書封/畫風

展覽頁面呈現形式

橫式

時間軸

「書封/畫風」展品年表

策展者

國立歷史博物館

展覽封面

7752766dd5361009dd35d600c011398c

展覽資料

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However, long before the term was popularized, artistic creation was never expressly delineated from purpose-oriented design. Painters, calligraphers, and authors alike, influenced by the industrial structures of their societies, had long practiced the art of embodying multiple careers.     <br><br>          As modernization began to take hold in the latter years of Japanese colonial rule of Taiwan, a complete publishing supply chain emerged. Since then, Taiwanese book covers have exhibited an awareness of design. After World War II, the Taiwanese art circle centered its ideology on traditional Chinese culture and Western postwar modernism. 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The National Taiwan Library collection, which began with holdovers from the Japanese Taiwan Government General Library and continued to grow after World War II, witnesses the development of book cover design.     <br><br>          This exhibition incorporates the “slash” concept with 45 pieces from 30 artists in the NMH collection alongside more than 100 books from the National Taiwan Library collection. Aiming to represent book cover design and artistic development over a six-decade period, the exhibition consists of four sections: “Colonization/Modernization,” “Propaganda/Art,” “East/West,” and “Interfusion/Nativism.” By presenting the convergence of book covers and painting, the institutional collaborated exhibition aims to reproduce a past in which art and design intersected, and trace the origins and evolutions of modern artistic creation and book cover designs in Taiwan.", "weight": 2 }, "theme-6pyn57sbw3": { "id": "theme-6pyn57sbw3", "type": "theme", "sortable": true, "primaryObj": { "oid": "f5b19e0953991ac2360b39f443cd5826", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/cc64b8b146f75f2c1c49a3815bf20324.jpg?itok=xOvKgige", "level": "primary", "title": "殖民/現代", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/cc64b8b146f75f2c1c49a3815bf20324.jpg?itok=kzxtox5H", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/cc64b8b146f75f2c1c49a3815bf20324.jpg?itok=OFr9sgEW", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/cc64b8b146f75f2c1c49a3815bf20324.jpg?itok=bUZQt0fX", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/cc64b8b146f75f2c1c49a3815bf20324.jpg?itok=Ls1q2AUp", "mfid": "cc64b8b146f75f2c1c49a3815bf20324", "fileCreator": "", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "殖民/現代", "desc": "<div>         本區展出日殖時期影響臺灣藝術教育甚鉅的日本畫家石川欽一郎、熱衷民俗研究與藝術創作的鹽月桃甫、插畫家立石鐵臣，以及在官辦展覽中受到推崇的臺灣畫家藍蔭鼎、李梅樹、林玉山、李石樵、楊三郎等專業畫家的畫作與書封設計；顯示當時出版品從主題選擇、符號運用到版面結構所展現的臺灣現代化特質，以及臺灣藝術家運用寫生與插圖等現代化概念，回望自身傳統文化的方式。<br><br>         This section showcases a combination of paintings and book cover designs from significant artists in the Japanese colonial period, including arts educator Kinichiro Ishikawa, folk art enthusiast and artist Shiotsuki Touhou, and illustrator Tateishi Tetsuomi, in addition to Taiwanese artists who gained fame in official exhibitions, such as Ran In-ting, Li Mei-shu, Lin Yu-shan, Lee Shih-chiao, and Yang San-lang. Book covers from this period were often designed by professionally trained artists. 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"本作為石川欽一郎（1871-1945）之《村道》，其以較強烈的筆觸描繪畫作背景與鄉間植物，並較細節地勾勒出牛車、民宅，以及悠閒散步在村道上的女孩們，顯示出簡約純樸的鄉間風貌。作為當時執政者官方畫家的石川，對臺灣風土與自然景物的關注，從其作品中可見一斑，而作品當中亦可一窺彼時日本政府對臺灣的觀點及想像。\n\n石川欽一郎，日本靜岡縣人，曾分別於1907至1916、及1924至1932年間前後二次來臺，來臺時間共達18年，是日治時期任職國語學校（臺北師範前身）最久的美術教師，對於臺灣現代美術教育的啟蒙與推動扮演了關鍵性的角色，在臺時間經常赴各地寫生，慣以英式水彩的渲染技法捕捉溼熱的田園風光。\n\n水彩\t縱31橫38公分", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/f5e6b0a09a9812c1055283b3c0a7e663.jpg?itok=jF4YSNEe", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/f5e6b0a09a9812c1055283b3c0a7e663.jpg?itok=LifNgml_", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/f5e6b0a09a9812c1055283b3c0a7e663.jpg?itok=xEIbIWDA", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/f5e6b0a09a9812c1055283b3c0a7e663.jpg?itok=LfgteM5U", "mfid": "f5e6b0a09a9812c1055283b3c0a7e663", "fileURI": 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"559b7cbbbe2bade3966ffe71e5042cbb", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/559b7cbbbe2bade3966ffe71e5042cbb.jpg?itok=b6t3_kaz", "fileType": "image", "fileCreator": "石川欽一郎", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, "desc": "<div>       臺灣自馬關條約後至第二次世界大戰結束的半個世紀間，「殖民現代性」發揮廣而深的影響力，美術教育重視風景寫生，民俗研究也受到重視。到了日殖後期，受日式教育養成的臺灣知識份子，逐漸加入精緻文化的生產行列。由於此時臺灣社會已具備完整的出版產業鏈，日、臺藝文人士逐漸活躍於出版品的編輯與創作。這些從封面、目次到內頁插圖皆經過精心安排，從初期移植自日本南國想像的「藝術/設計」，到後期臺灣創作者加入的寫實與本土風格，可見在此時空背景下展現的臺灣藝文能量。<span><br><br></span>          In the half century between the Treaty of Shimonoseki and the end of World War II, Taiwan was significantly influenced by its colonial modernity: art education was centered on landscape painting and folk culture studies were highly valued. In the latter years of Japanese colonial rule, Taiwanese intellectuals began to participate in the cultural production. It was an era with a robust enthusiast market and maturing publishing industry. Artists from Japan and Taiwan, together, contributed energetically in publication. Every aspect of book design was carefully considered during this period, from cover to content to illustrations. The early transplantation of Japanese colonial aesthetics gradually gave way to the realistic and local styles of Taiwanese creators. This offers a glimpse of the energy of Taiwanese culture.<br></div>", "title": "殖民/現代 Colonization/Modernization" }, "imgs-2sprhesx58": { "id": "imgs-2sprhesx58", "type": "imgs", "sortable": true, "multiObjs": [], "items": { "imgs-2sprhesx58-07wp5aw3ru": { "id": "imgs-2sprhesx58-07wp5aw3ru", "title": "立石鐵臣_民俗臺灣_封面設計", "desc": "V1:1封面\nV1:2封面、扉頁插圖\nV1:4扉頁插圖\nV3:11封面\nV4:3封面", "primaryObj": { "oid": "9f5c234d1218db09de95cf676c4f2e5d", "title": "立石鐵臣_民俗臺灣_封面設計", "desc": "V1:1封面\nV1:2封面、扉頁插圖\nV1:4扉頁插圖\nV3:11封面\nV4:3封面", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/bc4758786987208e752d0b88a5f304fd.jpg?itok=sieym33F", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/bc4758786987208e752d0b88a5f304fd.jpg?itok=7i80umEE", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/bc4758786987208e752d0b88a5f304fd.jpg?itok=MAaQVLPy", "background": 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"fileOversize": false, "level": "primary" }, "title": "《民俗臺灣》Folk Taiwan 1941-1945（昭和16-20年） ", "desc": "      《民俗臺灣》雜誌，由民俗研究者金關丈夫（1897-1893）與池田敏雄（1916-1981）創辦，畫家立石鐵臣（1905-1980）則在雜誌的視覺設計上扮演重要角色。立石鐵臣曾於1934年與李石樵、楊三郎等人共組「臺陽美術協會」，他更以其精湛的繪圖功力，受聘為總督府繪圖師。《民俗臺灣》主題明確、美術風格鮮明，呼應著當時日本的民藝運動，是啟蒙臺灣民俗文化研究的重要出版物；而該刊書封常見的民俗工藝圖像，多出自立石鐵臣之手，饒富木刻版畫與圖騰符號的趣味。<br><br><div>         <i>Folk Taiwan</i> was founded by\nKanaseki Takeo (1897-1893) and Ikeda Toshio (1916-1981), with Tateishi Tetsuomi\n(1905-1980) as lead designer. Tateishi also joined the Taiyang Art Association\nin 1934 with Taiwanese artists Lee Shih-chiao and Yang San-lang, and later\nearned a position in the colonial government. The magazine had a clear theme\nand distinct style reminiscent of the Japanese mingei (folk craft) movement\nfrom the same period, and served an important role in initiating people into\nTaiwanese folk studies. The folk craft images that adorned the covers were\nmostly by Tateishi, whose illustrations often featured wood-block prints and\nfolk symbols.<br></div>" }, "imgs-931tbggwls": { "id": "imgs-931tbggwls", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "7df871e42a58f925d1f7f53ab0798022", "title": "李石樵_山路", "desc": "油彩\t縱44橫52公分", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/c44e9fa1424da3ba6a4de0b9cb1804e3.jpg?itok=UqwcJ_YN", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/c44e9fa1424da3ba6a4de0b9cb1804e3.jpg?itok=cxiy_q7n", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/c44e9fa1424da3ba6a4de0b9cb1804e3.jpg?itok=5hcvikEX", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/c44e9fa1424da3ba6a4de0b9cb1804e3.jpg?itok=OrUF45cA", "mfid": "c44e9fa1424da3ba6a4de0b9cb1804e3", "fileURI": 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His simple and romantic depictions of rural and urban figures caught the eye of Zheng Zhen-duo (1898-1958), founder of <i>Literature Weekly</i> (1921-1929), who began publishing Feng’s work. Zikai Comics was a series of simple and sarcastic comics serialized in the magazine, popular for its witty reflection of current events. Feng later created illustrations for Lu Xun's (1881-1936) <i>A Madman’s Diary</i> and many more publications, becoming a leading figure in Chinese comics and book cover design.</div></span>" }, "theme-9k74bstj40": { "id": "theme-9k74bstj40", "type": "theme", "sortable": true, "primaryObj": { "oid": "b754fabcc92f4a971c5d0880f42d99c7", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/faf82efc446ac3a1a070c6a0a5a713b7.jpg?itok=5gkIfYhE", "level": "primary", "title": "宣傳/藝術", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/faf82efc446ac3a1a070c6a0a5a713b7.jpg?itok=fQSljN4c", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/faf82efc446ac3a1a070c6a0a5a713b7.jpg?itok=5NdKT8QY", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/faf82efc446ac3a1a070c6a0a5a713b7.jpg?itok=wkTctT0k", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/faf82efc446ac3a1a070c6a0a5a713b7.jpg?itok=Ur5XIaaG", "mfid": "faf82efc446ac3a1a070c6a0a5a713b7", "fileCreator": "", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "宣傳/藝術", "desc": "       本區展出臺灣戰後初期參與書封設計的斜槓藝術家作品，包含渡海來臺的書畫名家溥心畬、于右任、黃君璧、王壯為；善水墨人物的梁中銘、梁又銘兄弟，及其子侄輩梁雲坡、梁丹丰的作品。此外還有在當時書封設計界表現斐然的廖未林、楊英風的畫作。他們以水墨、油彩、版畫等創作與書封設計，呈現了臺灣戰後初期「藝術/設計」的跨域面貌。<span><br><br></span>         This section presents works by artists who designed book covers in the early Republican era. Exhibits include ink-wash paintings and calligraphy by Pu Xin-yu, Yu You-ren, Huang Jun-bi, and Wang Chuang-wei, as well as ink-wash paintings by Liang Zhong-ming, Liang You-ming, and the second generation of the Liang family, including Liang Yun-po and Liang Dan-feng. Paintings by famous cover designer Liao Wei-ling and early prints by Yuyu Yang are also showcased in this section alongside their book cover designs. In this section, audiences can get a feel for the “slash” life of artists during this period by juxtaposing their artwork and designs.", "weight": 8 }, "imgs-xx2ldrffht": { "id": "imgs-xx2ldrffht", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "3d776a366d9122cf13a30bccbbc3596c", "title": "溥心畬_工筆花鳥", "desc": "水墨填彩\t縱71 橫30公分", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/c2273a275e7129366d38ec152f6ea7e3.jpg?itok=8ZZuse3d", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/c2273a275e7129366d38ec152f6ea7e3.jpg?itok=AMe7OLPu", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/c2273a275e7129366d38ec152f6ea7e3.jpg?itok=uCPbM7yw", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/c2273a275e7129366d38ec152f6ea7e3.jpg?itok=O-wobWlp", "mfid": "c2273a275e7129366d38ec152f6ea7e3", "fileURI": 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Revived publishing industries once again drew artists into their “Slashed” careers of designing book covers. In the magazine world, <i>Chang Liu</i> celebrated a traditional literati aesthetic, while <i>Harvest</i> made a name for itself by showcasing diverse artistic styles.<br></div>" }, "basic-iyawldvfbj": { "id": "basic-iyawldvfbj", "type": "basic", "sortable": true, "primaryObj": { "oid": "55732a131da10540fb35564a19b1be97", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/34e23ccf31e3b09eac16e76abb518fcc.jpg?itok=X2NdiZQj", "level": "primary", "title": "于右任_「國立歷立史博物館」草書條幅", "desc": "法書\t縱120.5 橫29公分", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/34e23ccf31e3b09eac16e76abb518fcc.jpg?itok=US2S61mh", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/34e23ccf31e3b09eac16e76abb518fcc.jpg?itok=miE5wK61", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/34e23ccf31e3b09eac16e76abb518fcc.jpg?itok=rte9WfrP", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/34e23ccf31e3b09eac16e76abb518fcc.jpg?itok=Yqket8rz", "mfid": "34e23ccf31e3b09eac16e76abb518fcc", "fileCreator": "于右任", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "「國立歷史博物館」草書條幅 National Museum of History in Cursive Script", "desc": "<div><div>        國立歷史博物館的館名，是由時任監察院長的草書大家于右任所題。1950年代臺灣的社會氛圍，反映在藝文創作上。當時的出版界以「復興中華文化，弘揚三民主義」為主要方向；由於渡海來臺的文人書畫家代表正統文化，他們的墨寶也成為機關招牌、書刊封面題字的首選。<br><span><br>         </span>The sign of the National Museum of History was written by Yu You-ren, a master of the cursive script. 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farming population in Taiwan by the USAID-supported Sino-American Joint Commission on Rural Reconstruction, and at one point reached a circulation of 80,000. Yuyu Yang was invited by Ran In-ting to join the editorial board from the magazine’s inauguration. 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Quarterly</i>, focused on modern Chinese-language literature and works in translation had exerted significant influence on Chinese-speaking communities. The covers designed by Long Shi-liang adopted linear and geometric compositions that echoed the magazine’s contents. Apart from offering fresh appearances for the magazines, the design also reflected the influence of modernism at the time." }, "theme-qlybe1r5z5": { "id": "theme-qlybe1r5z5", "type": "theme", "sortable": true, "primaryObj": { "oid": "1878cd7f60e7d75d5b5b194a3e081feb", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/1b11a0a941d039426d6fa29035f88f6a.jpg?itok=MLr15qeb", "level": "primary", "title": "跨域/鄉土", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/1b11a0a941d039426d6fa29035f88f6a.jpg?itok=3FcC9lcg", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/1b11a0a941d039426d6fa29035f88f6a.jpg?itok=9pwkzEHs", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/1b11a0a941d039426d6fa29035f88f6a.jpg?itok=aAxtVI8J", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/1b11a0a941d039426d6fa29035f88f6a.jpg?itok=0I6Y3Dg1", "mfid": "1b11a0a941d039426d6fa29035f88f6a", "fileCreator": "", "rights": "國立歷史博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "跨域/鄉土", "desc": "       本區展出高山嵐、韓湘寧、姚慶章、董陽孜、黃永松、楊國台等活躍於跨域創作的藝術家作品。其中高山嵐、韓湘寧、姚慶章、董陽孜畢業於師大美術系，從純藝術創作的訓練中創生自我風格；黃永松、楊國台畢業於國立藝專，受設計專業課程養成，結合版畫、攝影創作，在書封設計上迭有佳作。這些「藝術/設計」家，在媒材與議題上的跨域實驗，讓臺灣藝術/設計的風格特色更加鮮明，也折射著臺灣藝術發展的獨特時空。<span><br><br></span>        This section presents works by interdisciplinary artists Gao San-lan, Han Hsiang-ning, C.J. Yao, Dong Yang-zhi, Huang Yong-song, and Yang Kuo-tai. Gao, Han, Yao, and Dong all graduated from the Department of Fine Arts at National Taiwan Normal University practicing traditional academic arts art, only later expanding into book cover design. Huang and Yang after graduating from the National College of Arts (today’s National Taiwan University of Arts) used their experience in printmaking and photography when designing books. 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He was a long-term artistic editor with the US Information Service, designed the exhibition alum for the first Black White Exhibit (1962), and was the art director of <i>Crown</i> magazine. In addition, he published a series of articles introducing design concepts in Lion Art magazine since 1971, which were later collectively published as <i>Modern Design One-Two-Three</i>. The book gathered his personal works among other exemplary selections to show an overview of the field. This book is a documentation of his prolific artwork, and its analyses on design methods paves the way for professional design in Taiwan." }, "basic-pm3eyswq43": { "id": "basic-pm3eyswq43", "type": "basic", "sortable": true, "primaryObj": { "oid": "b6970f481ba199579b7bba2f13ccef42", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/40a6b238bd4158fed18f4b53896b273b.jpg?itok=okj3KIqy", "level": "primary", "title": "黃永松_ECHO of Things Chinese_封面設計", "desc": "封面攝影", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/40a6b238bd4158fed18f4b53896b273b.jpg?itok=38SVVfXI", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/40a6b238bd4158fed18f4b53896b273b.jpg?itok=QqmkFkuK", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/40a6b238bd4158fed18f4b53896b273b.jpg?itok=eVG9dPap", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/40a6b238bd4158fed18f4b53896b273b.jpg?itok=h87Z1O5R", "mfid": "40a6b238bd4158fed18f4b53896b273b", "fileCreator": "黃永松", "rights": "國立臺灣圖書館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "《漢聲》Echo of Things Chinese 1971- 1977（民國60-66年）", "desc": "        1971年，吳美雲(1944-2016)與黃永松等人創辦英文《漢聲》(ECHO)雜誌，以「平衡東西文化交流」為宗旨，關注民俗藝術，該刊經常採用黃永松的鄉土攝影作品為封面。1987年創刊的中文版《漢聲》，則延續鄉土報導文學與紀實攝影的方向，探討中華傳統民間文化、歷史、與地理等主題，開啟了臺灣新一波的民藝尋根浪潮。《漢聲》中文版別出新裁的美術編輯與裝幀概念，成為臺灣戰後鄉土運動體現在書封設計上的代表性作品。<i><br></i><span><br>         </span>In 1971, Wu Mei-yun (1944-2016), Huang Yong-song, and others founded the English edition of the <i>Echo of Things Chinese</i> magazine. Aiming to “balance exchanges between the East and West,” the magazine focused on long-neglected folk arts and regularly featured Huang’s rural photography on the cover. From 1987, the Chinese edition of <i>Echo</i> continued documenting rural life through literature and photography by focusing on Chinese culture, history, and geography, marking the beginning of a new trend in tracing Taiwan’s cultural roots. 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href=\"https://youtu.be/zS83EVSJlM4\">一、舊書浪漫──日治時期華麗島的裝幀美學</a></div><div><br></div><div><a target=\"_blank\" rel=\"nofollow\" href=\"https://youtu.be/BEceTkzeKUI\">二、裝幀物語──閱讀戰後台灣絕版書籍設計</a></div><div><br></div><div>***李志銘先生深度耕耘臺灣書籍裝幀踏查，著有《半世紀舊書回味》、《裝幀時代》、《裝幀台灣》、《裝幀列傳》，書話文集《讀書放浪》與《舊書浪漫》等書。新作《書迷宮》於2021年六月出版問世。</div><div><br></div><div>《半世紀舊書回味》獲2005年《中國時報》「開卷」十大好書、《裝幀時代》獲2011年金鼎獎，《裝幀台灣：台灣現代書籍設計的誕生》獲2012年金鼎獎、《單聲道：城市的聲音與記憶》獲2014年金鼎獎。</div>", "weight": 21 }, "embed_html-w85knq7b9g": { "id": "embed_html-w85knq7b9g", "type": "embed_html", "sortable": true, "weight": 22, "embed_html": "<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/zS83EVSJlM4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen></iframe>" }, "embed_html-vodskemtzw": { "id": "embed_html-vodskemtzw", "type": "embed_html", "sortable": true, "weight": 23, "embed_html": "<iframe width=\"560\" 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書封/畫風

書封/畫風

技術開發