Dance performances history at the Zhongshan Hall

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The Zhongshan hall was completed in 1937, and\n\"Father of Japanese Modern Dance\" Ishii Baku performed here. His student, Tsai Jui-yueh, had her first presentation in Taiwan\nat Zhongshan Hall, after returning\nfrom studying in Japan. Similarly, the dance exhibition\nby Hsu Ching-Kao, known as Taiwan's first male ballet dancer, also took place\nhere. After 1950, the\npromotion of national dance by the authorities led many dancers to present\nworks with national significance on the stage of the Zhongshan Hall.\nFor example, Liu Feng-shueh’s Tang Dynasty\ndance, which blends tradition and modernity, was first showcased at the Zhongshan Hall.<br>　　In the 1960s, there was frequent\ncultural exchange between Taiwan and the United States. Modern dance troupes\nfrom the United States brought new perspectives and techniques, with Chinese\ndance artist Wong\nYen-Lu having a particularly profound\ninfluence. These creative\nendeavors and explorations eventually blossomed into immense artistic energy in\nthe works of Lin Hwai-min and Cloud Gate Dance Theatre. In 1973, Cloud Gate\nDance Theatre made its debut, which took place at the Zhongshan Hall.<br></div><div>　　After the mid-1970s, large-scale\ndance performances gradually shifted to other venues, and a glorious chapter\nbelonging to Zhongshan Hall came to a close.&nbsp;The dances that graced Zhongshan\nHall during those years, which navigated the realms of modernity and tradition,\ncrossing boundaries and embracing innovation, resulting in a diverse and\nvibrant range of styles.&nbsp;Let us explore together the\ntrailblazers of the dance world and their graceful movements performed on the\nstage of the Zhongshan Hall.<br></div>", "musicText": "", "musicURL": "" }, "theme-zfyolfm9pa": { "id": "theme-zfyolfm9pa", "type": "theme", "sortable": true, "primaryObj": { "level": "primary", "oid": "9727f1eef6bc245a3c6f52516152b4e3", "title": "石井漠來臺演出報導", "desc": "", "thumbURI": 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"imgs-xl5fks681q-1e8f80577i": { "id": "imgs-xl5fks681q-1e8f80577i", "title": "石井漠來臺演出報導", "desc": "", "primaryObj": { "oid": "9727f1eef6bc245a3c6f52516152b4e3", "title": "石井漠來臺演出報導", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/f1071ac202a1454ee0a63f48cbb4bfbb.jpg?itok=uiqb4I-1", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/f1071ac202a1454ee0a63f48cbb4bfbb.jpg?itok=dYhVzP2x", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/f1071ac202a1454ee0a63f48cbb4bfbb.jpg?itok=WcNuLCp7", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/f1071ac202a1454ee0a63f48cbb4bfbb.jpg?itok=qU0Gq4sY", "mfid": "f1071ac202a1454ee0a63f48cbb4bfbb", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/f1071ac202a1454ee0a63f48cbb4bfbb.jpg?itok=xxEG_6Dd", "fileType": "image", 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"https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/1dc9545fac07b7b0935dbd6a5cf54949.jpg?itok=tkfBAuvQ", "mfid": "1dc9545fac07b7b0935dbd6a5cf54949", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/1dc9545fac07b7b0935dbd6a5cf54949.jpg?itok=0FEPLvNC", "fileType": "image", "fileCreator": "", "rights": "wikipedia", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "公眾領域標章（Public Domain Mark）", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "desc": "<br>　　With the establishment of the\nPublic Hall, renowned Japanese modern dance troupes took to the stage, bringing\na different aesthetic experience to Taiwanese audiences. Known as the\n\"Father of Japanese Modern Dance,\" <span>Ishii Baku\nand his dance troupe came to Taiwan in 1937 and held a two-day performance at\nthe Public Hall on May 22 and 23. They performed again at the Public Hall on\nFebruary 8, 1940.<br></span>　　At the age of forty, Ishii Baku\nwas in a stage of artistic maturity and had a wide-ranging and profound\ninfluence on the dance scenes of East Asia (Japan, Korea, and Taiwan). Early\nTaiwanese d<span>ancers\nsuch as Tsai Jui-Yueh, Lee<span> Tsai-Eh, and\nLin Ming-De, all studied in Japan during this period and became students of\nIshii Baku. Tsai Jui-Yueh once mentioned that she was deeply moved by Ishii\nBaku 's performances, which further strengthened her determination to pursue a\ncareer in dance.<br></span></span><div>　　Ishii Baku (1886-1962), originally named Ishii Tadasumi, was born in Akita Prefecture, Japan. He is renowned as the \"Father of Japanese Modern Dance.\" In his youth, he aspired to become a composer, but later, when he relocated to Tokyo in 1909, then he decided to pursue dance. He began studying classical ballet, and in 1915, he collaborated with German composer Yamada Kosaku to advocate for \"dance poetry.\" In 1921, Ishii traveled to Europe to explore modern dance and absorb the ideas of many influential contemporary dancers. Upon returning to Japan, he established the Dance Research Institute in Meguro, Tokyo, in 1928, which later became the \" Ishii Baku Dance and Physical Education School.\" Throughout his life, Ishii devoted himself to the pursuit of artistic freedom and nurtured numerous dance talents.</div><div>　　Ishii Bake has been to Taiwan many times and performed at the Public&nbsp; Hall twice. According to a report in the \"Taiwan Nichi-nichi Shimbun\" newspaper in 1940, he led his dance troupe on a tour of East Asia, providing entertainment for the Japanese military. Among the members of the troupe was Lin Ming-De, a renowned dancer in Taiwan. In 1947, Ishii's student, Tsai Jui-Yueh,, returned to Taiwan from Japan, and held her first dance presentation at the Zhongshan Hall.<br></div>", "musicText": "", "musicURL": "" }, "basic-16ffx4o58z": { "id": "basic-16ffx4o58z", "type": "basic", "sortable": true, "primaryObj": { "oid": "beab29a2dcc14079bc07be0f64942eae", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/fff52c18bf46a40a9ff0cf9bd471a254.jpg?itok=lPxXryER", "level": "primary", "title": "蔡瑞月與林沖合舞照片", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/fff52c18bf46a40a9ff0cf9bd471a254.jpg?itok=7IYGq2Hq", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/fff52c18bf46a40a9ff0cf9bd471a254.jpg?itok=rokvBdcN", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/fff52c18bf46a40a9ff0cf9bd471a254.jpg?itok=IU3bla1j", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/fff52c18bf46a40a9ff0cf9bd471a254.jpg?itok=Pk8UOgDm", "mfid": "fff52c18bf46a40a9ff0cf9bd471a254", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "林沖", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "請輸入頁面標題", "desc": "<div><span><br>　　Tsai Jui-Yueh\n(1921-2005), born in Tainan, went to Japan in 1937 to study modern dance. She\nstudied under Baku Ishii and his student, Ishii Midori, and then performed with\nIshii Baku 's dance troupe on tours to various locations in Japan. And later,\nthis dance troupe travling to Guangdong, Southeast Asia such as Malaysia, and\nVietnam for performance. She returned to Taiwan in 1946 and held a performance\nat Zhongshan Hall in January 1947, accompanied by the Taiwan Provincial\nExecutive Office Symphony Orchestra (now the National Taiwan Symphony\nOrchestra). The performance was grand and well-received. Unfortunately, in\n1949, Tsai Jui-Yueh fell victim to the White Terror era. She was separated from\nher husband and imprisoned. After her release in 1952, she continued to pursue\ndance and established the \" Tsai Jui-Yueh Dance Art Research Society\"\n(later renamed the \"Chinese Dance Artists Association\"), contributing\nto the cultivation of numerous outstanding dance professionals in Taiwan.<br>　　</span>Tsai Jui-Yueh dance repertoire was remarkably diverse, including modern dance and ballet pieces heavily influenced by her teacher, Ishii Baku. As well as Taiwanese indigenous dance dramas and Chinese ethnic dances. Despite the hardships she faced throughout her life, Tsai Jui-Yueh 's passion for dance remained unwavering. She ultimately became a highly influential figure in the history of Taiwanese dance and is revered as the \"Mother of Taiwanese Modern Dance.\"<br></div><div>　　The Tsai Jui-Yueh's Dance Art Research Society is located in a quiet alley off Zhongshan North Road in Taipei City. It was originally a government official's residence built in 1920 during the Japanese colonial period. It’s designated as a municipal historic site in Taipei City, it not only serves as a tourist attraction but also holds significant importance as a base for Taiwan's dance history.<br></div><div>　　In January 1955, Tsai Jui-Yueh held a two-day dance appreciation event at the Zhongshan Hall, presenting her dance work \"Moon\" accompanied by Beethoven's \"Moonlight Sonata.\" Tsai Jui-Yueh performed a pas de deux with her male student Lin Xi-xian, and the program was highly acclaimed, receiving abundant praise in multiple reviews.</div>", "musicName": "無", "weight": 4, "musicText": "", "musicURL": "" }, "basic-layijxdqob": { "id": "basic-layijxdqob", "type": "basic", "sortable": true, "primaryObj": { "oid": "adf0f4c6e2a20357f479d16b77d4f5e0", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/e93242a1c8dfd12e315a4676653eb356.jpg?itok=mToU-hLB", "level": "primary", "title": "蔡瑞月與林沖合舞照片", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/e93242a1c8dfd12e315a4676653eb356.jpg?itok=T_F5J7Ln", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/e93242a1c8dfd12e315a4676653eb356.jpg?itok=9Chs2QSN", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/e93242a1c8dfd12e315a4676653eb356.jpg?itok=iC3iGKKl", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/e93242a1c8dfd12e315a4676653eb356.jpg?itok=9tKBPCrQ", "mfid": "e93242a1c8dfd12e315a4676653eb356", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "林沖", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "請輸入頁面標題", "desc": "<div><br>　　In January 1954, Tsai Jui-Yueh published an article titled \"On the Art of Dance\" in the United Daily News. She stated, \"Dance art... creates an artistic realm through the rhythm of the body. It is essential to imbue every rhythmic movement of the body with a spirit of life consciousness.\" For Tsai Jui-Yueh, who had experienced significant upheavals and personal setbacks, dance was a means of expressing her consciousness of life.</div><div>　　In her work \"Moon,\" Tsai Jui-Yueh's eyes shimmered as her body gracefully extended. 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She performed\na total of 164 dances exclusively at the Zhongshan Hall. The public dance\npresentations seemed to represent her personal freedom and the artistic\nindependence. 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He entered the entertainment industry and became a popular star in Hong Kong, Taiwan, and Japan, known as the \"Diamond King of Songs,\" Lin Chong.</div><div>　　Lin Chong personally wrote his signature in both Chinese and Japanese characters. 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He was from Pingtung and was once a prominent male dancer\nin the dance company led by Japanese ballet dancer Azuma Yusaku.<br></span><span>　　Hsu Ching-Kao was\ndeeply dedicated to classical ballet. In addition to recruiting students, he\nalso wrote articles in newspapers, created new choreographies, and actively\npromoted ballet. On December 1, 1957, Hsu Ching-Kao and his students performed\nat Zhongshan Hall. The report described it as an \"unprecedented\nsuccess,\" particularly highlighting two dance pieces, \"Moonlight\nFairy\" and the ballet \"The Golden Slave.\" The lighting and stage\ndesign were meticulously crafted. Attached are several beautiful stills from\nthe performance video.<br></span>　　In fact, at that\ntime, the professional dance critics approached the performance from a\nclassical ballet perspective and had various criticisms of the dancers' skills\nand choreography, believing that the performance \"failed to satisfy.\"&nbsp;However,\nTaiwan was still in the stage of gradual artistic revival after the post-war\nartistic desert. 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Due to the societal atmosphere of cultural transformation, the important mission for dancers became how to embody China through physical expression. Consequently, \"ethnic dance,\" which represented Chinese traditions and incorporated Chinese elements, quickly became the mainstream in the dance industry. This led to a situation where ethnic dance and ballet, both showcasing their beauty, coexisted and thrived in harmony.</div><div>　　Li Tian-min (1925-2007) was a dancer hailing from Liaoning Province in Northeast China. Due to the close cultural exchange between Northeast China and Russia, Li Tian-min had the opportunity to learn ballet, modern dance, as well as possess a foundation in Chinese martial arts and folk dance.<br></div><div>　　After coming to Taiwan, Li Tian-min spent a considerable amount of time collecting indigenous songs and dances. He designed the indigenous dance scenes in several films, and his work in the indigenous dance sequences of the 1964 film \"Black Forest,\" a co-production between Central Motion Pictures Corporation and Shaw Brothers Studio, earned him the Special Award for Best Dance Design at the 11th Asian Film Festival. However, his extensive exploration mainly focused on various forms of ethnic dance. In 1970, he established the Dance Department at the National Academy of Arts (predecessor of the National Taiwan University of Arts), becoming a key figure in nurturing dance talents in Taiwan. He also published dance teaching materials and authored dozens of academic works, including \"History of Taiwanese Dance,\" making him an accomplished dancer in both academia and practice.<br></div><div>　　On December 23, 1958, Li Tian-min's dance training class performed a ballet show titled \"A Dream of Christmas Night\" at Zhongshan Hall. 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originated from Northeast China. She was born in Harbin and\nreceived early training from renowned Russian ballet dancers, which laid a\nsolid foundation for her skills. After coming to Taiwan, she devoted herself to\nteaching students and her influence spread widely. She successfully promoted\nthe culture of children learning dance. Due to her large number of students,\nshe established a wide network of contacts. And in 1964, she was able to raise\na million NTD dollars to build a \"Dance Building\" on Songjiang Road\nin Taipei City, serving as her personal teaching base.<br></span>　　Due\nto her strong foundation, Lioú Yù-Jhih dedicated a great deal of effort to\ndance education and choreography. \n\n<span>Based on available records, between 1957 and\n1975, she held at least eight \"Yù-Jhih Dance Exhibitions\" at\nZhongshan Hall, in the years 1957, 1959, 1962, 1965, 1967, 1969, 1971, and\n1975. These exhibitions featured public performances where she and her students\ntook the stage, with a mix of ballet and ethnic dance routines. The frequent\npublic performances not only provided her students with opportunities to\nshowcase their skills and satisfy their parents, but also allowed the general\npublic to recognize the results of her teaching. This successfully enhanced\nLioú Yù-Jhih's reputation as a dancer and continually honed her skills through\nlong-term choreography rehearsals.<br></span>　　When discussing top\ndancers in Taiwan, Liu Yù-Jhih's name is often overlooked. However, considering\nher ability to promote and popularize the art of dance, as well as her skill in\nmanaging the \"Liu Yù-Jhih\" brand, there is no doubt that she is a\nhighly successful figure. On November 17 and 18, 1962, Liu Yù-Jhih held her\nthird \"Yù-Jhih Dance Exhibition\" at Zhongshan Hall in Taipei City,\nleaving behind precious footage of her performance.<br>", "musicText": "", "musicURL": "" }, "basic-ot479wwb4w": { "id": "basic-ot479wwb4w", "type": "basic", "sortable": true, "primaryObj": { "oid": "250846b3d1ced6e92639371d41bca3a1", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/83e4c3c0bbfa810fbdd987371395a68a.jpg?itok=cSzCZ99e", "level": "primary", "title": "劉鳳學照", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/83e4c3c0bbfa810fbdd987371395a68a.jpg?itok=CjwaY8rd", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/83e4c3c0bbfa810fbdd987371395a68a.jpg?itok=-ygLfarn", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/83e4c3c0bbfa810fbdd987371395a68a.jpg?itok=50_DnQ5B", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/83e4c3c0bbfa810fbdd987371395a68a.jpg?itok=9TiU7_h-", "mfid": "83e4c3c0bbfa810fbdd987371395a68a", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "劉鳳學", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "請輸入頁面標題", "desc": "<div><br>　　Liu Feng-shueh (1925-2023) is another dancer from Northeast China. Due to the proximity of Northeast China to Russia, there were close cultural ties between the two regions.After the October Revolution in Russia in 1917, many Russian aristocrats and elites immigrated to China, bringing with them their expertise in ballet and modern dance.</div><div>　　Liu Feng-shueh was born and raised in Qiqihar, a city in Northeast China. She began studying ballet at a young age and received training in modern dance during her university years. After coming to Taiwan, she taught at Taiwan Provincial Normal University (predecessor of National Taiwan Normal University) in the Department of Physical Education, focusing on dance creation and research. In the mid-1960s, Liu Feng-shueh traveled to Japan to study Tang Dynasty dance, which was preserved there. In the 1970s, she went to Germany to study Labanotation. In 1981, she pursued further studies in the United Kingdom and researched ancient Chinese dance under the guidance of renowned musicologist Lawrence Picken. In 1987, she obtained her doctoral degree from the Laban Centre for Movement and Dance in the UK, becoming the first dance doctorate holder in Taiwan, despite being over sixty years old at the time.<br></div><div>　　Liu Feng-shueh had a lifelong passion for learning and delved deeply into various forms of dance, as well as related theories and history, which she further transformed into materials for stage practice. She had a unique quality that set her apart from other dancers—she pursued a minor in music during her university years, possessing a profound musical foundation and training. She was accustomed to studying musical scores meticulously, connecting the lines of the music notation to bodily movements. She would \"imagine the sounds in her mind until they took on a form\" and then transform them into dance. For nearly forty years, Liu Feng-shueh dedicated her efforts to collecting the songs and dances of Taiwan's indigenous tribes. In 1967, she established the \"Center for Modern Dance Research.\" Following that, she took on the task of reconstructing ancient Chinese dance and founded the \"New Classical Dance Company\" in 1976.<br></div>", "musicName": "無", "weight": 12, "musicText": "", "musicURL": "" }, "imgs-8mizrqij95": { "id": "imgs-8mizrqij95", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "0009272871c4622178107fad6201c1e1", "title": "《牧笛》", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/2d176d956b5bf3beda7ea4bc8f9ce6f8.jpg?itok=rEzcmnwd", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/2d176d956b5bf3beda7ea4bc8f9ce6f8.jpg?itok=eiBD3P8R", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/2d176d956b5bf3beda7ea4bc8f9ce6f8.jpg?itok=-qlu9j1P", "background": 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The event was reported as the \"first\nsystematic and scholarly dance performance in Free China.\" Liu Feng-shueh\nexpressed, \"It has been my dream for many years to create a dance that\nembodies the traditional dance art of our country through the choreography of\nmodern dance, presenting a dance with a distinct national style.\"&nbsp; &nbsp;<br>　　Preserved in Liu Feng-shueh's program booklet,\nthere are photographs of the various dance pieces. 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Finally, in 2002, \"Niao-sheng\" (鳥聲) and \"Ji-sheng\" (急聲) made their debut on the stage of the National Theater and Concert Hall. \n\nAfter 35 years, Liu Feng-shueh successfully\ncompleted the reconstruction of the entire \"Chun-ying-zhuang.\"<br>", "musicName": "無", "weight": 16, "musicText": "", "musicURL": "" }, "basic-klkjmzu9z3": { "id": "basic-klkjmzu9z3", "type": "basic", "sortable": true, "primaryObj": { "oid": "4af8a95eade6e9f296dc5233d24278fe", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3e933485d4ad581468720c5297ff7782.jpg?itok=yhr43Twr", "level": "primary", "title": "劉鳳學向中山堂租借場地信", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3e933485d4ad581468720c5297ff7782.jpg?itok=LCwSumv2", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/3e933485d4ad581468720c5297ff7782.jpg?itok=bUeMK2eV", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/3e933485d4ad581468720c5297ff7782.jpg?itok=bQqnf-vF", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/3e933485d4ad581468720c5297ff7782.jpg?itok=V9M2cdFX", "mfid": "3e933485d4ad581468720c5297ff7782", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "臺北市中山堂", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "請輸入頁面標題", "desc": "<span><br>　　In May 1968, Liu\nFeng-shueh organized a dance performance at Zhongshan Hall, titled\n\"Tradition and Modernity.\" Renowned theater scholar Yao Yiwei\ncommented, saying, \"We (Yao Yiwei and Yu Dagang) were all excited, as if\nwe could sense the birth of new Chinese dance.\"<br></span>　　The Zhongshan Hall\nhas preserved Liu Feng-shueh's handwritten letter requesting the use of the\nvenue. The original scheduled date for the performance was April 20th, but the\nletter requested a change to May 17th. The final approval was given on May 9th,\nwhich became the actual performance date.<br>", "musicName": "無", "weight": 17, "musicText": "", "musicURL": "" }, "basic-68kcpcxrv4": { "id": "basic-68kcpcxrv4", "type": "basic", "sortable": true, "primaryObj": { "oid": "c81d9e1d353c8afc803696b321a2956d", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/948aee699e3bb3cdd8174e42b8270fc1.jpg?itok=nKWchu6n", "level": "primary", "title": "《飛墨》海報", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/948aee699e3bb3cdd8174e42b8270fc1.jpg?itok=EauRB7OH", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/948aee699e3bb3cdd8174e42b8270fc1.jpg?itok=FImNftA9", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/948aee699e3bb3cdd8174e42b8270fc1.jpg?itok=knnyhT4L", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/948aee699e3bb3cdd8174e42b8270fc1.jpg?itok=7S3zvt4r", "mfid": "948aee699e3bb3cdd8174e42b8270fc1", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "新古典舞團", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "請輸入頁面標題", "desc": "<br>　　In January 2005, the New Classical Dance Company was invited to perform at the \"Taipei Chinese Character Culture Festival.\" Liu Feng-shueh created a new dance piece specifically for the occasion called \"Flying Ink\" at the Guangfu Hall of the Zhongshan Hall. The concept behind the performance was \"dancing movements resembling cursive script, as if the dance figures were flying ink.\" Accompanied by the sounds of the Chinese zither and bamboo flute, the dancers' movements were integrated with the artistic conception of calligraphy, presenting the flowing and dynamic nature of cursive script.", "musicName": "無", "weight": 18, "musicText": "", "musicURL": "" }, "theme-mtu42557kf": { "id": "theme-mtu42557kf", "type": "theme", "sortable": true, "primaryObj": { "oid": "ff9385d88cb3a1aa281f323bfeaa121b", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/00b86990673126774e4b43fa4f001115.jpg?itok=xoW_8GmS", "level": "primary", "title": "雲門舞集1973年首次公演海報", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/00b86990673126774e4b43fa4f001115.jpg?itok=2x9NrjCz", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/00b86990673126774e4b43fa4f001115.jpg?itok=pOOMl3Bd", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/00b86990673126774e4b43fa4f001115.jpg?itok=inF7pP-Q", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/00b86990673126774e4b43fa4f001115.jpg?itok=ujw6R8PN", "mfid": "00b86990673126774e4b43fa4f001115", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "雲門基金會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "Crossing Boundaries and Innovation", "desc": "請輸入頁面說明", "musicName": "無", "weight": 19, "musicText": "", "musicURL": "" }, "text-qwo62xyj56": { "id": "text-qwo62xyj56", "type": "text", "sortable": true, "musicName": "無", "weight": 20, "desc": "<div><br>　　In the three decades after the war, the dance scene in Taiwan was dominated by ballet and folk dance, with only the Paul Taylor Dance Company and the Huang Chung-liang couple briefly performing modern dance. In 1967 and 1968, Wong Yen-Lu was invited back to Taiwan to teach, creating a sensation and becoming an important milestone in the development of modern dance in Taiwan.</div><div>　　Wong Yen-Lu was born in Yunnan, China, and later moved to Hong Kong. At the age of fifteen, she went to the United States. Initially, he had plans to study medicine and become a doctor, but due to her passion for dance, she eventually abandoned medicine and pursued dance instead. She had the privilege of studying under the renowned American modern dance master, Martha Graham, for five years. In 1967, at the age of twenty, Wong Yen-Lu received an invitation from the theater scholar, Yu Dagang, to conduct a four-week modern dance workshop in Taiwan.<br></div><div>　　This is a profoundly influential and beautiful story. A venerable classical theater scholar, who was already in his twilight years, took the initiative to organize a lecture for a young and inexperienced girl. His intention was to demonstrate a new art form that was often misunderstood and even criticized by the general public. Yu Dagang's foresight and open-mindedness are truly admirable. The lecture by Wong Yen-Lu was like a giant stone thrown into a still pond, creating dazzling ripples in the dance scene in Taiwan. At that time, there was a university student who attended the lecture every day, and he would later become Lin Hwai-min, the founder of Cloud Gate Dance Theater. He was deeply moved and wrote an article titled \"The Path of Wong Yen-Lu,\" in which he wrote, \"Wong Yen-Lu has shown them a path—a path that is rugged and challenging, but not devoid of hope.\" This path foreshadowed the development of modern dance in Taiwan. Inspired by Wong Yen-Lu's encouragement, Lin Hwai-min bravely pursued his dream and went to the United States to study dance.<br></div><div>　　On June 5, 1968, Wong Yen-Lu took the stage at Zhongshan Hall and held a \"Modern Dance Works Showcase.\" During the performance, Wong Yen-Lu both demonstrated and performed, with the main piece being \"The White Snake Lady\". In the middle of the performance, there was also a demonstration of Martha Graham's basic movements. \"At that time, the floor was very dirty, and the “White” Snake Lady turned into the “Black” Snake Lady as the performance went on,\" Wong Yen-Lu said. After a long period dominated by classical ballet and ethnic dance, the Zhongshan Hall's stage welcomed modern dance once again, initiating a shift in the atmosphere of the domestic dance scene. Wong Yen-Lu considered this performance to be one of the three most important events in her dance career. It inspired Lin Hwai-min and many young dancers in Taiwan, making it an important milestone in the history of Taiwanese dance.<br></div>", "musicText": "", "musicURL": "" }, "basic-a31ovc7eif": { "id": "basic-a31ovc7eif", "type": "basic", "sortable": true, "primaryObj": { "oid": "7b5d555fb08c8b054ea820d4be6b2b72", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/8019bbb451f646fb344c00e6e8106834.jpg?itok=GPdSOsBq", "level": "primary", "title": "七一樂舞展節目單", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/8019bbb451f646fb344c00e6e8106834.jpg?itok=IB5KZ9Ci", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/8019bbb451f646fb344c00e6e8106834.jpg?itok=QAXwvnh-", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/8019bbb451f646fb344c00e6e8106834.jpg?itok=qDCF-GCM", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/8019bbb451f646fb344c00e6e8106834.jpg?itok=6xMeYXue", "mfid": "8019bbb451f646fb344c00e6e8106834", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "臺北市立交響樂團", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "請輸入頁面標題", "desc": "<br>　　In the 1970s, a group of\npassionate and innovative young artists, unwilling to be confined by\ntraditional and stagnant art forms, came together to share their dreams,\nculminating in the \"July 1 Art Exhibition\" . This event was a\ncross-disciplinary and innovative performance.<br>　　On May 6, 1971, the \"Mix-Media Art\nExhibition\" took place at the Zhongshan Hall. It featured music composed\nby Li Tai-hsiang and Hsu Po-yun, choreography by Chen Hsueh-tung, poetry by Yeh\nWei-lien, recorded recitations by poets such as Shang Chin, Ya Hsuan, Chu Ko,\nHsin Yu, Guan Guan, and visual art by Ku Chung-Kuang, as well as stage design by\nLing Ming-sheng. The diverse lineup of performers and artists showcased the\npower of collaboration and revitalization in the arts community, akin to rivers\nconverging and stirring up a thousand piles of snow.<br>", "musicName": "無", "weight": 21, "musicText": "", "musicURL": "" }, "imgs-svuqgvaj3i": { "id": "imgs-svuqgvaj3i", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "7b5d555fb08c8b054ea820d4be6b2b72", "title": "七一樂舞展節目單", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/41f3f2be7b515ee384c4be9ac3fc4f1f.jpg?itok=WmVoyNIR", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/41f3f2be7b515ee384c4be9ac3fc4f1f.jpg?itok=szWlvnJZ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/41f3f2be7b515ee384c4be9ac3fc4f1f.jpg?itok=UrhIoMoe", "background": 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"thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/e36ea6e9fa29ef7d2e01273cae2f74c4.jpg?itok=kweiuAC1", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/e36ea6e9fa29ef7d2e01273cae2f74c4.jpg?itok=VFtJqsS1", "mfid": "e36ea6e9fa29ef7d2e01273cae2f74c4", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/e36ea6e9fa29ef7d2e01273cae2f74c4.jpg?itok=UTTlJuhE", "fileType": "image", "fileCreator": "", "rights": "臺北市立交響樂團", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 3 } }, "musicName": "無", "weight": 22, "displayMode": "fixed-width-loop-off", "primaryObj": { "oid": "7b5d555fb08c8b054ea820d4be6b2b72", "title": "七一樂舞展節目單", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/69d900a84bd1f596a3c6be527992deb4.jpg?itok=U2J8VlTR", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/69d900a84bd1f596a3c6be527992deb4.jpg?itok=p3TlKtlt", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/69d900a84bd1f596a3c6be527992deb4.jpg?itok=TnG-ibMw", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/69d900a84bd1f596a3c6be527992deb4.jpg?itok=k2tFoJSW", "mfid": "69d900a84bd1f596a3c6be527992deb4", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/69d900a84bd1f596a3c6be527992deb4.jpg?itok=yzqHF_41", "fileType": "image", "fileCreator": "", "rights": "臺北市立交響樂團", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "desc": "<div><br>　　Hsu Po-yun, who was involved in organizing the event, later recalled that they went through more than ten discussions in an attempt to design a performance that would combine various art forms such as poetry, music, painting, and dance. This group consisted of some of the most outstanding young talents in the artistic scene at that time. They were vibrant, filled with dreams, and when they gathered together, inspiration and excitement overflowed. The brilliance and joy they experienced during that period were truly precious in the history of Taiwan's arts and culture development.</div><div>　　The performance booklet excerpted the creative ideas of six artists, allowing one to sense their irrepressible desire for innovation and breakthroughs. Preeminent musician Hsu Chang-hui wrote a preface, stating, \"Their attempts pave the way for future music, provide new materials, and become the driving force behind the evolution of art.\"<br></div><div>　　Although we can no longer see or hear this performance, we can still discern from the program booklet that the performance format and orchestra arrangement were extremely complex. In addition to poetry, dance, and music, there were also lighting, stage design, and recording elements. Considering the production capabilities of that era's concerts, one can imagine the arduous and demanding work of the producers and stage directors. It was a performance that required tremendous effort and collective spirit.<br></div><div>　　Hsu Po-yun stated that this performance received enthusiastic responses, with extensive media coverage. Yeh Wei-lien sent the composition \"Release\" co-written by Li Tai-hsiang and Hsu Po-yun to the Music Research Institute at the University of California, San Diego. Surprisingly, the university immediately offered a one-year research scholarship. Hsu Po-yun gave this opportunity to Li Tai-hsiang, who then traveled to the United States. His life underwent significant changes as a result of this trip.<br></div>", "musicText": "", "musicURL": "" }, "basic-fxn9szrxza": { "id": "basic-fxn9szrxza", "type": "basic", "sortable": true, "primaryObj": { "oid": "ff9385d88cb3a1aa281f323bfeaa121b", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/00b86990673126774e4b43fa4f001115.jpg?itok=xoW_8GmS", "level": "primary", "title": "雲門舞集1973年首次公演海報", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/00b86990673126774e4b43fa4f001115.jpg?itok=2x9NrjCz", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/00b86990673126774e4b43fa4f001115.jpg?itok=pOOMl3Bd", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/00b86990673126774e4b43fa4f001115.jpg?itok=inF7pP-Q", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/00b86990673126774e4b43fa4f001115.jpg?itok=ujw6R8PN", "mfid": "00b86990673126774e4b43fa4f001115", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "雲門基金會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "請輸入頁面標題", "desc": "<span>　　At the end of 1971, after the completion of the\n\"July 1st Music Exhibition,\" Hsu Po-yun was introduced to Lin\nHwai-min and Wu Ching-chi, who had just returned to Taiwan. After a deep\ndiscussion that lasted through the night, they decided to launch a second\n\"Mixed Media Art Exhibition.\" They immediately found sponsors, but\ndue to various reasons, the \"June 2nd Art Exhibition\" was eventually\nabandoned and did not actually take place. At this point, Lin Hwai-min decided\nto go against all odds and present his own dance works. Thus, in 1973, Cloud\nGate Dance Theater was born.<br></span>　　Cloud Gate Dance Theatre's inaugural performance\ntook place at the Zhongshan Hall. It was reported at the time as \"the\nfirst formal performance in Taiwan by Lin Hwai-min, a young dancer who had\nstudied in the United States.\" The program was entirely choreographed by\nLin Hwai-min and included nine pieces: \"Summer Night,\" \"Autumn\nThoughts,\" \"Oolong Tea House,\" \"Dream Butterfly,\"\n\"Leisurely Sentiments,\" \"Blind,\" \"Scenery,\"\n\"Sleep,\" and \"Running.\" The composers involved in these\nworks were acclaimed figures in the music industry at that time, including Shih\nWei-Liang, Hsu Chang-hui, Li Tai-hsiang, Hsu Po-yun, among others. In terms of\ncontent, this performance could still be considered a continuation of the\n\"Mixed Media Art Exhibition.\"<br>", "musicName": "無", "weight": 23, "musicText": "", "musicURL": "" }, "basic-8iuti5z3r8": { "id": "basic-8iuti5z3r8", "type": "basic", "sortable": true, "primaryObj": { "oid": "a469d40a8dc9b7ce3b6a1cc93e72747a", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b00fb1ce8a4e8f8986512ff2de41b42e.jpg?itok=-oCQ3zQV", "level": "primary", "title": "雲門臺北首演夜 林懷民在中山堂演出《盲》", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b00fb1ce8a4e8f8986512ff2de41b42e.jpg?itok=ctXsgi7y", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b00fb1ce8a4e8f8986512ff2de41b42e.jpg?itok=TFBK7oNK", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b00fb1ce8a4e8f8986512ff2de41b42e.jpg?itok=Nup_7D7m", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b00fb1ce8a4e8f8986512ff2de41b42e.jpg?itok=1Ko8MPT1", "mfid": "b00fb1ce8a4e8f8986512ff2de41b42e", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "雲門基金會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "請輸入頁面標題", "desc": "<span><br>　　Lin Hwai-min recalled, \"In 1973, Cloud\nGate's first performance in Taipei at the Zhongshan Hall was full of thrilling\nmoments. The stage floor was waxed, as it was usually used for meetings, and we\nhad to scrub it with countless bottles of coke just to make it barely suitable\nfor dancing. We had no lighting equipment, so we had to rent them externally.\nWe tied several bamboo poles together to make lighting stands and hung heavy\nsteel lighting fixtures on them, causing the bamboo poles to sag heavily. At\nthat time, no one considered what would happen if the bamboo poles broke and\nthe lights fell. The dimmers that controlled the gradual lighting changes were\nlike a serrated iron plate, and with a turn of the hand, the stage was bathed\nin brilliant light, creating a more dramatic effect than the lighting on the\nstage.\"<br></span><span>　　It is evident that the Zhongshan Hall, which had\nbeen in use for nearly thirty years and experienced many hardships, gradually\nbecame inadequate for large-scale exhibitions. However, it served as a cradle,\nnurturing the birth of new artistic life.<br></span>　　On the night of Cloud Gate's inaugural\nperformance in Taipei in 1973, the choreographies were not only all personally\ncreated by Lin Hwai-min but the dancer himself also took the stage. In the\nperformance titled \"Blind,\" one could witness Lin Hwai-min, as a\ndancer, using his soul to interpret the power and beauty of body lines.<br>", "musicName": "無", "weight": 24, "musicText": "", "musicURL": "" }, "basic-8nmn57145u": { "id": "basic-8nmn57145u", "type": "basic", "sortable": true, "primaryObj": { "oid": "506d859efe1b897efcdfb2a79ebf171d", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/5722fa9e15f46152e0b8f4b78cac288e.jpg?itok=nMzelBw9", "level": "primary", "title": "雲門舞集1974年秋季公演海報", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/5722fa9e15f46152e0b8f4b78cac288e.jpg?itok=ILLPfN0w", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/5722fa9e15f46152e0b8f4b78cac288e.jpg?itok=VxUgpuMr", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/5722fa9e15f46152e0b8f4b78cac288e.jpg?itok=tArwfQ6y", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/5722fa9e15f46152e0b8f4b78cac288e.jpg?itok=9PZMlHPC", "mfid": "5722fa9e15f46152e0b8f4b78cac288e", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "雲門基金會", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-僅能瀏覽", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "請輸入頁面標題", "desc": "<span><br>　　In 1974, the Provincial Symphony Orchestra\norganized the \"Chinese Modern Ballads VI\" Cloud Gate Autumn\nPerformance, featuring dance works such as Lin Hwai-min's \"Scenery,\"\n\"Wu Pen Ji\" \"Blind,\" \"Cold Food,\" \"Ba jia\njiang,\" \"Nezha,\" \"Leisurely Sentiments,\" and\n\"Oolong Tea House.\"<br></span><br>", "musicName": "無", "weight": 25, "musicText": "", "musicURL": "" }, "embed_html-zjq433lfgh": { "id": "embed_html-zjq433lfgh", "type": "embed_html", "sortable": true, "weight": 26, "embed_html": "<div style=\"text-align: center;\">\n <a href=\"https://www.cloudgate.org.tw/en/\" style=\"font-size: 10pt;\">CLOUD CATE</a>\n</div>\n" }, "text-nhvi7vjgcp": { "id": "text-nhvi7vjgcp", "type": "text", "sortable": true, "musicName": "無", "weight": 27, "desc": "<span><br>　　As the arts and culture environment in Taiwan gradually matured, the Sun Yat-sen Memorial Hall and the National Theater and Concert Hall were completed in 1972 and 1987, respectively. These venues provided more diverse and advanced stages for performing arts. The Zhongshan Hall, as the cradle that nurtured early artistic and cultural development, concluded its pioneering mission. 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