欣賞表演 - 舞蹈

欣賞表演 - 舞蹈

2022/12/13
2023/08/22
展覽頁面呈現形式
縱式
策展者
沈冬
展覽封面
ecfb25a6be445887ca9658348c6830d9
展覽資料
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石井漠當時年方四十,正是藝術漸趨成熟的階段,對於東亞(日、韓、臺灣)舞蹈界有廣泛而深刻的影響,臺灣早期舞蹈家蔡瑞月、李彩娥、林明德等,大約都在此時赴日留學,拜入石井漠門下。蔡瑞月曾經說,看了石井漠的演出很受感動,更堅定決心要往舞蹈的路子前進。<br></span></span></span></span><span>  石井漠(Ishii Baku,1886-1962)原名石井忠純,日本秋田縣人,被譽為「日本現代舞之父」,年輕時立志成為作曲家, 1909 年移居東京,決定投身舞蹈,開始學習古典芭蕾,1915年與留德音樂家山田耕筰(Yamada Kosaku)提倡「舞蹈詩」。1921年赴歐洲遊歷,學習現代舞,吸取當代許多重要舞蹈家的理念。回日本以後,1928年在東京目黑區自由之丘開設了舞蹈研究所,即是日後的「石井漠舞蹈體育專科學校」,一生致力於追求自由精神的創作,培育眾多舞蹈人才。<br></span>  石井漠曾經多次來臺,兩次在公會堂演出。據《臺灣日日新報》1940年的報導,當時他帶領舞團巡迴東亞地區,為日本軍隊進行勞軍表演,舞團成員裡就包含後來臺灣的著名舞蹈家林明德;1947年,他的學生蔡瑞月從日本返臺,也在中山堂舉辦了首度舞作發表會。<span><span><span><br>\n </span>\n </span>\n</span>", "displayMode": "fixed-width-loop-off" }, "basic-aet6epwjof": { "id": "basic-aet6epwjof", "type": "basic", "sortable": true, "primaryObj": { "level": "primary", "oid": "beab29a2dcc14079bc07be0f64942eae", "title": "蔡瑞月與林沖合舞照片", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/fff52c18bf46a40a9ff0cf9bd471a254.jpg?itok=7IYGq2Hq", "thumbMediumURI": 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蔡瑞月(1921-2005),臺南人,1937年赴日學習現代舞,先後追隨石井漠及其高徒石井綠學舞,並參加石井漠舞團到日本各地、廣東、南洋星、馬、越等地巡迴演出,1946年返臺,1947年1月於中山堂舉行公演,由臺灣省行政長官公署交響樂團(今國立臺灣交響樂團)現場伴奏,規模盛大,甚獲好評。1949年不幸遭受白色恐怖,夫妻分離,蔡瑞月受株連入獄,1952年出獄後繼續鑽研舞蹈,成立「蔡瑞月舞蹈藝術研究社」(即日後的「中華舞蹈藝術研究社」),為臺灣培育無數優秀舞蹈工作者。\n 蔡瑞月的舞蹈作品相當豐富,有受到老師石井漠影響的現代舞,也有芭蕾小品,有臺灣原住民舞劇,也有中國民族舞蹈。蔡瑞月儘管一生艱辛,但她對舞蹈的熱情始終不減,最終成為臺灣舞蹈史上一位影響深遠的大家,被譽為「臺灣現代舞之母」。<br>  蔡瑞月舞蹈研究社位於臺北市中山北路靜巷之內,原本是日治時期的文官宿舍,建於1920年,已被指定為臺北市的巿定古蹟,不但是臺北市一處景點,更是臺灣舞蹈史上一個重要的基地。<br></span>  1955年1月,蔡瑞月在中山堂舉行兩天舞蹈欣賞會」,發表舞作《月》,以貝多芬《月光曲》為伴奏,蔡瑞月與男學生林錫憲共舞,被評為最精采的節目,多篇評論稱譽備至。", "musicName": "無", "weight": 4, "musicText": "", "musicURL": "" }, "basic-4k9ppchn1t": { "id": "basic-4k9ppchn1t", "type": "basic", "sortable": true, "primaryObj": { "oid": "adf0f4c6e2a20357f479d16b77d4f5e0", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/e93242a1c8dfd12e315a4676653eb356.jpg?itok=mToU-hLB", "level": "primary", "title": "蔡瑞月與林沖合舞照片", "desc": "", "thumbURI": 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劉鳳學出生成長於東北齊齊哈爾市,自幼學習芭蕾,大學時代接受現代舞訓練,來臺以後,任教於臺灣省立師範大學(國立臺灣師範大學前身)體育系,專注於舞蹈創作及研究。1960年代中葉到日本宮內廳研究保留在日本的唐樂舞,1970年代到德國研究拉邦舞譜(Labanotation),1981年赴英國留學,在著名音樂學家畢鏗(Lawrence Picken)指導之下研究中國古代舞蹈,1987年獲得英國拉邦舞蹈學院博士,時已年過六十,是臺灣第一位舞蹈博士。<br></span>  劉鳳學畢生好學,對於各類舞蹈,以及相關理論、歷史,無不深入鑽研,並進一步轉化為舞臺實踐的素材。她還有一個不同於一般舞蹈家的特質,她大學時期副修音樂,有深厚的音樂底蘊和訓練,她習慣細讀音樂總譜,以樂譜線條連結肢體運動,「將聲音在心中細想,有了樣子」再進一步化為舞蹈。劉鳳學投入近四十年時間採集臺灣原住民族的歌舞祭典,於1967年成立「現代舞研究中心」,接著以重建中國古代舞蹈為己任,1976年創辦「新古典舞團」。", "musicName": "無", "weight": 12, "musicText": "", "musicURL": "" }, "imgs-vxmcjfszpy": { "id": "imgs-vxmcjfszpy", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "0009272871c4622178107fad6201c1e1", "title": "《牧笛》", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/2d176d956b5bf3beda7ea4bc8f9ce6f8.jpg?itok=rEzcmnwd", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/2d176d956b5bf3beda7ea4bc8f9ce6f8.jpg?itok=eiBD3P8R", "thumbBigURI": 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沈冬