We are Seediq-En version

We are Seediq-En version

2023/05/26
2023/10/30
展覽頁面呈現形式
縱式
故事地圖
Tribe maps and Stories of Seediq
策展者
Michel D. Lee
Kumu Basaw
展覽封面
47ab1d94db94521ecd11b964afd78cff
展覽資料
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It\nis also sufficient as a reference for domestic educational institutions,\nmuseums and indigenous peoples when conducting cooperation program.", "musicText": "", "musicURL": "" }, "theme-yyucjbl4mt": { "id": "theme-yyucjbl4mt", "type": "theme", "sortable": true, "primaryObj": { "level": "primary", "oid": "d0da16f16bd6bd215f007252e1491f21", "title": "Pitay", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/697bec7749ad74a50b80aef944b05d60.jpg?itok=xgRr-Y45", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/697bec7749ad74a50b80aef944b05d60.jpg?itok=bgKwnF0B", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/697bec7749ad74a50b80aef944b05d60.jpg?itok=f12EUoSc", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/697bec7749ad74a50b80aef944b05d60.jpg?itok=lLAwzw5m", "mfid": "697bec7749ad74a50b80aef944b05d60", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/697bec7749ad74a50b80aef944b05d60.jpg?itok=gCjCnoRR", "fileType": "image", "fileCreator": "Karl Zetterström", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Who are the Seediq", "desc": "Seediq\nmeans human being and is the name of an in indigenous people in Taiwan.", "musicName": "無", "weight": 8, "musicText": "", "musicURL": "" }, "highlight_basic-tdwka35noc": { "id": "highlight_basic-tdwka35noc", "type": "highlight_basic", "sortable": true, "primaryObj": { "oid": "9eabe689e65788b8193091cb2185aafd", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/5e467c70bad86185eac72fe0447c0348.jpg?itok=X-Yk8fGq", "level": "primary", "title": "白石聖山", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/5e467c70bad86185eac72fe0447c0348.jpg?itok=0clfP-vg", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/5e467c70bad86185eac72fe0447c0348.jpg?itok=gjAwot35", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/5e467c70bad86185eac72fe0447c0348.jpg?itok=5Lzpuj_r", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/5e467c70bad86185eac72fe0447c0348.jpg?itok=mEHVvzL8", "mfid": "5e467c70bad86185eac72fe0447c0348", "musicURL": "", "musicName": "", "fileCreator": "Karl Zetterström", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Pusu Qhuni", "desc": "The\nbirthplace of the Seediq ancestors is called Pusu Qhuni/Rmdax Tasil, which\nmeans “the source of life”or “the shining stone”. This is a towering white stone jutting out\nfrom Baishi(White Stone)Mountain in Taiwan’s Central Mountain Range. According\nto the ancestors, the stone is as large as a small montain. Its chest is mottled\nwhite. Its arms are formed by large trees. There is a large natural cave at the\nbase of a large tree root. There is pool at the back of the cave whose water\nflows to the front of the cave. It is said that a boy and a girl were born here,\nwho were the ancestors of the Seediq people.", "musicName": "無", "weight": 9, "musicText": "", "musicURL": "" }, "basic-bmvvtqfcxn": { "id": "basic-bmvvtqfcxn", "type": "basic", "sortable": true, "primaryObj": { "oid": "5f1b18b192e851cbf78e822845da59e8", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ad9e16dcb1c5321470b042c78dc9ae08.jpg?itok=ambtpatc", "level": "primary", "title": "中原部落", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ad9e16dcb1c5321470b042c78dc9ae08.jpg?itok=wIxxf-Az", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ad9e16dcb1c5321470b042c78dc9ae08.jpg?itok=uCRAc3CN", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ad9e16dcb1c5321470b042c78dc9ae08.jpg?itok=dM9QRzer", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ad9e16dcb1c5321470b042c78dc9ae08.jpg?itok=M0DP1xyP", "mfid": "ad9e16dcb1c5321470b042c78dc9ae08", "musicURL": "", "musicName": "", "fileCreator": "Karl Zetterström", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Three language groups", "desc": "Sediq/Seediq/Seejiq\nis composed of three language groups: Sediq Toda, Seediq Tgdaya, and Seejiq\nTruku. According to the oral history, the origin place for these three language\ngroups is Pusu Qhoni/Rmdax Tasil. Our ancestors came from here and established\nthe earliest villages nearby:Bnuhung∕Bnuhur∕Pnlngebung。Later on, due to the continuous expansion of the\npopulation and the needs of living materials, our ancestors constantly\nmigrated to Truwan/Pnlngebung, then moved in three directions and form the\ncurrent three language groups.", "musicName": "無", "weight": 10, "musicText": "", "musicURL": "" }, "storymap-da4ig0j": { "id": "storymap-da4ig0j", "type": "storymap", "sortable": true, "sourceID": "178406", "title": "Tribe maps and Stories of Seediq", "weight": 11 }, "theme-coannymsfs": { "id": "theme-coannymsfs", "type": "theme", "sortable": true, "primaryObj": { "level": "primary", "oid": "35911bca823d519b7388dc62570891ed", "title": "Storage Baskets / 儲物籃 / Rawa/儲物籃", "desc": "使用藤與竹編織籃子和用粗麻編成網袋與背帶,通常會被認定為男性的工作。這類籃子通常作為多功能儲藏用。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/04f4586f6b37e6e5d65b7bff42982a69.jpg?itok=F81YY3-h", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/04f4586f6b37e6e5d65b7bff42982a69.jpg?itok=P6SfsNwA", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/04f4586f6b37e6e5d65b7bff42982a69.jpg?itok=HX3ksjI0", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/04f4586f6b37e6e5d65b7bff42982a69.jpg?itok=vKWUymRx", "mfid": "04f4586f6b37e6e5d65b7bff42982a69", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/04f4586f6b37e6e5d65b7bff42982a69.jpg?itok=oHOwaS7d", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Gaya:The Guiding Principle of Life", "desc": "<span>\n <span><span>\n \n The Seediq concept of Gaya/Waya is a set\n of cultural ideals that promote harmony between humans beings, the natural\n environment and the realm of the ancestoral spirits. Gaya/Waya embodies\n cultural expectations. It is often based on gender and is important in the\n culture and identity of the Seediq people.\n \n </span>\n</span></span>", "musicName": "無", "weight": 12, "musicText": "", "musicURL": "" }, "theme-fe6kodnt68": { "id": "theme-fe6kodnt68", "type": "theme", "sortable": true, "primaryObj": { "oid": "dcf72d05dd871077b8f10e321cb20e35", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/43273b21115a255851e0b9faa3210953.jpg?itok=kQICehSV", "level": "primary", "title": "於民族志博物館藏品調研/生活器具藏品調研", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/43273b21115a255851e0b9faa3210953.jpg?itok=ao32hRPo", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/43273b21115a255851e0b9faa3210953.jpg?itok=Sf95MdHo", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/43273b21115a255851e0b9faa3210953.jpg?itok=rtVM7LwM", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/43273b21115a255851e0b9faa3210953.jpg?itok=7P5dnf3R", "mfid": "43273b21115a255851e0b9faa3210953", "musicURL": "", "musicName": "", "fileCreator": "Bakan Walis", "rights": "The Seediq National Assembly", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Histories of the Taiwan Collections at the Museum of Ethnography", "desc": "請輸入頁面說明", "musicName": "無", "weight": 13, "musicText": "", "musicURL": "" }, "text-rrrhw0fto4": { "id": "text-rrrhw0fto4", "type": "text", "sortable": true, "musicName": "無", "weight": 14, "title": "Histories of the Taiwan Collections at the Museum of Ethnography", "desc": "The Museum of Ethnography in Stockholm, Sweden manages three\ncollections of objects colllected in Taiwan, likely between 1907 and 1918.&nbsp; The J.F.G. Umlauff collection is the most\nnumerous and best documented.&nbsp; It is from\nthis collection that some of the descendants of the original communities from\nwhich the objects were collected are able to be identified.&nbsp; The other two collections are the Folke Cronholm\nand Sten Thiel collections.&nbsp; All of these\ncollections were collected under a colonial context, while Taiwan was a\nJapanese colony between 1895 and 1945.&nbsp;\nIn total, six indigenous ethnic groups have been identified as being\nrepresented in the collections (Tao, Paiwan, Atayal, Seediq, Rukai and Tsou).", "musicText": "", "musicURL": "" }, "imgs-i67zq6mjgq": { "id": "imgs-i67zq6mjgq", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "b53d9ff5036af9da2839310ecf16c835", "title": "SHAWL / 披肩 / Pala slaban ahing/披肩", "desc": "This shawl was worn on important occasions and is considered to be a masterpiece by some Seediq weavers today. The material was woven in one long length, cut into three pieces and then sewn together. Each row is different and shows the weaver had memorised and mastered the different designs and weaving techniques.這件披肩會在重要場合披上,被今日一些賽德克族織布工藝師認定為傑作。物件由三塊織布縫在一起,每段設計皆不同,顯示出織布工藝師記住並掌握了不同設計與織法。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=hBUpW5ra", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=f_900Vy0", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=5EdkB7Da", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=wQdoW7Dd", "mfid": "a19b2a2007a2b37d180ab05f169d4541", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=n_4Buwp0", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "35911bca823d519b7388dc62570891ed", "title": "Storage Baskets / 儲物籃 / Rawa/儲物籃", "desc": "使用藤與竹編織籃子和用粗麻編成網袋與背帶,通常會被認定為男性的工作。這類籃子通常作為多功能儲藏用。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=JY7_tNjm", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=2IwdH_7z", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=Jb-qx5vW", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=C9XG1KwD", "mfid": "b3eba2d79b598e18d3aefd8330db113b", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=pcq15IQK", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "f00850091b45fbb4aa4cfed3f9700015", "title": "Arrow / 箭矢 / Budi/箭矢", "desc": "The materials used for making the arrow shafts were chosen because they could be made straight. Iron objects, such as the point on this arrow, may have been traded at the nearest trading centre, where people of various cultures interacted.因為箭桿筆直,所以需要精選製作的材料。如箭頭等鐵製物可能是在最近的交易場所交換取得,那裏會有不同文化的人互相交流。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=CKtqiOdu", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=coIC4_nU", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=FrBpZcyN", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=QQwDFnsS", "mfid": "89244489d6a47f155b2ab780e2efa331", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=VGHrxAFO", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "1920ddb2ec18fe208ed88ac2e98325a3", "title": "Spindle / 紡錘 / Tyadan/紡錘", "desc": "A weight would be attached to the bottom edn to help the spindle spin and twist the ramie fibres into thread. Ramie is a plant belonging to the nettle family.紡錘末端會接上重物以幫助其垂直旋轉,並將苧麻纖維捲成絲線;苧麻是一種蕁麻科植物。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=b0pS_Iru", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=xJdUQ4BK", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=mF1-kCkh", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=pvml7ItK", "mfid": "665069f843a94e0fb9fd4cf7ccc36c97", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=_DWl_djw", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "c6d36e092dc4b6047a9c05dba7820dd6", "title": "Mouth Harps / 口簧琴 / 左:Tubu Daha 右:Tubu Qoqo/口簧琴", "desc": "Mouth harps are an ancient type of musical instrument that uses the mouth and throat as a resonator. They were used for more than for entertainment in traditional Seediq society. People did not express romantic affection outwardly, and they were used to communicate romantic interest with each other without speaking.口簧琴是古老的樂器種類,使用口腔與喉嚨作為共鳴器。在傳統賽德克社會中,這不僅僅用於娛樂,人們並不會在表面上表達出浪漫情感,而是用口簧琴來傳達對彼此的浪漫情愫。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=CuqI-S5h", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=G8t1H1bC", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=MNW-KT6d", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=_mmhOmiS", "mfid": "30bde4a71701e400b2aab806dfd5fa84", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=J6syFiTC", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "3e78300cbcad55ec4ba6b8814b7a0c21", "title": "Woman's festive shirt / 女子上衣 / Lukus ratang/女子上衣B", "desc": "The material for this shirt was woven with pala pniri, which is the most difficult Seediq weaving technique. Today, there are no more than ten Seediq weavers who can make this type of material.這件上衣是運用pala pniri(賽德克族傳統經挑織紋)織布技巧編織而成,是賽德克族最為困難的編織技巧。現今,能編織這類材料的賽額克族織布工藝師已不到10人。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=mEjP99Rg", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=lo0EKsk2", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=qdzc5r9n", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=3I9akqkW", "mfid": "ef81874f8e812331744ef7375df2dbc0", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=6shwaC6P", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "6c4a75ff1aceaaea21a1fedf38a00aeb", "title": "Woman's festive shirt / 女子上衣 / Ratang/女子上衣A", "desc": "This shirt was sewn together from cotton cloth that would have been acquired through trade. It reflects the period when weaving started to decline amongst the Seediq and ready-made cloth became redily available.這件上衣是用棉布縫製而成,布料可能是透過交易取得。這反映出這個時期,賽德克族的織布工藝逐漸式微,也表示現成的布料很容易取得。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=yBo8KOc6", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=VR11-_g8", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=z67w4_Gl", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=XjVRVFjU", "mfid": "c2d4d16088cbb59dacd919bddc1d16ab", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=74RbM-Z0", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "06cb8d4fd27b3a26e966e74ab8561a87", "title": "Strainer / 濾網 / Sisi sino/濾網", "desc": "This net would have been used for straining during the alcohol making process. Traditional alcohol was made from either millet or glutinous rice. It could also have been used to strain wild honey. One elder within the Seediq community remembered the function of this object from their childhood.這是釀酒過程中用來過濾的篩網,傳統酒會使用小米或糯米釀造,這也能用在過濾野生蜂蜜。一味賽德克族耆老還記得這件物品在他年幼時如何去使用。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=roeCopBF", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=xyxrcWGZ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=_v-4-K3X", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=Pj9IDi0h", "mfid": "2f3aea1c6fe40923382afaf0a7c22b0b", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=7_1Kd5Is", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "a5e98c77de1266b41c0ec1293c00c3f3", "title": "Tray / 圓箕 / Btuku/圓箕", "desc": "This type of tray has multiple uses: drying crops, separation chaff from grain, fementing grains for alcohol, storage, etc. The material - ling-shoot bamboo - can be found through-out traditional Seediq territory.這種圓箕有許多用途:曬乾農作物、將粗糠自穀物分離、讓用於釀酒的穀物發酵、儲藏等。長枝竹這種材料,在整個傳統賽德克族居住區域中都可以找到。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=4733g4iX", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=IOhpWfiE", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=FvF71n0O", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=r0o-m_-h", "mfid": "b3e319e12ab218b33201758fec4baf79", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=_Gl_bb6t", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "3f3e1ea247fec0a325860e6d4cae1ee0", "title": "Blanket Material / 毯子材料 / Pala ratu/布疋", "desc": "Traditional blankets are made from one woven length of cloth that was cut into three equal lengths and sewn together. This is the entire textile before being cut. This historic textile was reproduced by Seediq weavers after working with the collections Stockholm.傳統布疋的製作方法是將一段織布裁成三等份,並縫合在一起。這是切割之前的整件織品。賽德克族織布工藝師再研究斯德哥爾摩所收藏文物後,複製出來的織品之一,本件為原件。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=EC0zQF-M", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=tQ8GZFAx", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=mmXST0pp", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=leUEQDs_", "mfid": "eb9a8161444c1568943ca9dc5df79a3b", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=E0RGi2AC", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" } ], "items": { "imgs-i67zq6mjgq-dtc7skpev1": { "id": "imgs-i67zq6mjgq-dtc7skpev1", "title": "SHAWL / 披肩 / Pala slaban ahing/披肩", "desc": "This shawl was worn on important occasions and is considered to be a masterpiece by some Seediq weavers today. The material was woven in one long length, cut into three pieces and then sewn together. Each row is different and shows the weaver had memorised and mastered the different designs and weaving techniques.這件披肩會在重要場合披上,被今日一些賽德克族織布工藝師認定為傑作。物件由三塊織布縫在一起,每段設計皆不同,顯示出織布工藝師記住並掌握了不同設計與織法。", "primaryObj": { "oid": "b53d9ff5036af9da2839310ecf16c835", "title": "SHAWL / 披肩 / Pala slaban ahing/披肩", "desc": "This shawl was worn on important occasions and is considered to be a masterpiece by some Seediq weavers today. The material was woven in one long length, cut into three pieces and then sewn together. Each row is different and shows the weaver had memorised and mastered the different designs and weaving techniques.這件披肩會在重要場合披上,被今日一些賽德克族織布工藝師認定為傑作。物件由三塊織布縫在一起,每段設計皆不同,顯示出織布工藝師記住並掌握了不同設計與織法。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=hBUpW5ra", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=f_900Vy0", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=5EdkB7Da", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=wQdoW7Dd", "mfid": "a19b2a2007a2b37d180ab05f169d4541", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=n_4Buwp0", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 0 }, "imgs-i67zq6mjgq-wh028kzv6b": { "id": "imgs-i67zq6mjgq-wh028kzv6b", "title": "Storage Baskets / 儲物籃 / Rawa/儲物籃", "desc": "使用藤與竹編織籃子和用粗麻編成網袋與背帶,通常會被認定為男性的工作。這類籃子通常作為多功能儲藏用。", "primaryObj": { "oid": "35911bca823d519b7388dc62570891ed", "title": "Storage Baskets / 儲物籃 / Rawa/儲物籃", "desc": "使用藤與竹編織籃子和用粗麻編成網袋與背帶,通常會被認定為男性的工作。這類籃子通常作為多功能儲藏用。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=JY7_tNjm", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=2IwdH_7z", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=Jb-qx5vW", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=C9XG1KwD", "mfid": "b3eba2d79b598e18d3aefd8330db113b", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=pcq15IQK", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 1 }, "imgs-i67zq6mjgq-aow29gs2rg": { "id": "imgs-i67zq6mjgq-aow29gs2rg", "title": "Arrow / 箭矢 / Budi/箭矢", "desc": "The materials used for making the arrow shafts were chosen because they could be made straight. Iron objects, such as the point on this arrow, may have been traded at the nearest trading centre, where people of various cultures interacted.因為箭桿筆直,所以需要精選製作的材料。如箭頭等鐵製物可能是在最近的交易場所交換取得,那裏會有不同文化的人互相交流。", "primaryObj": { "oid": "f00850091b45fbb4aa4cfed3f9700015", "title": "Arrow / 箭矢 / Budi/箭矢", "desc": "The materials used for making the arrow shafts were chosen because they could be made straight. Iron objects, such as the point on this arrow, may have been traded at the nearest trading centre, where people of various cultures interacted.因為箭桿筆直,所以需要精選製作的材料。如箭頭等鐵製物可能是在最近的交易場所交換取得,那裏會有不同文化的人互相交流。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=CKtqiOdu", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=coIC4_nU", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=FrBpZcyN", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=QQwDFnsS", "mfid": "89244489d6a47f155b2ab780e2efa331", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=VGHrxAFO", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 2 }, "imgs-i67zq6mjgq-misscgrtr9": { "id": "imgs-i67zq6mjgq-misscgrtr9", "title": "Spindle / 紡錘 / Tyadan/紡錘", "desc": "A weight would be attached to the bottom edn to help the spindle spin and twist the ramie fibres into thread. Ramie is a plant belonging to the nettle family.紡錘末端會接上重物以幫助其垂直旋轉,並將苧麻纖維捲成絲線;苧麻是一種蕁麻科植物。", "primaryObj": { "oid": "1920ddb2ec18fe208ed88ac2e98325a3", "title": "Spindle / 紡錘 / Tyadan/紡錘", "desc": "A weight would be attached to the bottom edn to help the spindle spin and twist the ramie fibres into thread. Ramie is a plant belonging to the nettle family.紡錘末端會接上重物以幫助其垂直旋轉,並將苧麻纖維捲成絲線;苧麻是一種蕁麻科植物。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=b0pS_Iru", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=xJdUQ4BK", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=mF1-kCkh", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=pvml7ItK", "mfid": "665069f843a94e0fb9fd4cf7ccc36c97", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=_DWl_djw", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 3 }, "imgs-i67zq6mjgq-4zta4sy0zy": { "id": "imgs-i67zq6mjgq-4zta4sy0zy", "title": "Mouth Harps / 口簧琴 / 左:Tubu Daha 右:Tubu Qoqo/口簧琴", "desc": "Mouth harps are an ancient type of musical instrument that uses the mouth and throat as a resonator. They were used for more than for entertainment in traditional Seediq society. People did not express romantic affection outwardly, and they were used to communicate romantic interest with each other without speaking.口簧琴是古老的樂器種類,使用口腔與喉嚨作為共鳴器。在傳統賽德克社會中,這不僅僅用於娛樂,人們並不會在表面上表達出浪漫情感,而是用口簧琴來傳達對彼此的浪漫情愫。", "primaryObj": { "oid": "c6d36e092dc4b6047a9c05dba7820dd6", "title": "Mouth Harps / 口簧琴 / 左:Tubu Daha 右:Tubu Qoqo/口簧琴", "desc": "Mouth harps are an ancient type of musical instrument that uses the mouth and throat as a resonator. They were used for more than for entertainment in traditional Seediq society. People did not express romantic affection outwardly, and they were used to communicate romantic interest with each other without speaking.口簧琴是古老的樂器種類,使用口腔與喉嚨作為共鳴器。在傳統賽德克社會中,這不僅僅用於娛樂,人們並不會在表面上表達出浪漫情感,而是用口簧琴來傳達對彼此的浪漫情愫。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=CuqI-S5h", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=G8t1H1bC", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=MNW-KT6d", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=_mmhOmiS", "mfid": "30bde4a71701e400b2aab806dfd5fa84", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=J6syFiTC", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 4 }, "imgs-i67zq6mjgq-txllq3jo2x": { "id": "imgs-i67zq6mjgq-txllq3jo2x", "title": "Woman's festive shirt / 女子上衣 / Lukus ratang/女子上衣B", "desc": "The material for this shirt was woven with pala pniri, which is the most difficult Seediq weaving technique. Today, there are no more than ten Seediq weavers who can make this type of material.這件上衣是運用pala pniri(賽德克族傳統經挑織紋)織布技巧編織而成,是賽德克族最為困難的編織技巧。現今,能編織這類材料的賽額克族織布工藝師已不到10人。", "primaryObj": { "oid": "3e78300cbcad55ec4ba6b8814b7a0c21", "title": "Woman's festive shirt / 女子上衣 / Lukus ratang/女子上衣B", "desc": "The material for this shirt was woven with pala pniri, which is the most difficult Seediq weaving technique. Today, there are no more than ten Seediq weavers who can make this type of material.這件上衣是運用pala pniri(賽德克族傳統經挑織紋)織布技巧編織而成,是賽德克族最為困難的編織技巧。現今,能編織這類材料的賽額克族織布工藝師已不到10人。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=mEjP99Rg", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=lo0EKsk2", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=qdzc5r9n", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=3I9akqkW", "mfid": "ef81874f8e812331744ef7375df2dbc0", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=6shwaC6P", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 5 }, "imgs-i67zq6mjgq-zc14b5pvz2": { "id": "imgs-i67zq6mjgq-zc14b5pvz2", "title": "Woman's festive shirt / 女子上衣 / Ratang/女子上衣A", "desc": "This shirt was sewn together from cotton cloth that would have been acquired through trade. It reflects the period when weaving started to decline amongst the Seediq and ready-made cloth became redily available.這件上衣是用棉布縫製而成,布料可能是透過交易取得。這反映出這個時期,賽德克族的織布工藝逐漸式微,也表示現成的布料很容易取得。", "primaryObj": { "oid": "6c4a75ff1aceaaea21a1fedf38a00aeb", "title": "Woman's festive shirt / 女子上衣 / Ratang/女子上衣A", "desc": "This shirt was sewn together from cotton cloth that would have been acquired through trade. It reflects the period when weaving started to decline amongst the Seediq and ready-made cloth became redily available.這件上衣是用棉布縫製而成,布料可能是透過交易取得。這反映出這個時期,賽德克族的織布工藝逐漸式微,也表示現成的布料很容易取得。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=yBo8KOc6", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=VR11-_g8", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=z67w4_Gl", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=XjVRVFjU", "mfid": "c2d4d16088cbb59dacd919bddc1d16ab", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=74RbM-Z0", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 6 }, "imgs-i67zq6mjgq-whg17in3xc": { "id": "imgs-i67zq6mjgq-whg17in3xc", "title": "Strainer / 濾網 / Sisi sino/濾網", "desc": "This net would have been used for straining during the alcohol making process. Traditional alcohol was made from either millet or glutinous rice. It could also have been used to strain wild honey. One elder within the Seediq community remembered the function of this object from their childhood.這是釀酒過程中用來過濾的篩網,傳統酒會使用小米或糯米釀造,這也能用在過濾野生蜂蜜。一味賽德克族耆老還記得這件物品在他年幼時如何去使用。", "primaryObj": { "oid": "06cb8d4fd27b3a26e966e74ab8561a87", "title": "Strainer / 濾網 / Sisi sino/濾網", "desc": "This net would have been used for straining during the alcohol making process. Traditional alcohol was made from either millet or glutinous rice. It could also have been used to strain wild honey. One elder within the Seediq community remembered the function of this object from their childhood.這是釀酒過程中用來過濾的篩網,傳統酒會使用小米或糯米釀造,這也能用在過濾野生蜂蜜。一味賽德克族耆老還記得這件物品在他年幼時如何去使用。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=roeCopBF", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=xyxrcWGZ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=_v-4-K3X", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=Pj9IDi0h", "mfid": "2f3aea1c6fe40923382afaf0a7c22b0b", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=7_1Kd5Is", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 7 }, "imgs-i67zq6mjgq-urz6w9ofgh": { "id": "imgs-i67zq6mjgq-urz6w9ofgh", "title": "Tray / 圓箕 / Btuku/圓箕", "desc": "This type of tray has multiple uses: drying crops, separation chaff from grain, fementing grains for alcohol, storage, etc. The material - ling-shoot bamboo - can be found through-out traditional Seediq territory.這種圓箕有許多用途:曬乾農作物、將粗糠自穀物分離、讓用於釀酒的穀物發酵、儲藏等。長枝竹這種材料,在整個傳統賽德克族居住區域中都可以找到。", "primaryObj": { "oid": "a5e98c77de1266b41c0ec1293c00c3f3", "title": "Tray / 圓箕 / Btuku/圓箕", "desc": "This type of tray has multiple uses: drying crops, separation chaff from grain, fementing grains for alcohol, storage, etc. The material - ling-shoot bamboo - can be found through-out traditional Seediq territory.這種圓箕有許多用途:曬乾農作物、將粗糠自穀物分離、讓用於釀酒的穀物發酵、儲藏等。長枝竹這種材料,在整個傳統賽德克族居住區域中都可以找到。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=4733g4iX", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=IOhpWfiE", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=FvF71n0O", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=r0o-m_-h", "mfid": "b3e319e12ab218b33201758fec4baf79", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=_Gl_bb6t", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 8 }, "imgs-i67zq6mjgq-5o9alqtyxk": { "id": "imgs-i67zq6mjgq-5o9alqtyxk", "title": "Blanket Material / 毯子材料 / Pala ratu/布疋", "desc": "Traditional blankets are made from one woven length of cloth that was cut into three equal lengths and sewn together. This is the entire textile before being cut. This historic textile was reproduced by Seediq weavers after working with the collections Stockholm.傳統布疋的製作方法是將一段織布裁成三等份,並縫合在一起。這是切割之前的整件織品。賽德克族織布工藝師再研究斯德哥爾摩所收藏文物後,複製出來的織品之一,本件為原件。", "primaryObj": { "oid": "3f3e1ea247fec0a325860e6d4cae1ee0", "title": "Blanket Material / 毯子材料 / Pala ratu/布疋", "desc": "Traditional blankets are made from one woven length of cloth that was cut into three equal lengths and sewn together. This is the entire textile before being cut. This historic textile was reproduced by Seediq weavers after working with the collections Stockholm.傳統布疋的製作方法是將一段織布裁成三等份,並縫合在一起。這是切割之前的整件織品。賽德克族織布工藝師再研究斯德哥爾摩所收藏文物後,複製出來的織品之一,本件為原件。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=EC0zQF-M", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=tQ8GZFAx", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=mmXST0pp", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=leUEQDs_", "mfid": "eb9a8161444c1568943ca9dc5df79a3b", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=E0RGi2AC", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 9 } }, "musicName": "無", "weight": 15, "displayMode": "fixed-width", "primaryObj": { "oid": "35911bca823d519b7388dc62570891ed", "title": "Storage Baskets / 儲物籃 / Rawa/儲物籃", "desc": "使用藤與竹編織籃子和用粗麻編成網袋與背帶,通常會被認定為男性的工作。這類籃子通常作為多功能儲藏用。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=JY7_tNjm", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=2IwdH_7z", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=Jb-qx5vW", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=C9XG1KwD", "mfid": "b3eba2d79b598e18d3aefd8330db113b", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b3eba2d79b598e18d3aefd8330db113b.jpg?itok=pcq15IQK", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "title": "J.F.G. Umlauff Collection", "desc": "J.F.G. Umlauff (1833年-1889年) owned a company based in Hamburg, Germany\nthat sourced cultural objects and wild animals from around the world for\nmuseums and private collectors in the West. &nbsp;The company existed from 1868 until 1974.&nbsp; According to records kept by the Museum of\nEthnography in Stockholm, a group of objects collected from indigenous\ncommunities in Taiwan was formed for Umlauff in 1907, by someone named G.\nMakasara (Nakahara Genji), who was presumably associated with the Japanese\ncolonial government.&nbsp; Although the\noriginal letter has not currently been located, an English translation of an\nexerpt from a letter written by Makasara, presumably to Umlauff, reveals that\nMakasara was sometimes collecting under hostile situations and strongly\nsuggests that some objects were collected through coersion.&nbsp; It is not stated which area or group of\npeople were affected by the circumstances described in the letter excerpt:<br>“ The jungle is so\nimpenetrable that the Japanese cannot use ordrance and the savages lose very\nfew men in comparison with the number of heads they secure from their\nenemies.&nbsp; The Japanese must win in the\nend, but this war may last for years yet.&nbsp;\nYou can hardly imagine the difficulty how I “persuaded” the savages to\npart with some of the objects I obtained from them and beween ourselves, the\npersuasion was not always effected with money.”\n\n<span>Extract from a letter from Mr.\nG Makasara in 1907.&nbsp; Original letter and\nlanguage unknown.<br></span>The J.F.G. Umlauff collection of Taiwan material is the\nlargest collection of Taiwan indigenous material at the Museum of\nEthnography.&nbsp; Numbering 315 objects, the\noverwhelming majority, if not all, of the objects were collected from Taiwan\nindegenous communities, representing at least seven different ethnic\ngroups.&nbsp; Two batches of Taiwan indigenous\nmaterial was purchased through J.F.G. Umlauff by the Museum of Ethnography in\nStockholm.&nbsp; The first group, representing\nabout seven different cultural groups, was collected in 1907 on the main island\nof Taiwan and related to the letter extract from above.&nbsp; The objects arrived at the Museum in\n1909.&nbsp; A second group, a collection of\nmaterial from the Tao (Yami) people of Orchid Island, arrived in 1910.&nbsp; The collecting context of the Orchid Island\nmaterial is currently unknown.<br>", "musicText": "", "musicURL": "" }, "imgs-s6jn8cj2lf": { "id": "imgs-s6jn8cj2lf", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "b1535b8b9d22affa4ad5d8e4839782b5", "title": "Storage Baskets / 儲物籃 / Rawa/儲物籃", "desc": "使用藤和竹編織籃子和用粗麻編成網袋與背帶,通常會被認定為是男性的工作。這類籃子通常作為多功能儲藏用。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=IEptU9Nm", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=_InaEVnC", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=f4BLVt-p", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=CUIarqyI", "mfid": "d622fbe49dcf15170ed8a6d86b873812", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=XBv1gzlE", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "7204713450263ff10697236e6b18abef", "title": "Gunpowder containers / 火藥筒 / Kulu qblic puniq/火藥筒", "desc": "Each of the bamboo tubes contained enough gunpowder for one shot. Today in Taiwan, only indigenous hunters may own guns they make themselves for hunting.每支竹筒內都包含足以射出一發子彈的火藥。現在臺灣只有原住民獵人能擁有自製狩獵用槍枝。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=Kg_yxfEI", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=i5yBcgCQ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=zlNBc8hu", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=LryGD5Aq", "mfid": "93a09f7b45c10383fccb7d363cacc09b", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=NKegf2ja", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "898b2a1e20c089ecbb57fcf866b25dd8", "title": "Bow / 弓 / Bhenaq/弓", "desc": "This short bow was used forr hunting. When not being used, the bowstring is detached from one end, so the bow can relax. Today, guns are the preferred hunting tool. They may have been introduced by the Dutch dand Spanish in the 1600s.這把短弓用於狩獵。未使用時會將弓弦自一端取下,使弓身鬆弛。如今,槍支是人們首選的狩獵工具,可能是由荷蘭和西班牙在17世紀引進臺灣的。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=Owi6_Wjj", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=XYrMBtsN", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=UJ9UsGwG", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=LvbMY20z", "mfid": "4cbedc6b19e600de0ae2baded7656694", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=r16HGwr8", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "9abf9e193db38722a5f0dec39e25bc9f", "title": "WEAVING DRUM FOR A BACKSTRAP LOOM / 織布箱 / Ubung/織布箱", "desc": "Part of a backstrap loom that the Seediq traditionally used while sitting on the floor. The feet rested on this part of the loom, and a strap around the waist kept the tension of the warp threads. When the weft is pulled through the warp, it is beaten down with another tool. This creates a pounding sound that indicates the weaver is hard at work.這是賽德克族傳統中坐在地上使用的地機、或稱水平腰機的一部分。腳放在織布機的這一部分上,而腰上的背帶則維持著拉力,並形成一個水平線。當緯線穿過經線後,會用打棒將緯線拉至布頭,這會產生一種敲擊聲,象徵織女正在努力工作。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=9CuusdOh", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=vf81w7wO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=Xa2X-054", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=ggq7wtWp", "mfid": "6eff77905d0ec27c8b148d4b5b8c60ec", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=1CKn0gpj", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "d953548063ac2c1f8a9fcd210068ab3f", "title": "Headhunting Knife / 獵首刀 / Slmadac/獵首刀", "desc": "A headhunting knife was the most important social symbol for Seediq men. The owner guarded it, especially against women touching it. If that happened, it could lead to a failed headhunting ceremony or harm the woman who touched it. Hair from the head that was taken was attached to the sheath, and their spirit is associated with the hair. A used headhunting knife has spiritual significance and contains healing power.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=EGw1eDEA", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=B8flR81I", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=cZ_HKMiv", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=zA8sD5BY", "mfid": "30a8fb011ff0cf88b0f3b4022857f4bb", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=aQkLvm_I", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "6e35093d147a9d8e144595a8bc2d606e", "title": "Man's sleeveless shirt / 男子上衣 / Lukus rseno/男子上衣", "desc": "Men's shirts are longer than women's shirts but do not cover the knees. This shirt was made from two lengths of cloth joined in the middle. The red colour on the shirt and miri embroidery along the lower hem suggest it was used on important occasions.相較於女性上衣,男性上衣要更長一些,但不及膝蓋。這是將2段布料在中央接合製成。鮮紅的顏色以及下擺的miri(挑花)織藝顯示出這件衣服是在出席重要場合時穿著的。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=0V__JL-l", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=OCTFG8N7", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=frobEEnS", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=LGwMLQ7N", "mfid": "05a7b795d84efe8acc07b3951bf5d541", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=YU4sZS3y", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "c67ce2e50c13b0ef7bc714614934f699", "title": "Net Bag / 網袋 / Tokan bale/網袋", "desc": "The use and production of net bags made from thick ramie thread is usually associated with men. They are multi-purpose bags used to carry game during hunts and farming equipment in the field. They can also carry harvested crops and firewood.用粗麻線製成的網袋之使用與生產通常與男性有關。這些多用途網袋會在狩獵時用於搬運獵物,以及在田地上用於攜帶農具,也能夠搬運農作物與柴薪。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=TxUrKcwL", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=NRD3hM9C", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=yve4GtCU", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=SLIh9E_Q", "mfid": "fb599b2812828fdb5f58c4ea0fa1a9ac", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=cPRlJxSf", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "7c6cd75d0f767733619b938b03e04200", "title": "Salt Container / 鹽罐 / Cuqi tumu/鹽罐", "desc": "Salt was a commodity that had to be obtained through trade. This container is made from a bamboo tube wrapped with braided yellow rattan. The wood lid is attached to the tube with string made from ramie.鹽是必須透過交易取得的日用品。這項容器是以黃藤包覆竹筒製成,竹節蓋子以苧麻線連接竹筒。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=Vt0te3qZ", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=AC6SHxg6", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=CMmoh0ZV", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=YgApOl0d", "mfid": "f9541712d0d54768afade7e58774dd00", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=ecO4ItC5", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "8b0ab4fc6d719a86655ef6a4b72477e0", "title": "Bayonet Knife / 刺刀 / Suqu/刺刀", "desc": "This type of knife has a hollow handle. Even after being caught in traps, animals, such as wild boars, are still dangerous. A wooden stick can be inserted into the handle of the knife, so that the animal can be killed from a distance.此刀具有著中空刀柄,可插入木棍變成長矛。因野豬等動物即使受困於陷阱之中,仍然具有相當的危險性,如此便能在安全距離內將動物刺死。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=fQxn2rwv", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=8cJnco9i", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=KwYKZ3iQ", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=V6xf7Tgj", "mfid": "7ff1d9956ed0e2dfd21630f1acd66910", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=SciFjic_", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "54f2f697b4e080b86456de7e33dff742", "title": "Water Containers /水壺 / Qriyan/水壺", "desc": "These water containers are made from gourds that have been dried and hollowed out. They were used to draw water from a water source to take back to the village. Containers made from giant bamboo can also be used for the same purpose.這些水壺由挖空且晾乾的葫蘆製成,其用途為汲水並帶回部落,用麻竹製成的容器也具有相同用途。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=qhBgt9jn", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=jw8l_CHY", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=sujF2AwW", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=ZuSX3ile", "mfid": "9b6ef728d9cd1e54d71e0cf5071f86d6", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=CBZfSMSP", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "df514171efaa08e908dcb817c053c9b8", "title": "Water Containers / 水壺 / Qriyan/水壺", "desc": "These water containers are made from gourds that have been dried and hollowed out. They were used to draw water from a water source to take back to the village. Containers made from giant bamboo can also be used for the same purpose.這些水瓶由挖空且晾乾的葫蘆製成,其用途為汲水並帶回部落,用麻竹製成的容器也具有同樣的用途。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=7U5Ro8ea", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=LW1BLcYQ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=6202GF43", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=Bvn37tOz", "mfid": "b4c9725bc88b619894a833ff7472b484", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=Mr9NrYBs", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, { "oid": "178ae8a0faa45cb959cd2f4b4ccd4da0", "title": "Shawl / 披肩 / Pala Tikuh/披肩", "desc": "This shawl comes from the Wanda dialect group of Atayal peoples. They frequently internarred with Seediq from the Paran tribe and influenced each other's crafts. This may be why Seediq weavers are familiar with this pattern.這件披肩來自泰雅族的萬大語別,他們與賽德克族巴蘭部落友好、通婚頻繁,造成文化的流動與交流,此文物及來自該部落。這也可能是賽德克族織布工藝師熟悉此圖案的原因。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=36loJG7w", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=OFDnXVjo", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=cp_8BtaR", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=iQI1It9V", "mfid": "56c7c3c25bc0eb93de19ece09db1c696", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=g2FceAPQ", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" } ], "items": { "imgs-s6jn8cj2lf-j2qhdl08jf": { "id": "imgs-s6jn8cj2lf-j2qhdl08jf", "title": "Storage Baskets / 儲物籃 / Rawa/儲物籃", "desc": "使用藤和竹編織籃子和用粗麻編成網袋與背帶,通常會被認定為是男性的工作。這類籃子通常作為多功能儲藏用。", "primaryObj": { "oid": "b1535b8b9d22affa4ad5d8e4839782b5", "title": "Storage Baskets / 儲物籃 / Rawa/儲物籃", "desc": "使用藤和竹編織籃子和用粗麻編成網袋與背帶,通常會被認定為是男性的工作。這類籃子通常作為多功能儲藏用。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=IEptU9Nm", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=_InaEVnC", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=f4BLVt-p", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=CUIarqyI", "mfid": "d622fbe49dcf15170ed8a6d86b873812", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=XBv1gzlE", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 0 }, "imgs-s6jn8cj2lf-bp5qd5g667": { "id": "imgs-s6jn8cj2lf-bp5qd5g667", "title": "Gunpowder containers / 火藥筒 / Kulu qblic puniq/火藥筒", "desc": "Each of the bamboo tubes contained enough gunpowder for one shot. Today in Taiwan, only indigenous hunters may own guns they make themselves for hunting.每支竹筒內都包含足以射出一發子彈的火藥。現在臺灣只有原住民獵人能擁有自製狩獵用槍枝。", "primaryObj": { "oid": "7204713450263ff10697236e6b18abef", "title": "Gunpowder containers / 火藥筒 / Kulu qblic puniq/火藥筒", "desc": "Each of the bamboo tubes contained enough gunpowder for one shot. Today in Taiwan, only indigenous hunters may own guns they make themselves for hunting.每支竹筒內都包含足以射出一發子彈的火藥。現在臺灣只有原住民獵人能擁有自製狩獵用槍枝。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=Kg_yxfEI", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=i5yBcgCQ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=zlNBc8hu", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=LryGD5Aq", "mfid": "93a09f7b45c10383fccb7d363cacc09b", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=NKegf2ja", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 1 }, "imgs-s6jn8cj2lf-r72r83c1uw": { "id": "imgs-s6jn8cj2lf-r72r83c1uw", "title": "Bow / 弓 / Bhenaq/弓", "desc": "This short bow was used forr hunting. When not being used, the bowstring is detached from one end, so the bow can relax. Today, guns are the preferred hunting tool. They may have been introduced by the Dutch dand Spanish in the 1600s.這把短弓用於狩獵。未使用時會將弓弦自一端取下,使弓身鬆弛。如今,槍支是人們首選的狩獵工具,可能是由荷蘭和西班牙在17世紀引進臺灣的。", "primaryObj": { "oid": "898b2a1e20c089ecbb57fcf866b25dd8", "title": "Bow / 弓 / Bhenaq/弓", "desc": "This short bow was used forr hunting. When not being used, the bowstring is detached from one end, so the bow can relax. Today, guns are the preferred hunting tool. They may have been introduced by the Dutch dand Spanish in the 1600s.這把短弓用於狩獵。未使用時會將弓弦自一端取下,使弓身鬆弛。如今,槍支是人們首選的狩獵工具,可能是由荷蘭和西班牙在17世紀引進臺灣的。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=Owi6_Wjj", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=XYrMBtsN", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=UJ9UsGwG", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=LvbMY20z", "mfid": "4cbedc6b19e600de0ae2baded7656694", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=r16HGwr8", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 2 }, "imgs-s6jn8cj2lf-tai59tro6t": { "id": "imgs-s6jn8cj2lf-tai59tro6t", "title": "WEAVING DRUM FOR A BACKSTRAP LOOM / 織布箱 / Ubung/織布箱", "desc": "Part of a backstrap loom that the Seediq traditionally used while sitting on the floor. The feet rested on this part of the loom, and a strap around the waist kept the tension of the warp threads. When the weft is pulled through the warp, it is beaten down with another tool. This creates a pounding sound that indicates the weaver is hard at work.這是賽德克族傳統中坐在地上使用的地機、或稱水平腰機的一部分。腳放在織布機的這一部分上,而腰上的背帶則維持著拉力,並形成一個水平線。當緯線穿過經線後,會用打棒將緯線拉至布頭,這會產生一種敲擊聲,象徵織女正在努力工作。", "primaryObj": { "oid": "9abf9e193db38722a5f0dec39e25bc9f", "title": "WEAVING DRUM FOR A BACKSTRAP LOOM / 織布箱 / Ubung/織布箱", "desc": "Part of a backstrap loom that the Seediq traditionally used while sitting on the floor. The feet rested on this part of the loom, and a strap around the waist kept the tension of the warp threads. When the weft is pulled through the warp, it is beaten down with another tool. This creates a pounding sound that indicates the weaver is hard at work.這是賽德克族傳統中坐在地上使用的地機、或稱水平腰機的一部分。腳放在織布機的這一部分上,而腰上的背帶則維持著拉力,並形成一個水平線。當緯線穿過經線後,會用打棒將緯線拉至布頭,這會產生一種敲擊聲,象徵織女正在努力工作。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=9CuusdOh", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=vf81w7wO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=Xa2X-054", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=ggq7wtWp", "mfid": "6eff77905d0ec27c8b148d4b5b8c60ec", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=1CKn0gpj", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 3 }, "imgs-s6jn8cj2lf-9zvnoql2bh": { "id": "imgs-s6jn8cj2lf-9zvnoql2bh", "title": "Headhunting Knife / 獵首刀 / Slmadac/獵首刀", "desc": "A headhunting knife was the most important social symbol for Seediq men. The owner guarded it, especially against women touching it. If that happened, it could lead to a failed headhunting ceremony or harm the woman who touched it. Hair from the head that was taken was attached to the sheath, and their spirit is associated with the hair. A used headhunting knife has spiritual significance and contains healing power.", "primaryObj": { "oid": "d953548063ac2c1f8a9fcd210068ab3f", "title": "Headhunting Knife / 獵首刀 / Slmadac/獵首刀", "desc": "A headhunting knife was the most important social symbol for Seediq men. The owner guarded it, especially against women touching it. If that happened, it could lead to a failed headhunting ceremony or harm the woman who touched it. Hair from the head that was taken was attached to the sheath, and their spirit is associated with the hair. A used headhunting knife has spiritual significance and contains healing power.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=EGw1eDEA", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=B8flR81I", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=cZ_HKMiv", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=zA8sD5BY", "mfid": "30a8fb011ff0cf88b0f3b4022857f4bb", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=aQkLvm_I", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 4 }, "imgs-s6jn8cj2lf-yvie3vk8rf": { "id": "imgs-s6jn8cj2lf-yvie3vk8rf", "title": "Man's sleeveless shirt / 男子上衣 / Lukus rseno/男子上衣", "desc": "Men's shirts are longer than women's shirts but do not cover the knees. This shirt was made from two lengths of cloth joined in the middle. The red colour on the shirt and miri embroidery along the lower hem suggest it was used on important occasions.相較於女性上衣,男性上衣要更長一些,但不及膝蓋。這是將2段布料在中央接合製成。鮮紅的顏色以及下擺的miri(挑花)織藝顯示出這件衣服是在出席重要場合時穿著的。", "primaryObj": { "oid": "6e35093d147a9d8e144595a8bc2d606e", "title": "Man's sleeveless shirt / 男子上衣 / Lukus rseno/男子上衣", "desc": "Men's shirts are longer than women's shirts but do not cover the knees. This shirt was made from two lengths of cloth joined in the middle. The red colour on the shirt and miri embroidery along the lower hem suggest it was used on important occasions.相較於女性上衣,男性上衣要更長一些,但不及膝蓋。這是將2段布料在中央接合製成。鮮紅的顏色以及下擺的miri(挑花)織藝顯示出這件衣服是在出席重要場合時穿著的。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=0V__JL-l", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=OCTFG8N7", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=frobEEnS", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=LGwMLQ7N", "mfid": "05a7b795d84efe8acc07b3951bf5d541", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=YU4sZS3y", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 5 }, "imgs-s6jn8cj2lf-5rnhq5fll8": { "id": "imgs-s6jn8cj2lf-5rnhq5fll8", "title": "Net Bag / 網袋 / Tokan bale/網袋", "desc": "The use and production of net bags made from thick ramie thread is usually associated with men. They are multi-purpose bags used to carry game during hunts and farming equipment in the field. They can also carry harvested crops and firewood.用粗麻線製成的網袋之使用與生產通常與男性有關。這些多用途網袋會在狩獵時用於搬運獵物,以及在田地上用於攜帶農具,也能夠搬運農作物與柴薪。", "primaryObj": { "oid": "c67ce2e50c13b0ef7bc714614934f699", "title": "Net Bag / 網袋 / Tokan bale/網袋", "desc": "The use and production of net bags made from thick ramie thread is usually associated with men. They are multi-purpose bags used to carry game during hunts and farming equipment in the field. They can also carry harvested crops and firewood.用粗麻線製成的網袋之使用與生產通常與男性有關。這些多用途網袋會在狩獵時用於搬運獵物,以及在田地上用於攜帶農具,也能夠搬運農作物與柴薪。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=TxUrKcwL", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=NRD3hM9C", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=yve4GtCU", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=SLIh9E_Q", "mfid": "fb599b2812828fdb5f58c4ea0fa1a9ac", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=cPRlJxSf", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 6 }, "imgs-s6jn8cj2lf-gs9uwzkg79": { "id": "imgs-s6jn8cj2lf-gs9uwzkg79", "title": "Salt Container / 鹽罐 / Cuqi tumu/鹽罐", "desc": "Salt was a commodity that had to be obtained through trade. This container is made from a bamboo tube wrapped with braided yellow rattan. The wood lid is attached to the tube with string made from ramie.鹽是必須透過交易取得的日用品。這項容器是以黃藤包覆竹筒製成,竹節蓋子以苧麻線連接竹筒。", "primaryObj": { "oid": "7c6cd75d0f767733619b938b03e04200", "title": "Salt Container / 鹽罐 / Cuqi tumu/鹽罐", "desc": "Salt was a commodity that had to be obtained through trade. This container is made from a bamboo tube wrapped with braided yellow rattan. The wood lid is attached to the tube with string made from ramie.鹽是必須透過交易取得的日用品。這項容器是以黃藤包覆竹筒製成,竹節蓋子以苧麻線連接竹筒。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=Vt0te3qZ", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=AC6SHxg6", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=CMmoh0ZV", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=YgApOl0d", "mfid": "f9541712d0d54768afade7e58774dd00", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=ecO4ItC5", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 7 }, "imgs-s6jn8cj2lf-f3k25wywfe": { "id": "imgs-s6jn8cj2lf-f3k25wywfe", "title": "Bayonet Knife / 刺刀 / Suqu/刺刀", "desc": "This type of knife has a hollow handle. Even after being caught in traps, animals, such as wild boars, are still dangerous. A wooden stick can be inserted into the handle of the knife, so that the animal can be killed from a distance.此刀具有著中空刀柄,可插入木棍變成長矛。因野豬等動物即使受困於陷阱之中,仍然具有相當的危險性,如此便能在安全距離內將動物刺死。", "primaryObj": { "oid": "8b0ab4fc6d719a86655ef6a4b72477e0", "title": "Bayonet Knife / 刺刀 / Suqu/刺刀", "desc": "This type of knife has a hollow handle. Even after being caught in traps, animals, such as wild boars, are still dangerous. A wooden stick can be inserted into the handle of the knife, so that the animal can be killed from a distance.此刀具有著中空刀柄,可插入木棍變成長矛。因野豬等動物即使受困於陷阱之中,仍然具有相當的危險性,如此便能在安全距離內將動物刺死。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=fQxn2rwv", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=8cJnco9i", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=KwYKZ3iQ", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=V6xf7Tgj", "mfid": "7ff1d9956ed0e2dfd21630f1acd66910", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=SciFjic_", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 8 }, "imgs-s6jn8cj2lf-arl5kvr2ob": { "id": "imgs-s6jn8cj2lf-arl5kvr2ob", "title": "Water Containers /水壺 / Qriyan/水壺", "desc": "These water containers are made from gourds that have been dried and hollowed out. They were used to draw water from a water source to take back to the village. Containers made from giant bamboo can also be used for the same purpose.這些水壺由挖空且晾乾的葫蘆製成,其用途為汲水並帶回部落,用麻竹製成的容器也具有相同用途。", "primaryObj": { "oid": "54f2f697b4e080b86456de7e33dff742", "title": "Water Containers /水壺 / Qriyan/水壺", "desc": "These water containers are made from gourds that have been dried and hollowed out. They were used to draw water from a water source to take back to the village. Containers made from giant bamboo can also be used for the same purpose.這些水壺由挖空且晾乾的葫蘆製成,其用途為汲水並帶回部落,用麻竹製成的容器也具有相同用途。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=qhBgt9jn", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=jw8l_CHY", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=sujF2AwW", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=ZuSX3ile", "mfid": "9b6ef728d9cd1e54d71e0cf5071f86d6", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=CBZfSMSP", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 9 }, "imgs-s6jn8cj2lf-gur6kxjibt": { "id": "imgs-s6jn8cj2lf-gur6kxjibt", "title": "Water Containers / 水壺 / Qriyan/水壺", "desc": "These water containers are made from gourds that have been dried and hollowed out. They were used to draw water from a water source to take back to the village. Containers made from giant bamboo can also be used for the same purpose.這些水瓶由挖空且晾乾的葫蘆製成,其用途為汲水並帶回部落,用麻竹製成的容器也具有同樣的用途。", "primaryObj": { "oid": "df514171efaa08e908dcb817c053c9b8", "title": "Water Containers / 水壺 / Qriyan/水壺", "desc": "These water containers are made from gourds that have been dried and hollowed out. They were used to draw water from a water source to take back to the village. Containers made from giant bamboo can also be used for the same purpose.這些水瓶由挖空且晾乾的葫蘆製成,其用途為汲水並帶回部落,用麻竹製成的容器也具有同樣的用途。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=7U5Ro8ea", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=LW1BLcYQ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=6202GF43", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=Bvn37tOz", "mfid": "b4c9725bc88b619894a833ff7472b484", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=Mr9NrYBs", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 10 }, "imgs-s6jn8cj2lf-270s9h3fwe": { "id": "imgs-s6jn8cj2lf-270s9h3fwe", "title": "Shawl / 披肩 / Pala Tikuh/披肩", "desc": "This shawl comes from the Wanda dialect group of Atayal peoples. They frequently internarred with Seediq from the Paran tribe and influenced each other's crafts. This may be why Seediq weavers are familiar with this pattern.這件披肩來自泰雅族的萬大語別,他們與賽德克族巴蘭部落友好、通婚頻繁,造成文化的流動與交流,此文物及來自該部落。這也可能是賽德克族織布工藝師熟悉此圖案的原因。", "primaryObj": { "oid": "178ae8a0faa45cb959cd2f4b4ccd4da0", "title": "Shawl / 披肩 / Pala Tikuh/披肩", "desc": "This shawl comes from the Wanda dialect group of Atayal peoples. They frequently internarred with Seediq from the Paran tribe and influenced each other's crafts. This may be why Seediq weavers are familiar with this pattern.這件披肩來自泰雅族的萬大語別,他們與賽德克族巴蘭部落友好、通婚頻繁,造成文化的流動與交流,此文物及來自該部落。這也可能是賽德克族織布工藝師熟悉此圖案的原因。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=36loJG7w", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=OFDnXVjo", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=cp_8BtaR", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=iQI1It9V", "mfid": "56c7c3c25bc0eb93de19ece09db1c696", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=g2FceAPQ", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 11 } }, "musicName": "無", "weight": 16, "displayMode": "fixed-width", "primaryObj": { "oid": "b1535b8b9d22affa4ad5d8e4839782b5", "title": "Storage Baskets / 儲物籃 / Rawa/儲物籃", "desc": "使用藤和竹編織籃子和用粗麻編成網袋與背帶,通常會被認定為是男性的工作。這類籃子通常作為多功能儲藏用。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=IEptU9Nm", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=_InaEVnC", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=f4BLVt-p", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=CUIarqyI", "mfid": "d622fbe49dcf15170ed8a6d86b873812", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=XBv1gzlE", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "title": "Folke Cronholm Collection", "desc": "Folke Cronholm (1873-1945) was a Swedish consul general,\nlawyer, diplomat and collector.&nbsp; During\nhis career, he had worked in Canada, Japan and China, and he created a\ncollection of objects that is mainly from China, Japan, Taiwan, and North and\nCentral America.&nbsp; The material from\nTaiwan is overwhelmingly from indigenous communities and includes around one\nhundred nine objects and images.&nbsp; Evidence\nfrom the image collection suggests that Cronholm visited Taiwan in 1908 for the\nopening of the Taiwan East-West Railway (臺灣縱貫鐵路).&nbsp; It is likely he\nacquired the Taiwan objects at this time.&nbsp;\nThe Taiwan material from the Cronholm collection entered the Museum of\nEthnography in 1910.", "musicText": "", "musicURL": "" }, "theme-7dcelejj13": { "id": "theme-7dcelejj13", "type": "theme", "sortable": true, "primaryObj": { "oid": "71cb8e4b610b1830f9d8474cfa12092f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/834c0f881c18c044a26966d1d0964468.jpg?itok=1kFEWG39", "level": "primary", "title": "Seediq traditional house", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/834c0f881c18c044a26966d1d0964468.jpg?itok=rDhQnrrg", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/834c0f881c18c044a26966d1d0964468.jpg?itok=5jElPz2Z", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/834c0f881c18c044a26966d1d0964468.jpg?itok=yCn6cWdw", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/834c0f881c18c044a26966d1d0964468.jpg?itok=0Suq5axr", "mfid": "834c0f881c18c044a26966d1d0964468", "musicURL": "", "musicName": "", "fileCreator": "Karl Zetterström", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Gender roles", "desc": "Gender\nroles are an important part of Gaya/Waya. The harmony of the tribe depends on\nits members following Gaya/Waya. According to the elders, it’s only by\nfulfilling one’s roles that one can cross the spirit bridge after death and\nreturn to the realm of the ancestors and reunite with their families.", "musicName": "無", "weight": 17, "musicText": "", "musicURL": "" }, "basic-nlcn59xvej": { "id": "basic-nlcn59xvej", "type": "basic", "sortable": true, "primaryObj": { "oid": "8b0ab4fc6d719a86655ef6a4b72477e0", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/810ae23825313d94e109d176a6f18ead.jpg?itok=9DAl5Qwg", "level": "primary", "title": "Bayonet Knife / 刺刀 / Suqu/刺刀", "desc": "This type of knife has a hollow handle. Even after being caught in traps, animals, such as wild boars, are still dangerous. A wooden stick can be inserted into the handle of the knife, so that the animal can be killed from a distance.此刀具有著中空刀柄,可插入木棍變成長矛。因野豬等動物即使受困於陷阱之中,仍然具有相當的危險性,如此便能在安全距離內將動物刺死。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/810ae23825313d94e109d176a6f18ead.jpg?itok=VY3cy-xT", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/810ae23825313d94e109d176a6f18ead.jpg?itok=t42cY6Sl", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/810ae23825313d94e109d176a6f18ead.jpg?itok=CIWwsaAW", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/810ae23825313d94e109d176a6f18ead.jpg?itok=HCU1LoDD", "mfid": "810ae23825313d94e109d176a6f18ead", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "men", "desc": "According to Gaya/Waya, men were expected\nto protect their families and be good hunters. Hunting provided food for their\nfamilies, and the meat was also shared with members of the hunting party. The\nact of hunting also followed the rules of Gaya/Waya and was dependent on\ndifferent divinations, such as the flights direction and call of the spiritual\nsisin bird (the grey-cheeked fulvetta). The population of this bird is\ndeclining due to environmental changes.\n\nSeediq\nmen conductec headhunting ceremonies as a coming-of-age rite, to prove personal\nreputation and to counteract disasters that occurred in the tribe, it would be\nentertained. Then, the enemy’s spirit would join the tribe and help to protect\nit. Headhunting was a dangerous operation, and the rules of Gaya/Waya were\nfollowed strictly.", "musicName": "無", "weight": 18, "musicText": "", "musicURL": "" }, "basic-j7r7etsij4": { "id": "basic-j7r7etsij4", "type": "basic", "sortable": true, "primaryObj": { "oid": "9abf9e193db38722a5f0dec39e25bc9f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/564b770bf7daff910187fc9e6282bfd4.jpg?itok=V9AjArVx", "level": "primary", "title": "WEAVING DRUM FOR A BACKSTRAP LOOM / 織布箱 / Ubung/織布箱", "desc": "Part of a backstrap loom that the Seediq traditionally used while sitting on the floor. The feet rested on this part of the loom, and a strap around the waist kept the tension of the warp threads. When the weft is pulled through the warp, it is beaten down with another tool. This creates a pounding sound that indicates the weaver is hard at work.這是賽德克族傳統中坐在地上使用的地機、或稱水平腰機的一部分。腳放在織布機的這一部分上,而腰上的背帶則維持著拉力,並形成一個水平線。當緯線穿過經線後,會用打棒將緯線拉至布頭,這會產生一種敲擊聲,象徵織女正在努力工作。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/564b770bf7daff910187fc9e6282bfd4.jpg?itok=OmdXKlvs", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/564b770bf7daff910187fc9e6282bfd4.jpg?itok=LzU_BbK5", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/564b770bf7daff910187fc9e6282bfd4.jpg?itok=GKuTbCVt", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/564b770bf7daff910187fc9e6282bfd4.jpg?itok=AwJ0QFys", "mfid": "564b770bf7daff910187fc9e6282bfd4", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Women", "desc": "Weaving cloth was an important way for\nSeediq women to keep their families warm. The traditional weaving material was\nramie, which is similar to linen. During the Japanese colonization period of\nTaiwan, wool and machine-made cotton cloth became more available and replaced\nramie. These matericals can all be seen in thee texiles in this exhibition.\n\nThe\nknowledge of weaving was under pressure during the Japanese colonization period\nof Taiwan. The occupying power required more people for infrastructure work,\nsuch as building roads. Therefore, the Japanese administration labelled weaving\nas lazy behavior and discouraged it. Cultural disruptions such as this helped\nerode adherence to traditional concepts of Gaya/Waya.", "musicName": "無", "weight": 19, "musicText": "", "musicURL": "" }, "quote-huk7z8xd8e": { "id": "quote-huk7z8xd8e", "type": "quote", "sortable": true, "musicName": "無", "weight": 20, "desc": "Men\ntouching weaving tools could lead to difficulties with weaving, which may\nprevent the family from keeping warm. Women touching hunting tools could lead\nto failed or dangerous hunts.", "musicText": "", "musicURL": "" }, "theme-lf24uwb9au": { "id": "theme-lf24uwb9au", "type": "theme", "sortable": true, "primaryObj": { "oid": "eef6bffcd64dd32927bcd209b397a4af", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d4b96d81788ce43febb61d1ba9731af7.jpg?itok=j1a4nQut", "level": "primary", "title": "與祖先、文物和解/和解", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d4b96d81788ce43febb61d1ba9731af7.jpg?itok=UvEmLOBa", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d4b96d81788ce43febb61d1ba9731af7.jpg?itok=Vgx8Hw39", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d4b96d81788ce43febb61d1ba9731af7.jpg?itok=mC18_LIx", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d4b96d81788ce43febb61d1ba9731af7.jpg?itok=mDTyF9Eb", "mfid": "d4b96d81788ce43febb61d1ba9731af7", "musicURL": "", "musicName": "", "fileCreator": "Karl Zetterström", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Reconciling with old collections for the future", "desc": "<span>\n <span><span>\n \n These are the oldest known Seediq\n objects, and they came to the museum more than a hundred years ago. Until\n this cooperation between the museum and the Seediq, the objects were labelled\n as Atayal, as that is how the Seediq were classified by the Japanese\n administration when the objects were collected. Due to this cooperation,\n these museum objects now have their correct cultural attribution – Seediq.\n As much traditional culture has been lost\n since the objects were collected, some within the Seediq community are\n working with museum collections to help revitalize the culture.\n Reconciliation is and important part of\n Seediq culture. By leaming from older museum collections, they are also\n reconciling with their ancestors. The historic objects embody the knowledge\n of the lives and wisdom of their ancestors.\n In February 2022, a Seediq research\n delegation studied the collections at the museum to reconcile with their ancestors\n and take back the knowledge learned from the historic objects to their\n people. As a result, lost weaving patterns are now being reproduced by the\n descendants of the people who made the originals.\n \n </span>\n</span></span>", "musicName": "無", "weight": 21, "musicText": "", "musicURL": "" }, "imgs-x9zkfg90b6": { "id": "imgs-x9zkfg90b6", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "d7a819f3d022ce1a1758b1fe4edbe290", "title": "Robo老師記錄織紋/織品調研", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/4149437d41ba10375c458c4da1e4319e.jpg?itok=fOXdraGO", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/4149437d41ba10375c458c4da1e4319e.jpg?itok=TQsg4tRZ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/4149437d41ba10375c458c4da1e4319e.jpg?itok=_gaIrvnY", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/4149437d41ba10375c458c4da1e4319e.jpg?itok=CYqmpqqg", "mfid": 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Moreover, we visited Nordic Museum, Vasa Museum, etc. In the last day of our trip, we visited Tropen Museum in Amsterdam to see the Seediq objects and to discuss with the museum staff for the future cooperation.We especially thank the staff of National Museums of World Culture of Sweden and Museum of Ethnography and the staff of Taipei Mission in Sweden for their kind and sincere welcome receptions.<div><br></div></span>" }, "theme-xarcr43uak": { "id": "theme-xarcr43uak", "type": "theme", "sortable": true, "primaryObj": { "oid": "57963150f49d38477048bbbac83df6a9", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b939640b2928b327dfba7ceaabe21031.jpg?itok=6eqPxf6m", "level": "primary", "title": "中央山脈", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b939640b2928b327dfba7ceaabe21031.jpg?itok=zct26h9Z", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b939640b2928b327dfba7ceaabe21031.jpg?itok=dL8_WqFG", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b939640b2928b327dfba7ceaabe21031.jpg?itok=q70IcJzr", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b939640b2928b327dfba7ceaabe21031.jpg?itok=tppfc153", "mfid": "b939640b2928b327dfba7ceaabe21031", "musicURL": "", "musicName": "", "fileCreator": "Karl Zetterström", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "The development status of the Seediq people today", "desc": "This chapter is used to introduce the current Seediq organizations, as well as ongoing plans and future expectations.", "musicName": "無", "weight": 27, "musicText": "", "musicURL": "" }, "highlight_basic-iy0ofyps09": { "id": "highlight_basic-iy0ofyps09", "type": "highlight_basic", "sortable": true, "primaryObj": { "oid": "f0409f5aa6a72756aa817bafa5e1152a", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/c73c9def28daa375c3f868f06f905402.jpg?itok=ToxREYRb", "level": "primary", "title": "臺灣原住民族賽德克族青年會", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/c73c9def28daa375c3f868f06f905402.jpg?itok=npjj3i1j", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/c73c9def28daa375c3f868f06f905402.jpg?itok=8PndYgtn", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/c73c9def28daa375c3f868f06f905402.jpg?itok=NCibQQSW", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/c73c9def28daa375c3f868f06f905402.jpg?itok=fUtW7CT_", "mfid": "c73c9def28daa375c3f868f06f905402", "musicURL": "", "musicName": "", "fileCreator": "范代郁", "rights": "范代郁", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "The cohesion of the younger generation- 3S3T Youths", "desc": "<div><span>The full name is the Taiwan Indigenous Association Of 3S3T Youths, was established in 2021. 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It mobilizes other ethics groups to devote themselves to language research, ethnic revitalization, inheritance and development.&nbsp;The photo shows the indigenous language teachers are recording a podcast.</span></div>", "musicName": "無", "weight": 29, "musicText": "", "musicURL": "" }, "highlight_basic-b8wvwezayd": { "id": "highlight_basic-b8wvwezayd", "type": "highlight_basic", "sortable": true, "primaryObj": { "oid": "1120477b4d32da3cbe758026d733a857", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/4926799f381c55b7e3edc11b5dbeebc6.jpg?itok=nyquA1PU", "level": "primary", "title": "Weaving on a backstrap loom/在背帶織布機上織布", "desc": "正面:Uma Pering (林喜美) 助理教授\n背面:Robo Nawi (高雪珠) 助理教授", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/4926799f381c55b7e3edc11b5dbeebc6.jpg?itok=CBvVbY6D", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/4926799f381c55b7e3edc11b5dbeebc6.jpg?itok=wJrJ6qFm", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/4926799f381c55b7e3edc11b5dbeebc6.jpg?itok=9gHpuueB", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/4926799f381c55b7e3edc11b5dbeebc6.jpg?itok=ef4Xs8z8", "mfid": "4926799f381c55b7e3edc11b5dbeebc6", "musicURL": "", "musicName": "", "fileCreator": "Uma Perin", "rights": "Lin Ximei", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Cultural Relics Boom", "desc": "<span>Tribal craftsmen see ancestral wisdom in exile through partnership with the Swedish Work Exhibition. The exquisite craftsmanship of weaving and living utensils has inspired the craftsmen to study in depth, and they have invested in the reproduction of cultural relics.The photo shows the weaving situation of two cultural asset preservers, Mrs. Lin Ximei and Mrs. Gao Xuezhu.<div><br></div></span>", "musicName": "無", "weight": 30, "musicText": "", "musicURL": "" }, "highlight_basic-kxg31s8g0d": { "id": "highlight_basic-kxg31s8g0d", "type": "highlight_basic", "sortable": true, "primaryObj": { "oid": "c718b43364c90b48b4dba09aabf426e8", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3ce8974f8781c093314f43c3fe6f89a4.jpg?itok=r32-LFGO", "level": "primary", "title": "靜宜大學原住民族文化碩士學位學程", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3ce8974f8781c093314f43c3fe6f89a4.jpg?itok=YvhFJlLI", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/3ce8974f8781c093314f43c3fe6f89a4.jpg?itok=aIbqmFA1", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/3ce8974f8781c093314f43c3fe6f89a4.jpg?itok=izRwAmDs", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/3ce8974f8781c093314f43c3fe6f89a4.jpg?itok=c4ksayY5", "mfid": "3ce8974f8781c093314f43c3fe6f89a4", "musicURL": "", "musicName": "", "fileCreator": "郭俊巖", "rights": "郭俊巖", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "The Rise of Seediq Higher Education", "desc": "<div><span>Master program in indigenous cultural heritage of Providence University was established in 2019. The program emphasizes the importance of the indigenous knowledge systems and the organic combination of contemporary issues, and flips the higher education scene with \"tribes as classrooms\" and \"culturally responsive teaching\". Taking cultural heritage courses as the starting point and using the concept of indigenous community-based education. The main teaching activities are implemented in the traditional fields of indigenous people or in tribes or hunting grounds.Cultivate students to be aware of the cultural connotation and knowledge system of their own nation. Let people with national cultural heritage understand the state system and contemporary situation faced by indigenous peoples, and be able to use modern tools (such as video, transcript, field research and teaching methods) to develop new cultural inheritance methods. In the future, they will become indispensable indigenous education professionals in all levels of government, schools and social education.</span></div>", "musicName": "無", "weight": 31, "musicText": "", "musicURL": "" }, "highlight_basic-hwtlnx3aze": { "id": "highlight_basic-hwtlnx3aze", "type": "highlight_basic", "sortable": true, "primaryObj": { "oid": "e45f900fc8df949fc72d957b5940c683", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/882795a446e690bb1712111beac937fd.jpg?itok=sKbDC13U", "level": "primary", "title": "2023年壯大部落實力工作坊/壯大部落實力工作坊", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/882795a446e690bb1712111beac937fd.jpg?itok=mnAMJz3s", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/882795a446e690bb1712111beac937fd.jpg?itok=6Btx6oDi", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/882795a446e690bb1712111beac937fd.jpg?itok=PgtPccNa", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/882795a446e690bb1712111beac937fd.jpg?itok=8mDgIOyM", "mfid": "882795a446e690bb1712111beac937fd", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "靜宜大學賽德克族知識研究中心", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Local Talent Cultivation", "desc": "<div>As the last stage of the EU Taking Care Project, the National Assembly and the Seediq Knowledge Research Center of Providence University held a workshop. The content of the course includes ethnic issues, cultural relic rectification, indigenous legal knowledge, interpretation of cultural relics, cultural relic census, etc. Widely invite tribal people to participate in learning and personnel training.</div>", "musicName": "無", "weight": 32, "musicText": "", "musicURL": "" }, "text-vjl3a7qp2n": { "id": "text-vjl3a7qp2n", "type": "text", "sortable": true, "musicName": "無", "weight": 33, "title": "Partial content translation by", "desc": "Shu-Chuan Lai 賴淑娟<br>Ciwas Pawan 吉娃思巴萬<br>Temi Pihu 鄭佳雯<br>Away Pihu 游婷羽", "musicText": "", "musicURL": "" }, "thanks": { "id": "thanks", "type": "thanks", "sortable": false, "thanksList": { "National Museums of World Culture, Sweden": { "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "obj": [ "23c3f8a6ce7ecb942cd9751182b8b04b", 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The material was woven in one long length, cut into three pieces and then sewn together. Each row is different and shows the weaver had memorised and mastered the different designs and weaving techniques.這件披肩會在重要場合披上,被今日一些賽德克族織布工藝師認定為傑作。物件由三塊織布縫在一起,每段設計皆不同,顯示出織布工藝師記住並掌握了不同設計與織法。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=hBUpW5ra", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=f_900Vy0", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=5EdkB7Da", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=wQdoW7Dd", "mfid": "a19b2a2007a2b37d180ab05f169d4541", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/a19b2a2007a2b37d180ab05f169d4541.jpg?itok=n_4Buwp0", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "f00850091b45fbb4aa4cfed3f9700015": { "oid": "f00850091b45fbb4aa4cfed3f9700015", "title": "Arrow / 箭矢 / Budi/箭矢", "desc": "The materials used for making the arrow shafts were chosen because they could be made straight. Iron objects, such as the point on this arrow, may have been traded at the nearest trading centre, where people of various cultures interacted.因為箭桿筆直,所以需要精選製作的材料。如箭頭等鐵製物可能是在最近的交易場所交換取得,那裏會有不同文化的人互相交流。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=CKtqiOdu", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=coIC4_nU", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=FrBpZcyN", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=QQwDFnsS", "mfid": "89244489d6a47f155b2ab780e2efa331", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/89244489d6a47f155b2ab780e2efa331.jpg?itok=VGHrxAFO", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "1920ddb2ec18fe208ed88ac2e98325a3": { "oid": "1920ddb2ec18fe208ed88ac2e98325a3", "title": "Spindle / 紡錘 / Tyadan/紡錘", "desc": "A weight would be attached to the bottom edn to help the spindle spin and twist the ramie fibres into thread. Ramie is a plant belonging to the nettle family.紡錘末端會接上重物以幫助其垂直旋轉,並將苧麻纖維捲成絲線;苧麻是一種蕁麻科植物。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=b0pS_Iru", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=xJdUQ4BK", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=mF1-kCkh", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=pvml7ItK", "mfid": "665069f843a94e0fb9fd4cf7ccc36c97", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/665069f843a94e0fb9fd4cf7ccc36c97.jpg?itok=_DWl_djw", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "c6d36e092dc4b6047a9c05dba7820dd6": { "oid": "c6d36e092dc4b6047a9c05dba7820dd6", "title": "Mouth Harps / 口簧琴 / 左:Tubu Daha 右:Tubu Qoqo/口簧琴", "desc": "Mouth harps are an ancient type of musical instrument that uses the mouth and throat as a resonator. 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People did not express romantic affection outwardly, and they were used to communicate romantic interest with each other without speaking.口簧琴是古老的樂器種類,使用口腔與喉嚨作為共鳴器。在傳統賽德克社會中,這不僅僅用於娛樂,人們並不會在表面上表達出浪漫情感,而是用口簧琴來傳達對彼此的浪漫情愫。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=CuqI-S5h", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=G8t1H1bC", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=MNW-KT6d", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=_mmhOmiS", "mfid": "30bde4a71701e400b2aab806dfd5fa84", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/30bde4a71701e400b2aab806dfd5fa84.jpg?itok=J6syFiTC", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "3e78300cbcad55ec4ba6b8814b7a0c21": { "oid": "3e78300cbcad55ec4ba6b8814b7a0c21", "title": "Woman's festive shirt / 女子上衣 / Lukus ratang/女子上衣B", "desc": "The material for this shirt was woven with pala pniri, which is the most difficult Seediq weaving technique. Today, there are no more than ten Seediq weavers who can make this type of material.這件上衣是運用pala pniri(賽德克族傳統經挑織紋)織布技巧編織而成,是賽德克族最為困難的編織技巧。現今,能編織這類材料的賽額克族織布工藝師已不到10人。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=mEjP99Rg", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=lo0EKsk2", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=qdzc5r9n", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=3I9akqkW", "mfid": "ef81874f8e812331744ef7375df2dbc0", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ef81874f8e812331744ef7375df2dbc0.jpg?itok=6shwaC6P", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "6c4a75ff1aceaaea21a1fedf38a00aeb": { "oid": "6c4a75ff1aceaaea21a1fedf38a00aeb", "title": "Woman's festive shirt / 女子上衣 / Ratang/女子上衣A", "desc": "This shirt was sewn together from cotton cloth that would have been acquired through trade. It reflects the period when weaving started to decline amongst the Seediq and ready-made cloth became redily available.這件上衣是用棉布縫製而成,布料可能是透過交易取得。這反映出這個時期,賽德克族的織布工藝逐漸式微,也表示現成的布料很容易取得。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=yBo8KOc6", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=VR11-_g8", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=z67w4_Gl", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=XjVRVFjU", "mfid": "c2d4d16088cbb59dacd919bddc1d16ab", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/c2d4d16088cbb59dacd919bddc1d16ab.jpg?itok=74RbM-Z0", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "06cb8d4fd27b3a26e966e74ab8561a87": { "oid": "06cb8d4fd27b3a26e966e74ab8561a87", "title": "Strainer / 濾網 / Sisi sino/濾網", "desc": "This net would have been used for straining during the alcohol making process. Traditional alcohol was made from either millet or glutinous rice. It could also have been used to strain wild honey. One elder within the Seediq community remembered the function of this object from their childhood.這是釀酒過程中用來過濾的篩網,傳統酒會使用小米或糯米釀造,這也能用在過濾野生蜂蜜。一味賽德克族耆老還記得這件物品在他年幼時如何去使用。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=roeCopBF", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=xyxrcWGZ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=_v-4-K3X", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=Pj9IDi0h", "mfid": "2f3aea1c6fe40923382afaf0a7c22b0b", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/2f3aea1c6fe40923382afaf0a7c22b0b.jpg?itok=7_1Kd5Is", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "a5e98c77de1266b41c0ec1293c00c3f3": { "oid": "a5e98c77de1266b41c0ec1293c00c3f3", "title": "Tray / 圓箕 / Btuku/圓箕", "desc": "This type of tray has multiple uses: drying crops, separation chaff from grain, fementing grains for alcohol, storage, etc. The material - ling-shoot bamboo - can be found through-out traditional Seediq territory.這種圓箕有許多用途:曬乾農作物、將粗糠自穀物分離、讓用於釀酒的穀物發酵、儲藏等。長枝竹這種材料,在整個傳統賽德克族居住區域中都可以找到。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=4733g4iX", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=IOhpWfiE", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=FvF71n0O", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=r0o-m_-h", "mfid": "b3e319e12ab218b33201758fec4baf79", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b3e319e12ab218b33201758fec4baf79.jpg?itok=_Gl_bb6t", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "3f3e1ea247fec0a325860e6d4cae1ee0": { "oid": "3f3e1ea247fec0a325860e6d4cae1ee0", "title": "Blanket Material / 毯子材料 / Pala ratu/布疋", "desc": "Traditional blankets are made from one woven length of cloth that was cut into three equal lengths and sewn together. This is the entire textile before being cut. This historic textile was reproduced by Seediq weavers after working with the collections Stockholm.傳統布疋的製作方法是將一段織布裁成三等份,並縫合在一起。這是切割之前的整件織品。賽德克族織布工藝師再研究斯德哥爾摩所收藏文物後,複製出來的織品之一,本件為原件。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=EC0zQF-M", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=tQ8GZFAx", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=mmXST0pp", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=leUEQDs_", "mfid": "eb9a8161444c1568943ca9dc5df79a3b", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/eb9a8161444c1568943ca9dc5df79a3b.jpg?itok=E0RGi2AC", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "b1535b8b9d22affa4ad5d8e4839782b5": { "oid": "b1535b8b9d22affa4ad5d8e4839782b5", "title": "Storage Baskets / 儲物籃 / Rawa/儲物籃", "desc": "使用藤和竹編織籃子和用粗麻編成網袋與背帶,通常會被認定為是男性的工作。這類籃子通常作為多功能儲藏用。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=IEptU9Nm", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=_InaEVnC", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=f4BLVt-p", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=CUIarqyI", "mfid": "d622fbe49dcf15170ed8a6d86b873812", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d622fbe49dcf15170ed8a6d86b873812.jpg?itok=XBv1gzlE", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "7204713450263ff10697236e6b18abef": { "oid": "7204713450263ff10697236e6b18abef", "title": "Gunpowder containers / 火藥筒 / Kulu qblic puniq/火藥筒", "desc": "Each of the bamboo tubes contained enough gunpowder for one shot. Today in Taiwan, only indigenous hunters may own guns they make themselves for hunting.每支竹筒內都包含足以射出一發子彈的火藥。現在臺灣只有原住民獵人能擁有自製狩獵用槍枝。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=Kg_yxfEI", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=i5yBcgCQ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=zlNBc8hu", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=LryGD5Aq", "mfid": "93a09f7b45c10383fccb7d363cacc09b", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/93a09f7b45c10383fccb7d363cacc09b.jpg?itok=NKegf2ja", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "898b2a1e20c089ecbb57fcf866b25dd8": { "oid": "898b2a1e20c089ecbb57fcf866b25dd8", "title": "Bow / 弓 / Bhenaq/弓", "desc": "This short bow was used forr hunting. When not being used, the bowstring is detached from one end, so the bow can relax. Today, guns are the preferred hunting tool. They may have been introduced by the Dutch dand Spanish in the 1600s.這把短弓用於狩獵。未使用時會將弓弦自一端取下,使弓身鬆弛。如今,槍支是人們首選的狩獵工具,可能是由荷蘭和西班牙在17世紀引進臺灣的。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=Owi6_Wjj", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=XYrMBtsN", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=UJ9UsGwG", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=LvbMY20z", "mfid": "4cbedc6b19e600de0ae2baded7656694", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/4cbedc6b19e600de0ae2baded7656694.jpg?itok=r16HGwr8", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "9abf9e193db38722a5f0dec39e25bc9f": { "oid": "9abf9e193db38722a5f0dec39e25bc9f", "title": "WEAVING DRUM FOR A BACKSTRAP LOOM / 織布箱 / Ubung/織布箱", "desc": "Part of a backstrap loom that the Seediq traditionally used while sitting on the floor. The feet rested on this part of the loom, and a strap around the waist kept the tension of the warp threads. When the weft is pulled through the warp, it is beaten down with another tool. This creates a pounding sound that indicates the weaver is hard at work.這是賽德克族傳統中坐在地上使用的地機、或稱水平腰機的一部分。腳放在織布機的這一部分上,而腰上的背帶則維持著拉力,並形成一個水平線。當緯線穿過經線後,會用打棒將緯線拉至布頭,這會產生一種敲擊聲,象徵織女正在努力工作。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=9CuusdOh", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=vf81w7wO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=Xa2X-054", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=ggq7wtWp", "mfid": "6eff77905d0ec27c8b148d4b5b8c60ec", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/6eff77905d0ec27c8b148d4b5b8c60ec.jpg?itok=1CKn0gpj", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "d953548063ac2c1f8a9fcd210068ab3f": { "oid": "d953548063ac2c1f8a9fcd210068ab3f", "title": "Headhunting Knife / 獵首刀 / Slmadac/獵首刀", "desc": "A headhunting knife was the most important social symbol for Seediq men. The owner guarded it, especially against women touching it. If that happened, it could lead to a failed headhunting ceremony or harm the woman who touched it. Hair from the head that was taken was attached to the sheath, and their spirit is associated with the hair. A used headhunting knife has spiritual significance and contains healing power.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=EGw1eDEA", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=B8flR81I", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=cZ_HKMiv", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=zA8sD5BY", "mfid": "30a8fb011ff0cf88b0f3b4022857f4bb", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/30a8fb011ff0cf88b0f3b4022857f4bb.jpg?itok=aQkLvm_I", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "6e35093d147a9d8e144595a8bc2d606e": { "oid": "6e35093d147a9d8e144595a8bc2d606e", "title": "Man's sleeveless shirt / 男子上衣 / Lukus rseno/男子上衣", "desc": "Men's shirts are longer than women's shirts but do not cover the knees. This shirt was made from two lengths of cloth joined in the middle. The red colour on the shirt and miri embroidery along the lower hem suggest it was used on important occasions.相較於女性上衣,男性上衣要更長一些,但不及膝蓋。這是將2段布料在中央接合製成。鮮紅的顏色以及下擺的miri(挑花)織藝顯示出這件衣服是在出席重要場合時穿著的。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=0V__JL-l", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=OCTFG8N7", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=frobEEnS", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=LGwMLQ7N", "mfid": "05a7b795d84efe8acc07b3951bf5d541", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/05a7b795d84efe8acc07b3951bf5d541.jpg?itok=YU4sZS3y", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "c67ce2e50c13b0ef7bc714614934f699": { "oid": "c67ce2e50c13b0ef7bc714614934f699", "title": "Net Bag / 網袋 / Tokan bale/網袋", "desc": "The use and production of net bags made from thick ramie thread is usually associated with men. They are multi-purpose bags used to carry game during hunts and farming equipment in the field. They can also carry harvested crops and firewood.用粗麻線製成的網袋之使用與生產通常與男性有關。這些多用途網袋會在狩獵時用於搬運獵物,以及在田地上用於攜帶農具,也能夠搬運農作物與柴薪。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=TxUrKcwL", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=NRD3hM9C", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=yve4GtCU", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=SLIh9E_Q", "mfid": "fb599b2812828fdb5f58c4ea0fa1a9ac", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/fb599b2812828fdb5f58c4ea0fa1a9ac.jpg?itok=cPRlJxSf", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "7c6cd75d0f767733619b938b03e04200": { "oid": "7c6cd75d0f767733619b938b03e04200", "title": "Salt Container / 鹽罐 / Cuqi tumu/鹽罐", "desc": "Salt was a commodity that had to be obtained through trade. This container is made from a bamboo tube wrapped with braided yellow rattan. The wood lid is attached to the tube with string made from ramie.鹽是必須透過交易取得的日用品。這項容器是以黃藤包覆竹筒製成,竹節蓋子以苧麻線連接竹筒。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=Vt0te3qZ", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=AC6SHxg6", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=CMmoh0ZV", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=YgApOl0d", "mfid": "f9541712d0d54768afade7e58774dd00", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/f9541712d0d54768afade7e58774dd00.jpg?itok=ecO4ItC5", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "8b0ab4fc6d719a86655ef6a4b72477e0": { "oid": "8b0ab4fc6d719a86655ef6a4b72477e0", "title": "Bayonet Knife / 刺刀 / Suqu/刺刀", "desc": "This type of knife has a hollow handle. Even after being caught in traps, animals, such as wild boars, are still dangerous. A wooden stick can be inserted into the handle of the knife, so that the animal can be killed from a distance.此刀具有著中空刀柄,可插入木棍變成長矛。因野豬等動物即使受困於陷阱之中,仍然具有相當的危險性,如此便能在安全距離內將動物刺死。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=fQxn2rwv", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=8cJnco9i", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=KwYKZ3iQ", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=V6xf7Tgj", "mfid": "7ff1d9956ed0e2dfd21630f1acd66910", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/7ff1d9956ed0e2dfd21630f1acd66910.jpg?itok=SciFjic_", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "54f2f697b4e080b86456de7e33dff742": { "oid": "54f2f697b4e080b86456de7e33dff742", "title": "Water Containers /水壺 / Qriyan/水壺", "desc": "These water containers are made from gourds that have been dried and hollowed out. They were used to draw water from a water source to take back to the village. Containers made from giant bamboo can also be used for the same purpose.這些水壺由挖空且晾乾的葫蘆製成,其用途為汲水並帶回部落,用麻竹製成的容器也具有相同用途。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=qhBgt9jn", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=jw8l_CHY", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=sujF2AwW", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=ZuSX3ile", "mfid": "9b6ef728d9cd1e54d71e0cf5071f86d6", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/9b6ef728d9cd1e54d71e0cf5071f86d6.jpg?itok=CBZfSMSP", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "df514171efaa08e908dcb817c053c9b8": { "oid": "df514171efaa08e908dcb817c053c9b8", "title": "Water Containers / 水壺 / Qriyan/水壺", "desc": "These water containers are made from gourds that have been dried and hollowed out. They were used to draw water from a water source to take back to the village. Containers made from giant bamboo can also be used for the same purpose.這些水瓶由挖空且晾乾的葫蘆製成,其用途為汲水並帶回部落,用麻竹製成的容器也具有同樣的用途。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=7U5Ro8ea", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=LW1BLcYQ", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=6202GF43", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=Bvn37tOz", "mfid": "b4c9725bc88b619894a833ff7472b484", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b4c9725bc88b619894a833ff7472b484.jpg?itok=Mr9NrYBs", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, Sweden", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "178ae8a0faa45cb959cd2f4b4ccd4da0": { "oid": "178ae8a0faa45cb959cd2f4b4ccd4da0", "title": "Shawl / 披肩 / Pala Tikuh/披肩", "desc": "This shawl comes from the Wanda dialect group of Atayal peoples. They frequently internarred with Seediq from the Paran tribe and influenced each other's crafts. This may be why Seediq weavers are familiar with this pattern.這件披肩來自泰雅族的萬大語別,他們與賽德克族巴蘭部落友好、通婚頻繁,造成文化的流動與交流,此文物及來自該部落。這也可能是賽德克族織布工藝師熟悉此圖案的原因。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=36loJG7w", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=OFDnXVjo", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=cp_8BtaR", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=iQI1It9V", "mfid": "56c7c3c25bc0eb93de19ece09db1c696", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/56c7c3c25bc0eb93de19ece09db1c696.jpg?itok=g2FceAPQ", "fileType": "image", "fileCreator": "", "rights": "National Museums of World Culture, 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