臺灣茶藝的發展

臺灣茶藝的發展

2021/08/24
2021/08/31
展覽頁面呈現形式
縱式
展覽封面
87bae9fd855fa20b7cb7bc63276491ba
展覽資料
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"<div><div><div><div><div><div><div><div><div><div><div><div><div><div><div><div>台灣城市裡難有專屬茶室,多於居家、茶店一隅佈置成喝茶的地方,而有「茶空間」的現代詞;有些新式茶店乾脆以「茶空間」稱之。台灣無類似日本抹茶道制式之茶室設計,亦未繼承中國茶館的格局。茶空間的配置呈現台灣多元的面向,茶桌可高、可低,也可席地;可設於房間一隅,也可特別設計茶室。最常見的是簡約的風格,亦常融入隱微之現代日式情調,和80年代較為繁複的中式風格頗有分別。<br><br><br></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div><div><div><div><div><div><div><div></div></div></div></div></div></div></div>", "musicName": "無", "weight": 10, "musicText": "", "musicURL": "" }, "basic-880m98fosx": { "id": "basic-880m98fosx", "type": "basic", "sortable": true, "primaryObj": { "oid": "23b4f4922af03e6b003504432573891d", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/f07e2ac852157b0c1dde3dce6a34b8da.jpg?itok=A6rkG3Xl", "level": "primary", "title": "明代山齋茶寮", "desc": "明代即有文人的茶寮、茶屋的記載(國立故宮博物院南部院區茶文化展廳,以情境佈陳手法復原明人文徵明〈品茶圖〉中所見的山齋茶寮,賴芷儀拍攝)。", "thumbURI": 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"茶寮、茶舍,明代即有記載。明代文人茶舍的理想境界可以文震亨《長物志》裡所述為代表:「搆一斗室,相傍山齋,內設茶具,叫一童專主茶役,以供長日清談,寒宵兀坐,幽人首務,不可少廢者。」;許次紓的《茶疏》則對茶寮的設計及陳設有清楚描述:「小齋之外,別置茶寮,高燥明爽,勿令閉塞。壁邊列置兩爐…..」;明代古畫中也多以品茗草堂、小橋流水、蒼松空谷、軒敞堂舍為構圖主軸,雖然畫作中茶舍內部的圖像多簡略,但古代文人建構的品味與意境的痕跡,也常出現在當代台灣的茶空間。1980年代末期起進口的中國古董及仿古家具,也充分融入當代的茶空間中。<span><br><br>(國立故宮博物院南部院區茶文化展廳,以情境佈陳手法復原明人文徵明〈品茶圖〉中所見的山齋茶寮,賴芷儀拍攝)。<br></span>", "musicName": "無", "weight": 11, "musicText": "", "musicURL": "" }, "theme-javwo4b8dp": { "id": "theme-javwo4b8dp", "type": "theme", "sortable": true, "primaryObj": { "oid": "efc4ce63af54889758c25e6586b40a3f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b57705c22d9269435b13c8d49c8cbfa5.jpg?itok=xDyc6RFf", "level": "primary", "title": "茶", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b57705c22d9269435b13c8d49c8cbfa5.jpg?itok=p15cOaTL", "thumbMediumURI": 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