Corresponding, Entangling

Corresponding, Entangling

2022/10/31
2022/11/01
<b>Culture is how lives interact with the environment; it is to integrate with surrounding lives, befriend them and be family.<br></b>As if we are weaving, we intertwine our lives with theirs; as if we are writing a letter to a family member and friend and then waiting for their replies.
展覽頁面呈現形式
縱式
策展者
Natonal Museum of Prehistory, Taiwan
Hsiao, Guan-Yu
展覽封面
fd39882094c03ea9371b92fb9757cb94
展覽資料
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After the celebration, he walked down from the mountain…<br><b>I calmed myself by talking to my mind and spirit: <br></b></span><span><i><b>Katu suqnu naikin na qanitu itu sang makilavi mulumaq. Asa makilavi mulumaq, pishali pishalavang sanavan tona lumaq masabaq.</b></i><br></span><span><b>Do not leave the spirit of the body in the mountain. Take care of it and then go home and rest together. <br>After saying this, he realized that he and his partners had finished something. Our lives are the entanglement of spiritual and real worlds. The written words are conversations with our spirit.</b> <br>Salizan Takisvilainan, <i><a target=\"_blank\" rel=\"nofollow\" href=\"https://www.books.com.tw/products/0010833638\">Lifting Mountains with tinaqis (bends)</a></i> (in Chinese, untranslated)</span>", "musicName": "無", "weight": 16, "musicText": "", "musicURL": "" }, "theme-kl9ml0gnsb": { "id": "theme-kl9ml0gnsb", "type": "theme", "sortable": true, "primaryObj": { "oid": "23e32af03a2dd84f4603b398570fab78", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/7bb3706de945db8a66722e72dbfe986f.jpg?itok=UuUc8MTM", "level": "primary", "title": "海嶼海廢/蘭嶼海廢", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/7bb3706de945db8a66722e72dbfe986f.jpg?itok=Hu5KGLJR", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/7bb3706de945db8a66722e72dbfe986f.jpg?itok=Q1FYRiCC", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/7bb3706de945db8a66722e72dbfe986f.jpg?itok=zwenesfn", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/7bb3706de945db8a66722e72dbfe986f.jpg?itok=4Ps3s30e", "mfid": "7bb3706de945db8a66722e72dbfe986f", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Ruptured Connection", "desc": "<span>Motorboats drive into the eyes of the sky; chainsaws saw off the body of ancestors; garbage piled up into mountains and oceans. <br>We need different stories and thoughts to repair the ruptures and welcome the coexistence of culture and the environment.</span>", "musicName": "無", "weight": 17, "musicText": "", "musicURL": "" }, "quote-5iamkciz39": { "id": "quote-5iamkciz39", "type": "quote", "sortable": true, "musicName": "無", "weight": 18, "desc": "<span>In the parallel worlds of the human universe, we tell ourselves we are not living on “the same planet”; there is no good and bad between different civilizations. 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The conflicts intensified. <br>In the same period, the \"Department of Savage Control\" developed more comprehensive classifications about the smaller communities, and thus were able to control their location and movement by monopolizing the entrance of vital resources such as salt.<br></span><span>In 1920, the colonial government promulgated “Documents about Group Relocation and Arable Land of the Savage.” According to the document, any conflicts between forestry capitalists and Indigenous people will be solved by forced relocation of the communities down to the foot of the hill. The Indigenous people would be taught by the capitalists how to cultivate a paddy wetland (rather than a millet dryland that they were used to) and forced labor. These lands were assigned as the “to-be reserved forest” (and these lands became the prototype of the now indigenous reservation). <br>Around 1930: it was after these efforts and subsequent casualties that most smaller communities on the other side of the frontier defense line were transformed into manageable ethnic groups and “Savage Societies”, being located in specific places and under the control of the Japanese government. On the other hand, “savage people” in the “national forests” finally disappeared, and less and less conflicts happened.</span><br>", "musicText": "", "musicURL": "" }, "basic-pdsqs19rip": { "id": "basic-pdsqs19rip", "type": "basic", "sortable": true, "primaryObj": { "oid": "d76c84fb28d6aed6420b70d78546d7a4", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/5ea09a13163fe624c3a9b84410034291.jpg?itok=B_WH1asa", "level": "primary", "title": "民國35-78年間立木伐採(立方公尺)與伐採面積(公頃)", "desc": "民國35-78年間立木伐採(立方公尺)與伐採面積(公頃),資料來源:林務局局誌(資料檢索日期:2022/10/13)", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/5ea09a13163fe624c3a9b84410034291.jpg?itok=oeylLwyN", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/5ea09a13163fe624c3a9b84410034291.jpg?itok=Ypix-Y5l", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/5ea09a13163fe624c3a9b84410034291.jpg?itok=nBIYUCtq", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/5ea09a13163fe624c3a9b84410034291.jpg?itok=w9DLRwsg", "mfid": "5ea09a13163fe624c3a9b84410034291", "musicURL": "", "musicName": "", "fileCreator": "蕭冠祐", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "The Disappearance of Forest Lives", "desc": "<span>After WWII, the new Nationalist Government’s Bureau of Forest Produce inherited Japanese colonial governance, namely mentioning the former privileged groups, imposing a rationing system of \"national\" forest and implementing a special timber formula, by which the new government was able to satisfy the need for timber and the expense of the Nationalist-Communist War in Mainland China. However, the bureau failed to achieve its original goal on afforestation and felled even more trees year by year. <br>Although the rationing system and the special timber formula were canceled around 1957, it was apparent from the chart that the felled area and timber volume increased and peaked around 1970. <br>*Chart: felled area (Ha, right axis) and timber volume (m³, left axis) between ROC 35-78 (1946-1989)</span>", "musicName": "無", "weight": 21, "musicText": "", "musicURL": "" }, "basic-n56841ol4j": { "id": "basic-n56841ol4j", "type": "basic", "sortable": true, "primaryObj": { "oid": "f1939eb87368586b3cf9fa2ea6f8d169", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/a4569f59d58628bd8688b1acbb6ef857.jpg?itok=mYHSumOK", "level": "primary", "title": "山羌", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/a4569f59d58628bd8688b1acbb6ef857.jpg?itok=2m_mrRba", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/a4569f59d58628bd8688b1acbb6ef857.jpg?itok=8kguQvaV", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/a4569f59d58628bd8688b1acbb6ef857.jpg?itok=wJ7PFoow", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/a4569f59d58628bd8688b1acbb6ef857.jpg?itok=lPRNdtu8", "mfid": "a4569f59d58628bd8688b1acbb6ef857", "musicURL": "", "musicName": "", "fileCreator": "劉俊甫", "rights": "劉俊甫", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "The Disappearance of Wildlie", "desc": "<span>As development and exploitation of forests continued, a great amount of forest creatures and their habitats were destroyed. Illegal logging, hunting and game meat stalls were the microcosms of the era. <br><i><b>“In an ecologically attentive recursion, we find that man is the only animal to voraciously, relentlessly, and viciously wreck the lifeworld of earth. Man is the only animal systematically to torture members of its own species, as well as members of countless other species, and to engage in seemingly endless and often wildly indiscriminate killing.”</b></i><br>——Deborah Bird Rose, <a target=\"_blank\" rel=\"nofollow\" href=\"https://www.upress.umn.edu/book-division/books/arts-of-living-on-a-damaged-planet\">Shimmer: When All You Love is Being Trashed</a><br>Nevertheless, what if these animals and plants are similar to human sociality</span>—<span><b>what if our survival is intrinsically related to them?</b> Are we still to kill so discriminately?</span>", "musicName": "無", "weight": 22, "musicText": "", "musicURL": "" }, "quote-qkj13lll4y": { "id": "quote-qkj13lll4y", "type": "quote", "sortable": true, "musicName": "無", "weight": 23, "desc": "<span>Ecosystems are so similar to human societies—they’re built on relationships. The stronger those are, the more resilient the system. And since our world’s systems are composed of individual organisms, they have the capacity to change. We creatures adapt, our genes evolve, and we can learn from experience. A system is ever changing because its parts—the trees and fungi and people—are constantly responding to one another and to the environment. Our success in coevolution—our success as a productive society—is only as good as the strength of these bonds with other individuals and species. Out of the resulting adaptation and evolution emerge behaviors that help us survive, grow, and thrive. <br>——Suzanne Simard, <a target=\"_blank\" rel=\"nofollow\" href=\"https://suzannesimard.com/finding-the-mother-tree-book/?doing_wp_cron=1667184448.2090060710906982421875\">Finding the Mother Tree: Discovering the Wisdom of the Forest</a></span>", "musicText": "", "musicURL": "" }, "basic-64hd4x8xw2": { "id": "basic-64hd4x8xw2", "type": "basic", "sortable": true, "primaryObj": { "oid": "e284adfeefeaadc0eccafd1aee7f2a8c", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d34299783218aa7df23fdbf0ab0e2401.jpg?itok=ljpxuYut", "level": "primary", "title": "Orchid Islanders with Spears Upright", "desc": "[英文]see wa0020 for details.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d34299783218aa7df23fdbf0ab0e2401.jpg?itok=7PaEXkt9", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d34299783218aa7df23fdbf0ab0e2401.jpg?itok=BnZ6a012", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d34299783218aa7df23fdbf0ab0e2401.jpg?itok=FmqrHo4y", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d34299783218aa7df23fdbf0ab0e2401.jpg?itok=SCvIvz0q", "mfid": "d34299783218aa7df23fdbf0ab0e2401", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "Lafayette Digital Repository", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "拉法葉學院數位資料使用指南", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Ponso No Tao—Island of Human", "desc": "<span>During Japanese colonization, Orchid Island was called “Red Head Island”. Most people were prohibited from the island and the island was for anthropological and anthropometric research only. After WWII, the Nationalist government maintained the entry restriction but changed its name to “Orchid Island” in praise of the beauty of the orchid on this island. Yet, the indigenous <i>Yami/Tao</i> People call this island “<i>Ponso no Tao</i>,”—“the island of human.” <br>It was, and is, under the name of development and/or assistance, or much compliment and/or disparagement, that outsiders came/come to this island.</span>", "musicName": "無", "weight": 24, "musicText": "", "musicURL": "" }, "basic-ltel6lmfb2": { "id": "basic-ltel6lmfb2", "type": "basic", "sortable": true, "primaryObj": { "oid": "f3bd9ceae343fe137ff530f5024a3fc4", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/afc85943a8057805729a99f693e03578.jpg?itok=nNPa1tE6", "level": "primary", "title": "驅逐惡靈", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/afc85943a8057805729a99f693e03578.jpg?itok=uG0wEf1P", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/afc85943a8057805729a99f693e03578.jpg?itok=2cWGT7qX", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/afc85943a8057805729a99f693e03578.jpg?itok=TN8WcuDG", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/afc85943a8057805729a99f693e03578.jpg?itok=8_XruQ4o", "mfid": "afc85943a8057805729a99f693e03578", "musicURL": "", "musicName": "", "fileCreator": "夏曼.昇聲安", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Expelling the Demon ", "desc": "<span>It was not until 1967 that these painful entry restrictions were finally removed. Nevertheless, and despite strong local opposition and protest, a low-level nuclear waste storage site was scheduled and went under construction in 1974. <br>The <i>Yami/Tao</i> people expel invisible demons (<i>anito</i>), especially during funerals and flying fish season. This time, demons have gained their concrete form—barrels of nuclear waste.</span>", "musicName": "無", "weight": 25, "musicText": "", "musicURL": "" }, "imgs-jmin4dwpcp": { "id": "imgs-jmin4dwpcp", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "962f5ff4971c080db77c51da8f17f108", "title": "蘭嶼核廢場邊的潛水遊客/核廢場邊的潛水遊客", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/526902ee8d57a6f5e09a951665a2c1b5.jpg?itok=Xx4CucEu", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/526902ee8d57a6f5e09a951665a2c1b5.jpg?itok=oJIeJDCS", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/526902ee8d57a6f5e09a951665a2c1b5.jpg?itok=SWjmeYS6", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/526902ee8d57a6f5e09a951665a2c1b5.jpg?itok=CMp92ejw", "mfid": "526902ee8d57a6f5e09a951665a2c1b5", "musicURL": "", "musicName": "", "fileURI": 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There is still a whole world between us and our environment</span>—<span>so unfamiliar as we are to our environment. <br><b>It is time to change, to repair our disconnection between us and our living environment. </b><br><b>If we believe in a future that is worth pursuing, then it is now that we have to think, to take action.</b></span>", "musicText": "", "musicURL": "" }, "quote-efgxmrd1y5": { "id": "quote-efgxmrd1y5", "type": "quote", "sortable": true, "musicName": "無", "weight": 30, "desc": "<span>It matters what matters we use to think other matters with; it matters what stories we tell to tell other stories with; it matters what knots knot knots, what thoughts think thoughts, what descriptions describe descriptions, what ties tie ties. 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It is the local form of continuous correspondence among lives.", "musicName": "無", "weight": 31, "musicText": "", "musicURL": "" }, "quote-82rx85rs1v": { "id": "quote-82rx85rs1v", "type": "quote", "sortable": true, "musicName": "無", "weight": 32, "desc": "<span>Management, one has to remember, is not possession. Among the lands I am allowed to manage, please allow me to use the parts that are to be eliminated, in order to maintain my family’s life. <br>(Avayi Yatauyunga, elder of Tufuya community of cou/Tsou)</span>", "musicText": "", "musicURL": "" }, "text-gx4z66a99s": { "id": "text-gx4z66a99s", "type": "text", "sortable": true, "musicName": "無", "weight": 33, "title": "Hunters and einu", "desc": "<span>Forests and animals should never be dispossessed. Rather, they are gifts from our modest prayer to them. They are the gifts in return to the management of the Indigenous people. A hunter can only wear the animals’ body parts which were given by the forests and hunted by him/herself. This is part of <i>einu</i> that is confirmed by all cou/Tsou hunters. Moreover, <i>einu</i> forms the value system of the whole community. When seeing a hunter's accessories, one knows his/her ability, and thus understands the proper manner in interacting with him/her.</span>", "musicText": "", "musicURL": "" }, "basic-vszxrecuqs": { "id": "basic-vszxrecuqs", "type": "basic", "sortable": true, "primaryObj": { "oid": "571677bccd07383a5ff6338c5576c42c", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/f6d1a77a0416f3e1d0f25a3cc87e3747.jpg?itok=GQfi2LJp", "level": "primary", "title": "獵場是獵人的身體", "desc": "獵人長期穿梭在獵場裡,狩獵與祭儀,了解山林中的植物與動物分布的樣態、知道哪裡有多有少東西,因此獵場是男人的身體,知道自己身體哪裡出了問題。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/f6d1a77a0416f3e1d0f25a3cc87e3747.jpg?itok=GKDkT9YV", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/f6d1a77a0416f3e1d0f25a3cc87e3747.jpg?itok=FwG2CilG", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/f6d1a77a0416f3e1d0f25a3cc87e3747.jpg?itok=DeosWbs_", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/f6d1a77a0416f3e1d0f25a3cc87e3747.jpg?itok=NbYIZOrw", "mfid": "f6d1a77a0416f3e1d0f25a3cc87e3747", "musicURL": "", "musicName": "", "fileCreator": "姆姆傳家寶工作室", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Hupa is the Body of the Hunter", "desc": "<span>“<i>Hupa</i>” in cou/Tsou language means a clan’s hunting ground or more generally the clan’s living area. It is the land that men/hunters manage and work on. Every year before the end of <i>Homeyaya</i> (millet harvest festival), the hunters patrol their <i>hupa</i> and carry out the <i>sʉ'tʉ'</i> ritual to honor and praise <i>Ak'emameoi</i> (named land’s deities). The ritual claims the continuation of the management of the land. <br>Therefore, “<i>’e hupa zou feango ta haahocngʉ</i>” (<i>Hupa</i> is the Body of the Hunter). If anyone dares to come into another clan’s<i> hupa</i>, not only is it an insult to the clan, but also harassment of the <i>hupa</i>’s custodian (the hunter). The cou/Tsou people have it that “how dare you rampage through my body!” (Avayi Yatauyunga), and the transgression may even trigger wars between communities (<i>ozomʉ</i>).</span>", "musicName": "無", "weight": 34, "musicText": "", "musicURL": "" }, "basic-akgpaxrhve": { "id": "basic-akgpaxrhve", "type": "basic", "sortable": true, "primaryObj": { "oid": "a29185605aa3f1057d9bd20a0cf1ba0f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/7c62a9effdff0e27c4759d0370a58b8f.jpg?itok=4-QW3m1T", "level": "primary", "title": "Man in Leather and Feather Headdress with Large Knife", "desc": "[英文]This image was also published as a color postcard, see wa0327 for image and more detailed information.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/7c62a9effdff0e27c4759d0370a58b8f.jpg?itok=OfMfvPv-", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/7c62a9effdff0e27c4759d0370a58b8f.jpg?itok=s7Tj9pLM", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/7c62a9effdff0e27c4759d0370a58b8f.jpg?itok=Mx3dRWXt", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/7c62a9effdff0e27c4759d0370a58b8f.jpg?itok=d6kjItvq", "mfid": "7c62a9effdff0e27c4759d0370a58b8f", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "Lafayette Digital Repository", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "拉法葉學院數位資料使用指南", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "The Evidence of a Hunter", "desc": "<span>Feathers worn on the hunter’s head show the ability of the hunter. Feathers of the Taiwan blue pheasant (<i>Lophura swinhoii</i>) imply the hunter being good at traversing forests, while those of the Mikado pheasant (<i>Syrmaticus mikado</i>) imply climbing high mountains without high altitude sickness. <br>The armlet of wild boar teeth on his arm shows that the hunter has fought head-to-head with the boar and left a scar on the front of his body. It is the evidence of a skillful hunter.</span>", "musicName": "無", "weight": 35, "musicText": "", "musicURL": "" }, "basic-kxw3t4v611": { "id": "basic-kxw3t4v611", "type": "basic", "sortable": true, "primaryObj": { "oid": "f4491d5e8fce265a9333314be3efb425", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d5b00f55b30a0eb162a12210b5e613c7.jpg?itok=gvprO17j", "level": "primary", "title": "嘉義縣鄒族獵人協會", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d5b00f55b30a0eb162a12210b5e613c7.jpg?itok=XkhOuQDp", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d5b00f55b30a0eb162a12210b5e613c7.jpg?itok=TfS07vuf", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d5b00f55b30a0eb162a12210b5e613c7.jpg?itok=5Y8k8WL8", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d5b00f55b30a0eb162a12210b5e613c7.jpg?itok=WRNAlAGp", "mfid": "d5b00f55b30a0eb162a12210b5e613c7", "musicURL": "", "musicName": "", "fileCreator": "蕭冠祐", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Traditional Knowledge, New Possibilities", "desc": "<span>Since <i>hupa</i> is the hunter’s body, the hunter scrutinizes his body/forest if there is a problem in it. Thus, the hunters are suitable for helping the researchers of wildlife, being the juncture of the community, the academics and the government. <br>Based on <i>einu</i>, association of the cou/Tsou hunters, established by several cou/Tsou communities, embodies the <i>einu</i> ethics of living with/in a world that is bigger than oneself.</span>", "musicName": "無", "weight": 36, "musicText": "", "musicURL": "" }, "basic-pdhj1i77xg": { "id": "basic-pdhj1i77xg", "type": "basic", "sortable": true, "primaryObj": { "oid": "cd95b3f571541370bdb9aaf59471d739", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d08bafb4a9fe9e3cdfd66e1518d94015.jpg?itok=5NeO6Mui", "level": "primary", "title": "長期監測哺乳類之OI值(非/獵區)", "desc": "長期監測網 183 台相機樣點各哺乳類物種在獵區與非獵區之年平均 OI 值比較。縱軸為 OI 值,實線為獵區,虛線為非獵區。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d08bafb4a9fe9e3cdfd66e1518d94015.jpg?itok=kH30elG1", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d08bafb4a9fe9e3cdfd66e1518d94015.jpg?itok=PErENJxq", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d08bafb4a9fe9e3cdfd66e1518d94015.jpg?itok=J5VMs2H8", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d08bafb4a9fe9e3cdfd66e1518d94015.jpg?itok=7mzN7fDx", "mfid": "d08bafb4a9fe9e3cdfd66e1518d94015", "musicURL": "", "musicName": "", "fileCreator": "行政院農業委員會林務局", "rights": "行政院農業委員會林務局", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Co-governance of Forest", "desc": "<span>Hunters use their forest knowledge to assist academic investigation, such as identifying footprints and the defecation of animals, and setting up cameras along animal paths or around plants that animals like. <br>The information, so collected, helps the public and government know better about and how to respond flexibly to the situation of the forest and wild animals. Alas, this is a more proper way of collaboration with local communities to co-manage the local forest ecology. The chart above showing that under current hunting provisions, the number of wild animals is still reviving. <br>*Chart: 183 sampling points where cameras witness mammals; occurrence index (OI) of hunting areas (continuous line) contrast to non-hunting areas (dashed line).</span>", "musicName": "無", "weight": 37, "musicText": "", "musicURL": "" }, "basic-ai0syxliji": { "id": "basic-ai0syxliji", "type": "basic", "sortable": true, "primaryObj": { "oid": "22620457f6ce80582ede6463afe7b1ba", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ec4eb3fe10cba0103c1a63f785be4a8a.jpg?itok=dqht0Yh3", "level": "primary", "title": "烤乾的山羌肉", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ec4eb3fe10cba0103c1a63f785be4a8a.jpg?itok=xGrQdndv", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ec4eb3fe10cba0103c1a63f785be4a8a.jpg?itok=wilJvSAg", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ec4eb3fe10cba0103c1a63f785be4a8a.jpg?itok=qR6MebJJ", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ec4eb3fe10cba0103c1a63f785be4a8a.jpg?itok=8SZKMeVn", "mfid": "ec4eb3fe10cba0103c1a63f785be4a8a", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Born as/Being Part of the Environment", "desc": "<span>Born as and being in between woods, hunters are not protectors of the environment, but rather a manager, a member of it. Perhaps, the wisdom and knowledge of the hunters, in turn, provokes the public to reflect on: is a forest without human beings a better forest? As human beings, except for not disturbing the wildlife, what else can we do for this island we live on? <br><b>There is constant co-reliance between us and our dwelling environment. Do we still remember― we are part of the environment?</b></span>", "musicName": "無", "weight": 38, "musicText": "", "musicURL": "" }, "quote-memsb92pdn": { "id": "quote-memsb92pdn", "type": "quote", "sortable": true, "musicName": "無", "weight": 39, "desc": "<span>Human beings and wild animals are part of the ecology, connecting with each other in visible or invisible ways. Currently the number of herbivores rises due to the disappearance/extinction of carnivores. Yet their disappearance is not a common phenomenon of a healthy ecology. [...]<br>There are predators and prey in any food chain, but there is no distinction between strong and weak or winner and loser in it. They always rely on each other. <br>(<a target=\"_blank\" rel=\"nofollow\" href=\"https://pansci.asia/archives/350749\">Wong, 2022</a>)</span>", "musicText": "", "musicURL": "" }, "theme-nnq88r7xsr": { "id": "theme-nnq88r7xsr", "type": "theme", "sortable": true, "primaryObj": { "oid": "0b2c7c2edb8a9f6f353d462bc8403512", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d5bf229fb192ad4f126c7c0097fdd3a0.jpg?itok=UCRLnwNW", "level": "primary", "title": "傳承的力量", "desc": "新竹縣石磊部落,羅慶郎農場中。羅慶郎與兒子羅恩加,正在檢視葉菜幼苗。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d5bf229fb192ad4f126c7c0097fdd3a0.jpg?itok=dZpTHjxm", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d5bf229fb192ad4f126c7c0097fdd3a0.jpg?itok=rmrkQVPa", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d5bf229fb192ad4f126c7c0097fdd3a0.jpg?itok=d9G3tXyS", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d5bf229fb192ad4f126c7c0097fdd3a0.jpg?itok=hFSyjBMo", "mfid": "d5bf229fb192ad4f126c7c0097fdd3a0", "musicURL": "", "musicName": "", "fileCreator": "蕭冠祐", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Local Correspondence and Revival", "desc": "The coexistence of culture and environment is inherited through intergenerational learning, understanding, and co-responding to it, by which forms of correspondence have been emerging from within our daily life.", "musicName": "無", "weight": 40, "musicText": "", "musicURL": "" }, "basic-5h3arzarfd": { "id": "basic-5h3arzarfd", "type": "basic", "sortable": true, "primaryObj": { "oid": "6b3b60054d5383e4f2211065a1a723f3", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/ea6b74f34fec224d61dd26f14cb4abc1.jpg?itok=eBXDByza", "level": "primary", "title": "泰雅族耕作", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/ea6b74f34fec224d61dd26f14cb4abc1.jpg?itok=-eLmVuko", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/ea6b74f34fec224d61dd26f14cb4abc1.jpg?itok=DEfY1MDL", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/ea6b74f34fec224d61dd26f14cb4abc1.jpg?itok=D8llAuZS", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/ea6b74f34fec224d61dd26f14cb4abc1.jpg?itok=AjDLcbiW", "mfid": "ea6b74f34fec224d61dd26f14cb4abc1", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國立中央圖書館臺灣分館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "Gaga and Qmazyah", "desc": "<span><i>Qmazyah</i> is the<i> Quri</i>&nbsp;community’s (the Atayal/Tayal/Tayen/Tayan) name for traditional agriculture, but its implication encompasses all living areas, such as arable, hunting and fishing areas. <i>Gaga</i> can be understood as the sum of ancestral knowledge and wisdom toward the land. It is the aggregate of knowledge of survival and living, inherited generation by generation (<a target=\"_blank\" rel=\"nofollow\" href=\"https://hdl.handle.net/11296/x3u4g3\">Lo 2016</a>). <br><i>Gaga </i>plays an important role in <i>Qmazyah</i> and related agricultural activities. It is so not only because it is part of its traditional religion, but also the essential living wisdom throughout generations.</span>", "musicName": "無", "weight": 41, "musicText": "", "musicURL": "" }, "imgs-1gwumiu0f4": { "id": "imgs-1gwumiu0f4", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "01304c643015a55dca170f54e501c8f0", "title": "土肉桂", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/684f33cd238871d15d24786e442943ea.jpg?itok=Pp73P5AH", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/684f33cd238871d15d24786e442943ea.jpg?itok=v0J97ckO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/684f33cd238871d15d24786e442943ea.jpg?itok=xncMEvqb", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/684f33cd238871d15d24786e442943ea.jpg?itok=fWCPJGMQ", "mfid": "684f33cd238871d15d24786e442943ea", "musicURL": "", 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Revised by TAKAHASHI Akio<br><br><b>Acknowledgement:</b><br>Thanks Yu, Ming-Chi for providing photos of chapter one.<br>Thanks Biomimicry Taiwan, Miaoli District Agricultural Research and Extension Station, and Biotechnology Industry Study Centre for providing the video of Ai-yu and its wasps in chapter 2.<br>Thanks poet Bukun for reciting his poem \"<i>Usaviah</i>\" for this exhibition.<br>The big idea of this exhibition emerged from the investigation in Tfuya community. Thanks for the generous help of the leader Wang, Yi-Fu, Elder&nbsp;Gao, De-Sheng,&nbsp;Association of cou/Tsou Hunters: Pu, Zhen-Zhu, Pu, Shao Guang, Pu, Zhong-Yong, Wang, Shi-Wei.&nbsp;<br>Thanks for the help from Quri community, Shen, Shi-Wei, Lou, Qing-Lang, Luo En-Jia.<br>Thanks Forestry Bureau for providing the material of \"Keep on Living\".<br>Thanks Yeh, Jhu-Wan for collaboration with chapter 6 of this exhibition.<br><br>Thanks Prof. Chang, Proton for reviewing the texts of this exhibition.<br>Thanks Huang, Yu-Lun's advice on curation and English translation.", "weight": 55 } }
Natonal Museum of Prehistory, TaiwanHsiao, Guan-Yu