注意看！那個國父紀念館

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"國立國父紀念館的正廳銅像，材質為南非紫銅，高5.8公尺，底下臺座3.1公尺，總高8.9公尺，重16.7公噸，1972年與國父紀念館建築落成同步，5月16日由國父紀念館指導委員會首任主任委員孫科（1891-1973）揭幕，正式與世人見面，為無數海內外遊客來館瞻仰留影的重要地標。 \n\n陳一帆（1924-2016）時任中華民國雕塑學會總幹事，曾製作于右任（1879-1964）等黨國元老銅像。為呈現國父智仁勇兼具的神情氣韻，他大量閱覽書籍及照片，並拜訪當時尚在世、曾見過孫中生先生本人的大老，仔細琢磨國父的特徵與表情，隨後在臺北市木柵（今文山區）中興山莊前的空地，搭起十公尺高的鷹架，與他的工作團隊耗時逾3年，完成這座身裝中山裝、莊嚴端坐的國父銅像。 \n\n陳一帆出生於福建福州，1949年隨軍渡臺，駐守金門期間為戰友捏塑人像，開始自學鑽研雕塑，作品風格寫實，講究基礎功夫。1972年落成的國父紀念館、1980年啟用的中正紀念堂大廳銅像甄選，以及1985年教育部以吳道子所繪畫本為準徵集標準設計的孔子像，陳一帆都脫穎而出。1987年他回福州定居，致力推動孔子文化，曾捐贈多所大學院校大型孔子塑像，並受聘擔任閩江學院「陳一帆教授孔子雕塑工作室」客座教授，在兩岸皆享有盛名，為重量級雕塑家。 \n\n出處：國立國父紀念館藏品描述資料，2019。 \n參考資料： \n1.劉碧蓉，〈國父銅像的故事〉，館訊《第四期》，國立國父紀念館，1995。 \n2.〈來自北京南京深圳與翠亨　國父銅像的旅程〉，《博愛心傳》，國立國父紀念館，2017。 \n3.史兵，〈孔子塑像大師陳一帆〉，大公網http://www.takungpao.com.hk/culture/text/2016/0729/12460.html，瀏覽時間：2019/12/12。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/f418fb004fef426805fb1b5eb3aa24e5.jpg?itok=rUunnJlt", "thumbMediumURI": 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"國立國父紀念館為慶祝中華民國建國八十周年暨國父一二六歲誕辰，於1988年規劃於正廳二樓建置國父革命建國史蹟浮雕八幅，並公開徵求設計圖，由時任政治作戰學校藝術系上校教官、知名雕塑家林木川提出之設計圖稿獲選，於1990年動工；國父紀念館並聘請時任國立臺灣師範大學藝術學院梁秀中院長、中國國民黨黨史會代主委李雲漢、修澤蘭建築師、李奇茂教授、闕明德教授等五位專家組成監造小組，歷時1年餘監造施工完竣，於1991年11月12日由時任國父紀念館管理指導委員會主任委員謝東閔主持落成典禮。\n\n林木川（1937-），臺灣高雄人，復興崗學院藝術系畢業。曾任臺灣雕塑學會理事。此系列浮雕以弘揚國父革命建國思想以及倡行三民主義的功績為主題，林木川以兩年時間規劃，期間赴義、西、法、比、荷、英、美、日八個國家，考察重要美術館的浮雕以及浮雕設施。\n\n為使得雕塑脫出框架的局限，林木川採用類似紀念幣的塊狀造型設計，畫面中央用「高肉雕」，邊緣以「薄肉雕」處理，中央突出而厚實，視覺集中而又不覺缺框之憾。當一件件盤形塊狀浮雕在柔和的燈光輝映下，浮現在漢白玉的壁面，更能襯托浮雕的美感。浮雕構圖採用中國畫風格，地平線提高成為鳥瞰式，表現史蹟景物的深遠層次，在開會、戰鬥等大型場面中，人物造型不受地面空間的限制，如此構圖在西洋浮雕作品中罕見，而是中國畫的特殊空間運用，這是林木川以西洋技法融合民族風格的一大嘗試。\n\n本件〈鎮南關之役親臨督戰〉，主題為國父1907年12月於廣西鎮南關之役，親率黃興、胡漢民、胡毅生、日人池亨吉與法國武官狄氏等，前往鎮南關督戰，並親發巨砲轟擊清軍。\n\n出處：國立國父紀念館藏品描述資料，2020。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/193712d3178965e39a2e7f3a2a642d9b.jpg?itok=FazPF2Cb", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/193712d3178965e39a2e7f3a2a642d9b.jpg?itok=0HCBj5kf", 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