6b0a\u5229\u6240\u6709-\u50c5\u80fd\u700f\u89bd","fileDisableLink":0,"sourceID":"","creator":"","fileOversize":false},"title":"\u8acb\u8f38\u5165\u9801\u9762\u6a19\u984c","desc":"<div><i><br>\u3000\u3000Water Buffaloes<\/i> is the last work of Huang Tu-shui's life, and it is also the work that he labored over the most, which ultimately led to his death. The photograph of him with the work shows the magnitude of this art piece. The plasterboard was initially cut into eight pieces before it could be shipped back to Taiwan from Japan and then joined together as one upon arrival.<\/div><div>\u3000\u3000In the 1980s, under official auspices, two bronze reproductions of the original work were made and placed in the Taipei Fine Arts Museum and the National Taiwan Museum of Fine Arts, respectively, while the fiberglass model used for the reproduction was placed in the Kaohsiung Museum of Fine Arts. 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May 9 and 10, 1931, one\nyear after Huang Tu-shui\u2019s death, his family and friends held an exhibition of\nhis posthumous works in the old hall of the Taiwan Soutokufu (Government-General\nof Taiwan). It is directly listed in the catalog as the \"Old Office of the\nGovernor-General,\" the same place where the Taipei City Public Auditorium\nwas later built. There were a total of 79 art pieces by Tu-shui Huang on\ndisplay, including <i>Sweet Dew<\/i>, which\nwas selected for the Imperial Art Exhibition in 1921, and <i>Water Buffaloes<\/i>, which was later donated to the Taipei City Public Auditorium\n(also featured in this exhibition). This catalog is an important basis for the\nstudy of Huang Tu-Shui today.<\/span>","musicText":"","musicURL":"","displayMode":"fixed-width-loop-off"},"basic-55h1brinvo":{"id":"basic-55h1brinvo","type":"basic","sortable":true,"primaryObj":{"oid":"fd2da545f6fa9b129141a4f4689b9fe6","fileType":"image","fileURI":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/w1024\/mcode\/94ff3c3e8533405ed11f46763933d939.jpg?itok=erqFKVij","level":"primary","title":"\u9ec3\u571f\u6c34\u907a\u4f5c\u6350\u8d08\u5831\u5c0e","desc":"","thumbURI":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/square_thumbnail_100\/mcode\/94ff3c3e8533405ed11f46763933d939.jpg?itok=LJ4XEmrX","thumbMediumURI":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/thumbnail_medium\/mcode\/94ff3c3e8533405ed11f46763933d939.jpg?itok=mWI9wpai","thumbBigURI":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/thumbnail_big\/mcode\/94ff3c3e8533405ed11f46763933d939.jpg?itok=Tt6HHIAY","background":"https:\/\/openmuseum.tw\/files\/muse_portal\/muse_styles\/w1920\/mcode\/94ff3c3e8533405ed11f46763933d939.jpg?itok=aGT5lRw9","mfid":"94ff3c3e8533405ed11f46763933d939","musicURL":"","musicName":"","fileCreator":"","rights":"\u81fa\u7063\u65e5\u65e5\u65b0\u5831","rightsLogo":"https:\/\/openmuseum.tw\/files\/muse_portal\/styles\/square_thumbnail_100\/public\/default_rights\/memder_non-02.png?itok=fGKM5I0r","fileLicence":"\u8457\u4f5c\u6b0a\u5229\u6240\u6709-\u50c5\u80fd\u700f\u89bd","fileDisableLink":0,"sourceID":"","creator":"","fileOversize":false},"title":"\u8acb\u8f38\u5165\u9801\u9762\u6a19\u984c","desc":"<div><br>\u3000\u3000A few years after Huang Tu-shui's death, the Taipei City Public Auditorium was finally inaugurated on the site of an exhibition of his posthumous works. 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