相互往來、万物交錯する

<div><b>文化は生命と環境の交わりであり：その交わりは生命とその環境周囲の友人、家族を指す。 </b></div><div>織布のように我々の生命は他の生命と交錯している：我々が家族に便りを出すと、周りの生命と環境がその返事を待つかのように。 </div>

展覽頁面呈現形式

縱式

策展者

國立臺灣史前文化博物館

蕭冠祐

展覽封面

fd39882094c03ea9371b92fb9757cb94

展覽資料

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"fileCreator": "蕭冠祐", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 2 } }, "musicName": "無", "weight": 3, "primaryObj": { "oid": "947389a447c382cc2e92a39afa77bc61", "title": "愛玉", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/1c38d3b3a651f65d68b327b3367a781d.jpg?itok=1hY0kk5g", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/1c38d3b3a651f65d68b327b3367a781d.jpg?itok=ZK9scNhR", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/1c38d3b3a651f65d68b327b3367a781d.jpg?itok=V5HyefNp", "background": 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pumilae</i>）はアイギョクシの果実に卵を産み付け、孵化するとその中で成長し、メスは成長すると実から飛び立ち、オスは実に残り交配し、繁殖していく。 </span></div><div>アイギョクシはアイギョクシバチに成長に必要な食物を提供し、守り、空間を与えると共に受粉を手助けしてもらうことで命を繋いでいく。 </div><div>アイギョクコバチは台湾でのみアイギョクシの受粉を助け、台湾だけの特産品「愛玉」をもたらすからだ。</div>", "musicText": "", "musicURL": "" }, "basic-twkghlup8a": { "id": "basic-twkghlup8a", "type": "basic", "sortable": true, "primaryObj": { "oid": "39ae5e9d1d5eb0dd392f357893e1a65e", "fileType": "video", "fileURI": "https://openmuseum.tw/muse_download/293a4d75561aadbb86b0b8d57e130a7d", "level": "primary", "title": "最台的互利共生~愛玉與愛玉小蜂", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/externals/2262d8a57e7b88761505993ffb551ae7.jpg?itok=Emn42gYP", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/styles/thumbnail_medium/public/externals/2262d8a57e7b88761505993ffb551ae7.jpg?itok=Y3CPXQYn", "thumbBigURI": 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Barclay", "rights": "Lafayette Digital Repository", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "拉法葉學院數位資料使用指南", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 2 } }, "musicName": "無", "weight": 5, "primaryObj": { "oid": "70977d796aebd9f4820c4100c775a819", "title": "採收苧麻", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/5aa6e52e40e0a5783b4ebe71200e5dff.jpg?itok=p0dhno9M", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/5aa6e52e40e0a5783b4ebe71200e5dff.jpg?itok=R_mEKg1q", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/5aa6e52e40e0a5783b4ebe71200e5dff.jpg?itok=5iuX4GqV", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/5aa6e52e40e0a5783b4ebe71200e5dff.jpg?itok=TNubGdlc", "mfid": "5aa6e52e40e0a5783b4ebe71200e5dff", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/5aa6e52e40e0a5783b4ebe71200e5dff.jpg?itok=7xS1lMtF", "fileType": "image", "fileCreator": "余明旂", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "title": "ケース３：織物－生死の交錯 ", "desc": "<div>台湾原住民は各種繊維植物（カラムシ、マニラ麻等）を植え付け、農閑期にそれ採り、撚って織ることで家族の衣服の原料とする。 </div><div><span>植物の生命は人々の細やかな世話により成長し、人々を支えるものとして世代を超えた生命のギフトとなっていく。 </span></div>", "musicText": "", "musicURL": "" }, "quote-3kmhy0etx8": { "id": "quote-3kmhy0etx8", "type": "quote", "sortable": true, "musicName": "無", 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"fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "title": "ケース４：カジノキ、南島民族と樹皮布 ", "desc": "台湾ではよく見られるカジノキ、太平洋の島々の南島民族にとっては樹皮布を作る重要な材料である。興味深いのは太平洋諸島のカジノキは全て単種性で、その他の被子植物のように、花が咲いたり、花粉で受粉することはない。太平洋島民は樹皮布で服を作るため、カジノキの世話や繁殖技術を磨いてきた。カジノキは太平洋の島嶼で成長を続け、太平洋の民もまた樹皮布で服を製作してきた。これも一つの共生関係である。", "musicText": "", "musicURL": "" }, "quote-5zrezl9qt7": { "id": "quote-5zrezl9qt7", "type": "quote", "sortable": true, "musicName": "無", "weight": 9, "desc": "<b>「文化と環境の共生」</b><span><b> </b><br></span><b>環境と文化の相互対応：環境は文化を育て、文化の影響を受ける―文化と環境は互いに助け合い、常に共同応答（co-respond）をしあう。 </b><br>", "musicText": "", "musicURL": "" }, "theme-0a10tprtqe": { "id": "theme-0a10tprtqe", "type": "theme", "sortable": true, "primaryObj": { "oid": "f75fe51a4d85e26001aedada5d44103f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/1fc1512b5211886c357150259510507a.jpg?itok=WivcnvEp", "level": "primary", "title": "蘭嶼的海與飛魚乾", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/1fc1512b5211886c357150259510507a.jpg?itok=6SGSJ3yd", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/1fc1512b5211886c357150259510507a.jpg?itok=JAIAxWHw", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/1fc1512b5211886c357150259510507a.jpg?itok=MgrwAUuM", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/1fc1512b5211886c357150259510507a.jpg?itok=RBvkk6I8", "mfid": "1fc1512b5211886c357150259510507a", "musicURL": "", "musicName": "", "fileCreator": "陳雲芳", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "故郷山海の美 ", "desc": "山林海河の美は過度に文字で飾る必要もなく、原住民族の作品内では各種の生命がごく自然に山海世界と交わっていく。 ", "musicName": "無", "weight": 10, "musicText": "", "musicURL": "" }, "basic-8tr0nzsto8": { "id": "basic-8tr0nzsto8", "type": "basic", "sortable": true, "primaryObj": { "oid": "b906c125f90396045dc09de3d8944131", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/e36dbbad11465f7fa36fcf8de5352ca6.jpg?itok=2WL8HsBw", "level": "primary", "title": "今日的達悟海洋", "desc": "「現在」的蘭嶼的日常生活假想圖，所以刻意呈現告示牌、家屋也不會是地下屋，而是水泥國宅。但即便時過境遷，現在的蘭嶼人仍懷想捕獲魚後與家人分享、連結起家人感情的感覺。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/e36dbbad11465f7fa36fcf8de5352ca6.jpg?itok=CMaVIj5b", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/e36dbbad11465f7fa36fcf8de5352ca6.jpg?itok=D93UrJXw", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/e36dbbad11465f7fa36fcf8de5352ca6.jpg?itok=8kMY8CrC", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/e36dbbad11465f7fa36fcf8de5352ca6.jpg?itok=kLT6T75L", "mfid": "e36dbbad11465f7fa36fcf8de5352ca6", "musicURL": "", "musicName": "", "fileCreator": "姆姆傳家寶工作室", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "海の民 ", "desc": "<div><b>「これはアガイ（<i>akey</i>、祖父）の分、これはアガス（<i>akes</i>、祖母）の分、これは私、あなた、あなた、これは・・・母さんが食べるもの」と。魚は一家全員を満たし、子供らの笑顔は母親が繕ってくれたあの破れたズボンのように、睦まじかった。</b> </div><div>―シャマン•ラポガン（夏曼・藍波安）《<a target=\"_blank\" rel=\"nofollow\" href=\"https://www.books.com.tw/products/0010909434\">あの海洋の魚鱗になりたい</a>》中国語版、未翻訳 </div>", "musicName": "無", "weight": 11, "musicText": "", "musicURL": "" }, "basic-31i6uuspd8": { "id": "basic-31i6uuspd8", "type": "basic", "sortable": true, "primaryObj": { "oid": 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"https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "海洋文学の起源", "desc": "<div>シャマン・ラポガンの父が彼にこう言った： </div><div><b>お前がはじめて海からこの島の形を見た時、その気持ちがはっきりしただろう。俺たちは海に出るたび、お前に海岸線の地名や地形の話をして聞かせてきたな。それらこそが我ら民族の海洋文学なんだ。父さんはおまえが幼少からそれを受け入れてきたことを誇りに思うし、一つの地名まで漕げば、そこの海底岩礁の地形、魚の種類を話してきた。お前も興味を持って聞いていた。その時から、父さんはお前が海洋の波動に引き込まれていることを知っていたんだよ。</b> </div><div>——シャマン・ラポガン（夏曼・藍波安）《<a target=\"_blank\" rel=\"nofollow\" href=\"https://www.books.com.tw/products/E050076460\">大海の眼</a>》中国語版、未翻訳 </div>", "musicName": "無", "weight": 12, "musicText": "", "musicURL": "" }, "text-k4prqtsybh": { "id": "text-k4prqtsybh", "type": "text", "sortable": true, "musicName": "無", "weight": 13, "title": "密接に繋がる山林 ", "desc": "<div>あるブヌン族の方が郭熊氏に語った鳥占の考え方： </div><div><b>ある日、私は眺めの良い山の稜線に座り景色を眺め休憩をしていた。突然遠くの山壁から地崩れの音が響いた。私はその方向に耳を傾け石が崩れる音を聞いていると突然崩落地点近くからキョンの鳴き声がした。すると一匹のキョンが現れ互いに警鐘を鳴らすかのように鳴きだした…すると崩落地の声から始まり、それが次第に広まっていった。野生動物はまるで互いに崩落発生を伝えあっているようだった。この伝達は山林の変化に対する互いの警告であった。思うに以前山中に暮らした人々も動物のこの様なメッセージを読み取り自然環境の状況を判断していたのであろう。鳥占もこの様にして生まれた禁忌文化なのではなかろうか。</b> </div><div>——郭熊《<a target=\"_blank\" rel=\"nofollow\" href=\"https://www.books.com.tw/products/0010920393?sloc=main\">ブヌンの山へ入れば</a>》中国語版、未翻訳 </div>", "musicText": "", "musicURL": "" }, "basic-ruevcqoequ": { "id": "basic-ruevcqoequ", "type": "basic", "sortable": true, "primaryObj": { "oid": "5ec88b4df904a44f6109215d312c918b", "fileType": "video", "fileURI": "https://openmuseum.tw/muse_download/a9a6e895fc16e15af2b977a15e64d246", "level": "primary", "title": "Usaviah_日文版", "desc": "詩人Bukun（卜袞）朗讀自己的布農語創作詩作Usaviah。原詩收錄於卜袞．伊斯瑪哈單．伊斯立端（2021）《山棕‧月影‧太陽‧迴旋：卜袞玉山的回音》中。", "thumbURI": 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"musicName": "無", "weight": 14, "musicText": "", "musicURL": "" }, "basic-066xgeyip7": { "id": "basic-066xgeyip7", "type": "basic", "sortable": true, "primaryObj": { "oid": "d4e501dd0e41d4d9969ed32cce1583f0", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/c2271336592e2ddd5c5949b43675d8b4.jpg?itok=Nrvcc1oT", "level": "primary", "title": "山林是家", "desc": "「走回舊部落（mai-asang，曾經的部落/家園）」，現在的行動能夠喚起過去的記憶、讓過去栩栩如生。現在的族人、過去的石板屋，透過人的走動、走回去，把過去走/找回來了。\n羅氏鹽膚木是秋季的立白祭的重要儀式植物，大概大腿那麼粗的羅氏鹽膚木表示這塊土地的地力已經回復。另外，相傳布農族的農業是月亮（被射傷的太陽）所傳授的，所以田地上有個月亮呼應著這個神話。\n最後，遠方的小動物則是要展現布農人與山林眾生共處的狀態。布農的世界觀是由家屋（lumah）展開、而後是家屋周圍山區是可以狩獵的區塊，通常有水源、殼斗科植物。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/c2271336592e2ddd5c5949b43675d8b4.jpg?itok=iXfW01Rn", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/c2271336592e2ddd5c5949b43675d8b4.jpg?itok=BzAafazW", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/c2271336592e2ddd5c5949b43675d8b4.jpg?itok=TDokuufQ", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/c2271336592e2ddd5c5949b43675d8b4.jpg?itok=ghyqQmkS", "mfid": "c2271336592e2ddd5c5949b43675d8b4", "musicURL": "", "musicName": "", "fileCreator": "姆姆傳家寶工作室", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "家を元に戻し、記憶を取り戻そう ", "desc": "<div>サリランと仲間たちは苦労をかさねて、石板を一枚一枚積み重ね祖先の家屋を再建し。その落成を祝う盃を交わした後、山を下りて行った… </div><div><b>そして心を静め、自身の心と霊との対話を行った； </b></div><div><b><i>Katu suqnu naikin na qanitu itu sang makilavi mulumaq. Asa makilavi mulumaq, pishali pishalavang sanavan tona lumaq masabaq. </i></b></div><div><span><b>身の上の魂を山に残さずに、</b><b>いっしょに無事に家へ帰ろう、そしてやすらかに家で休もう</b><b>。 </b></span></div><div><span><b>話し終えると私は私と仲間が一大事を完成したということを理解しはじめた。我々の生活は魂と実生活が交錯しているということを。文字を書き記すことも霊との対話であるのだ。</b> </span></div><div>——サリラン(Salizan Takisvilainan) 『<a target=\"_blank\" rel=\"nofollow\" href=\"https://www.books.com.tw/products/0010833638\">ヘッドバンドで山々を背負う</a>』中国語版、未翻訳</div>", "musicName": "無", "weight": 15, "musicText": "", "musicURL": "" }, "theme-9wf7gjippn": { "id": "theme-9wf7gjippn", "type": "theme", "sortable": true, "primaryObj": { "oid": "23e32af03a2dd84f4603b398570fab78", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/7bb3706de945db8a66722e72dbfe986f.jpg?itok=UuUc8MTM", "level": "primary", "title": "海嶼海廢/蘭嶼海廢", "desc": "", "thumbURI": 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"thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/4550fab9af69da5319fec3d6ccb7c976.jpg?itok=Mf3H1GEE", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/4550fab9af69da5319fec3d6ccb7c976.jpg?itok=HimJpO4b", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/4550fab9af69da5319fec3d6ccb7c976.jpg?itok=7K8zwhCk", "mfid": "4550fab9af69da5319fec3d6ccb7c976", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/4550fab9af69da5319fec3d6ccb7c976.jpg?itok=9pgsWnrf", "fileType": "image", "fileCreator": "", "rights": "宜蘭縣史館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "title": "原住民の浮現と消失 ", "desc": 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A close examination of the stony soil they are plowing in this picture indicates why the government were so hard pressed to turn shifting cultivators into plowmen.[日文]蕃人も漸く目覚めて旧慣を脱し耕作に従事している者も大分ある", "primaryObj": { "oid": "5740444cf894fa21f388058952f85a40", "title": "耕作中的泰雅族農民", "desc": "[英文]The caption on the back of this card praises Taiwan$s Aborigines for leaving their $traditions$ behind and taking to settled agriculture. A close examination of the stony soil they are plowing in this picture indicates why the government were so hard pressed to turn shifting cultivators into plowmen.[日文]蕃人も漸く目覚めて旧慣を脱し耕作に従事している者も大分ある", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/22d15e4eb0baa18707300ae200c469c6.jpg?itok=efhJEv50", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/22d15e4eb0baa18707300ae200c469c6.jpg?itok=nHlPQ_VW", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/22d15e4eb0baa18707300ae200c469c6.jpg?itok=S50pCNHy", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/22d15e4eb0baa18707300ae200c469c6.jpg?itok=nUfcB_-d", "mfid": "22d15e4eb0baa18707300ae200c469c6", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/22d15e4eb0baa18707300ae200c469c6.jpg?itok=ICAtjk50", "fileType": "image", "fileCreator": "Paul D. Barclay", "rights": "Lafayette Digital Repository", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "拉法葉學院數位資料使用指南", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 1 }, "imgs-3lxs7gtvko-z76il5mteg": { "id": "imgs-3lxs7gtvko-z76il5mteg", "title": "臺灣南蕃布農族搬運工", "desc": "", "primaryObj": { "oid": "30ed06b9e4cc0653745eb43cbcadc37b", "title": "臺灣南蕃布農族搬運工", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/53de012c0c75e7751c8aa955a23aea83.jpg?itok=A0Ridup-", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/53de012c0c75e7751c8aa955a23aea83.jpg?itok=2kSRbyVO", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/53de012c0c75e7751c8aa955a23aea83.jpg?itok=W1rMxIj4", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/53de012c0c75e7751c8aa955a23aea83.jpg?itok=nsVwvEld", "mfid": "53de012c0c75e7751c8aa955a23aea83", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/53de012c0c75e7751c8aa955a23aea83.jpg?itok=6x7E7DVk", "fileType": "image", "fileCreator": "Paul D. Barclay", "rights": "Lafayette Digital Repository", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "拉法葉學院數位資料使用指南", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 2 } }, "musicName": "無", "weight": 19, "primaryObj": { "oid": "c3a9b8f5618ef4ebd76c939d64e17193", "title": "羅東林業太平山", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/4b408c0fd1392e1571cefdf65ef76e57.jpg?itok=tZpQASFk", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/4b408c0fd1392e1571cefdf65ef76e57.jpg?itok=XSGgCOCF", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/4b408c0fd1392e1571cefdf65ef76e57.jpg?itok=0_QD5USJ", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/4b408c0fd1392e1571cefdf65ef76e57.jpg?itok=fLH_V22b", "mfid": "4b408c0fd1392e1571cefdf65ef76e57", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/4b408c0fd1392e1571cefdf65ef76e57.jpg?itok=RLta7FhU", "fileType": "image", "fileCreator": "Paul D. Barclay", "rights": "Lafayette Digital Repository", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "拉法葉學院數位資料使用指南", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "desc": "<div>1910年以後樟脳事業は近代林業へと移行し、あいゆう線も山林の伐採によりだんだんと小社の原住民地区へと近づき、衝突は増していった。 </div><div>同時に「理蕃部門」による小社への分類も更に細かいものとなり、関連物資の制御と分配を通し原住民達の移動や居住人数の管理を行った。 </div><div>1920年総督府は「蕃人移住地と耕作地に関する件」を頒布し、林業資本家と原住民の衝突時に「理蕃部門」は原住民を集団で山麓へと移し、資本家による水田耕作指導の下で強制労働させ、これによる移住地と耕作地は1925年森林計画の際、国有林の「準要存置林野」（現在の原住民保留地の前身）とされた。 </div><div>よって、多くの犠牲を払った後、1930年頃、あいゆう線外の小社は日本政府が管理する「蕃社社会」へと変化を遂げ、多数の原住民は一か所に定住させられ日本の管理下に置かれた。また一方で、これらの「国有林」の中の「蕃人」は消え、原住民と林業開発との衝突も減少していった。 </div>", "musicText": "", "musicURL": "" }, "basic-oy5nqyecq9": { "id": "basic-oy5nqyecq9", "type": "basic", "sortable": true, "primaryObj": { "oid": "d76c84fb28d6aed6420b70d78546d7a4", "fileType": "image", "fileURI": 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"<div>山林の開発に伴い、大量の野生動物の棲息地は破壊され、盗伐、密猟や山物産の店などはこの時代を表すシルエットであった。 </div><div><span>「<b>生態関係に注目した角度から探ると、人類は唯一貪欲、無情で、悪毒を用い地球生命の世界を壊す動物だと我々は気づいた。人類は唯一一種のシステム性を持ち自身とその他の各種動物を苦しめ、休むことなく狂ったように、白黒分けることなく殺戮をする動物である。</b>」（Deborah Bird Rose,  <a target=\"_blank\" rel=\"nofollow\" href=\"https://www.upress.umn.edu/book-division/books/arts-of-living-on-a-damaged-planet\">Shimmer: When All You Love is Being Trashed</a>） </span></div><div>もしもこれらの動植物が人類と一緒に社会生活を持ち―もし、<b>もしも我らの生存が彼らと相互依存の関係を持っていたら</b>、それでもこんなに無差別な殺戮ができるだろうか？ </div>", "musicName": "無", "weight": 21, "musicText": "", "musicURL": "" }, "quote-uiceqsxfv6": { "id": "quote-uiceqsxfv6", "type": "quote", "sortable": true, "musicName": "無", "weight": 22, "desc": "生態系と人類社会は似ており、どちらも複雑な関係の上にある。関係が固いほどシステムはチャレンジ性を含む。人類世界のシステムは個別の生物体から成るため、変化する能力を備えている。生物は環境に適応するため、DNAが漸次に変化し、われわれはその経験から学び取る。システムが絶えず変化する理由は、その中の構成員（樹木、真菌と人類）がときどき互いに対応したり環境に対応するためである。共同進化の成敗（社会が生産力をもつかどうか）は個体間、個体と群体間の団結力[連結]で決まる。我々の生存、成長と繁栄を助けるのは、適応と進化の結果から<span>生まれるものである。<br></span>（Suzanne Simard《<a target=\"_blank\" rel=\"nofollow\" href=\"https://en.wikipedia.org/wiki/Finding_the_Mother_Tree#:~:text=Finding%20the%20Mother%20Tree%20is%20a%20memoir%20by,trees%20in%20forests%20are%20interdependent%20with%20fungi%20mycelium.\">Finding the Mother Tree</a>》） <br>", "musicText": "", "musicURL": "" }, "basic-ozqpt4fqoq": { "id": "basic-ozqpt4fqoq", "type": "basic", "sortable": true, "primaryObj": { "oid": "e284adfeefeaadc0eccafd1aee7f2a8c", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d34299783218aa7df23fdbf0ab0e2401.jpg?itok=ljpxuYut", "level": "primary", "title": "Orchid Islanders with Spears Upright", "desc": "[英文]see wa0020 for 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"fileCreator": "陳雲芳", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 1 }, "imgs-6z4wnsjbxc-zuivhf2u3r": { "id": "imgs-6z4wnsjbxc-zuivhf2u3r", "title": "蘭嶼海廢無國界/蘭嶼海洋垃圾無國界", "desc": "", "primaryObj": { "oid": "eaf9a1d9d0298ccc24e32a1950c87794", "title": "蘭嶼海廢無國界/蘭嶼海洋垃圾無國界", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/9d0ab23af1b2434c8986d862ac4e447e.jpg?itok=jlTJazhQ", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/9d0ab23af1b2434c8986d862ac4e447e.jpg?itok=9if6wdvn", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/9d0ab23af1b2434c8986d862ac4e447e.jpg?itok=ZSFrfyY0", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/9d0ab23af1b2434c8986d862ac4e447e.jpg?itok=7N9r4xK9", "mfid": "9d0ab23af1b2434c8986d862ac4e447e", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/9d0ab23af1b2434c8986d862ac4e447e.jpg?itok=DRGYA_yE", "fileType": "image", "fileCreator": "", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 2 } }, "musicName": "無", "weight": 26, "primaryObj": { "oid": "eaf9a1d9d0298ccc24e32a1950c87794", "title": "蘭嶼海廢無國界/蘭嶼海洋垃圾無國界", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/9d0ab23af1b2434c8986d862ac4e447e.jpg?itok=jlTJazhQ", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/9d0ab23af1b2434c8986d862ac4e447e.jpg?itok=9if6wdvn", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/9d0ab23af1b2434c8986d862ac4e447e.jpg?itok=ZSFrfyY0", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/9d0ab23af1b2434c8986d862ac4e447e.jpg?itok=7N9r4xK9", "mfid": "9d0ab23af1b2434c8986d862ac4e447e", "musicURL": "", "musicName": "", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/9d0ab23af1b2434c8986d862ac4e447e.jpg?itok=DRGYA_yE", "fileType": "image", "fileCreator": "", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "title": "海はすべてと繋がっている、ゴミも含めて", "desc": "<div><span>観光客が村へと押し寄せると新たな経済収入源となったが、また新たな経済問題を生んだ。コンビニエンスストアが参入し島外物資や便利な生活が入り込んだが、ゴミも増えた。 </span></div><div>これまでの海上漂流ゴミと観光業発展下のゴミが島の限られた土地を埋め尽くした。 </div><div><span>これらの棄てられたゴミは島内外、国籍に関わらず様々な方法で島に取り残される。これも島嶼生活を変えた具体的な一例である。 </span></div>", "musicText": "", "musicURL": "" }, "basic-zu2dvrtrrh": { "id": "basic-zu2dvrtrrh", "type": "basic", "sortable": true, "primaryObj": { "oid": "526a70442d8d6cd1a74da15dc775c3b7", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/1b807e1c4468d4b8555a987f81380c8d.jpg?itok=OUypGRFS", "level": "primary", "title": "今日的蘭嶼/浮球與基督教", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/1b807e1c4468d4b8555a987f81380c8d.jpg?itok=SAmYI5Yw", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/1b807e1c4468d4b8555a987f81380c8d.jpg?itok=ePlNHIuS", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/1b807e1c4468d4b8555a987f81380c8d.jpg?itok=QS5q1wKs", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/1b807e1c4468d4b8555a987f81380c8d.jpg?itok=2RrwKn_K", "mfid": "1b807e1c4468d4b8555a987f81380c8d", "musicURL": "", "musicName": "", "fileCreator": "陳雲芳", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "改変 ", "desc": "現在の人之島/蘭嶼は既に1967年前の蘭嶼ではない。日本政府、国民政府、キリスト教、そしてモーター船の出現で、観光とゴミは相次いでが蘭嶼の港に押し寄せいた。みな島嶼に跡を残した。 ", "musicName": "無", "weight": 27, "musicText": "", "musicURL": "" }, "text-vf27iw31hu": { "id": "text-vf27iw31hu", "type": "text", "sortable": true, "musicName": "無", "weight": 28, "desc": "<div>経済発展と開発の思惑は台湾島と蘭嶼島の山川と海洋を踏みにじった。木々を倒し、河川を汚染し、海洋資源を減少させ、人々はやりたい放題である。 <br></div><div><span>1975年に伐採制限、1990年に天然林の禁伐、1989年には野生動物保護法立法並びに禁猟、2004年に森林法改定にて自然保護区が設立され、台湾山林は漸く一息をつくことができたと言えるが、我々と山林の断裂はまだ修復されず、その距離も近づいてはいない。 </span></div><div><b>もっと早くに改変すべきだった、我々と周辺の世界との断裂した繋がりを修復するべきだった。 </b></div><div><span><b>もしも未来に何かを求めるのなら今現在に考え行動に出るべきなのだ。</b><b> </b></span></div>", "title": "我々と環境の距離とは？", "musicText": "", "musicURL": "" }, "quote-f2mb1k39gi": { "id": "quote-f2mb1k39gi", "type": "quote", "sortable": true, "musicName": "無", "weight": 29, "desc": "<div>我々は他の物をも一緒に考えるためにどのように考えるかが重要である； </div><div>我々は他の物語をも一緒に話すためにどのような物語をするかが重要である； </div><div>我々はどのような縄結びでその他の縄結びを織りなすのか、 </div><div>どのような思想でその思想を考えるのか、 </div><div>どのような描述でその他の描述を描くべきなのか、 </div><div>どのような結び方でその他の結びを結ぶのか、も重要である。 </div><div><span>どのような物語がどの世界を創造し、どのような世界がどのような物語を創造する。 </span></div><div><span>（Donna Haraway, <a target=\"_blank\" rel=\"nofollow\" href=\"https://www.dukeupress.edu/staying-with-the-trouble\">Staying with the Trouble</a>） </span></div>", "musicText": "", "musicURL": "" }, "theme-sr33ap7uq7": { "id": "theme-sr33ap7uq7", "type": "theme", "sortable": true, "primaryObj": { "oid": "8792290f6fbeda8d9722fdab25feb9f4", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/7f0b8e8d1b1a869b2368034e2fe349e4.jpg?itok=u-HbQR0f", "level": "primary", "title": "鄒族男子", "desc": "", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/7f0b8e8d1b1a869b2368034e2fe349e4.jpg?itok=PqP_aIRF", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/7f0b8e8d1b1a869b2368034e2fe349e4.jpg?itok=cQ8DFyP2", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/7f0b8e8d1b1a869b2368034e2fe349e4.jpg?itok=QyVL2Zuq", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/7f0b8e8d1b1a869b2368034e2fe349e4.jpg?itok=gL-I_hre", "mfid": "7f0b8e8d1b1a869b2368034e2fe349e4", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國立中央圖書館臺灣分館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "「山林に答える」礼儀 ", "desc": "<div>原住民の生活には外部の人が学ぶべき価値観を持って居る。それは神秘的で畏怖され、ロマンチックで不可知なものではない。 </div><div>ツォウ族狩人が山林で行う礼儀（<i>einu</i>）は神秘的な信仰や迷信ではなく、文化と環境の共生共栄の証であり、その地に根付き、持続し、環境と相互対応する交わりの道なのである。 </div>", "musicName": "無", "weight": 30, "musicText": "", "musicURL": "" }, "quote-6pzklgqifd": { "id": "quote-6pzklgqifd", "type": "quote", "sortable": true, "musicName": "無", "weight": 31, "desc": "よく覚えろう。管理は所有ではない。私が管理する土地の中で、資源の中から淘汰する部分を選び家族の命を繋ぐため使用させてもらうのだ。<br>（トフヤ社の長老高徳生） ", "musicText": "", "musicURL": "" }, "text-r7fbx82cbm": { "id": "text-r7fbx82cbm", "type": "text", "sortable": true, "musicName": "無", "weight": 32, "title": "狩人とeinu ", "desc": "<div><span>山林と動物は決して欲しいままに取る対象ではなく、謙遜に求めて得る贈り物であり、族人は土地の管理者としてのお返しをしているのだ。 </span></div><div><span>山林から授かった自身の獲物への敬意からそれを自分の身に着けることしかできない。これはツォウ族の狩人達の共通ルールである<i>einu</i>（礼儀）の一つである。 </span></div><div><span><i>einu</i>はさらに村共同ルールの倫理価値でもある。狩人が身にまとうものを見て、人々は彼の能力や、彼とどう接するべきかを知ることができる。 </span></div>", "musicText": "", "musicURL": "" }, "basic-11h5mgqy27": { "id": "basic-11h5mgqy27", "type": "basic", "sortable": true, "primaryObj": { "oid": "571677bccd07383a5ff6338c5576c42c", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/f6d1a77a0416f3e1d0f25a3cc87e3747.jpg?itok=GQfi2LJp", "level": "primary", "title": "獵場是獵人的身體", "desc": "獵人長期穿梭在獵場裡，狩獵與祭儀，了解山林中的植物與動物分布的樣態、知道哪裡有多有少東西，因此獵場是男人的身體，知道自己身體哪裡出了問題。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/f6d1a77a0416f3e1d0f25a3cc87e3747.jpg?itok=GKDkT9YV", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/f6d1a77a0416f3e1d0f25a3cc87e3747.jpg?itok=FwG2CilG", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/f6d1a77a0416f3e1d0f25a3cc87e3747.jpg?itok=DeosWbs_", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/f6d1a77a0416f3e1d0f25a3cc87e3747.jpg?itok=NbYIZOrw", "mfid": "f6d1a77a0416f3e1d0f25a3cc87e3747", "musicURL": "", "musicName": "", "fileCreator": "姆姆傳家寶工作室", "rights": "國立臺灣史前文化博物館", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "「狩場は男性の体」 ", "desc": "<div><span>ツォウ語で「<i>hupa</i>」は家族の狩場や伝統生活領域を指し、男性/狩人が活動し管理する土地である。毎年アワ収穫祭（<i>Homeyaya</i>）が終わる頃狩猟祭儀（<i>Miokai</i>）が行われ、狩場を見回り、<i>sʉ'tʉ'</i>の儀式を行う。それは土地の神（<i>Ak'emameoi</i>）を祝福することで、自身が引き続きこの土地と連結することを示す。 </span></div><div><span>そのため「<i><b>’e hupa zou feango ta haahocngʉ</b></i>」（<a target=\"_blank\" rel=\"nofollow\" href=\"https://www.airitilibrary.com/Publication/alDetailedMesh?DocID=a0000575-201706-201805030010-201805030010-1-42&PublishTypeID=P001\">狩場は男性の体</a>）、他人が<i>hupa</i>に立ち入ることは家族の領域を侵す行為であり、狩場管理者にとって直接の侵害であり、族人は「<b>私の体に乱暴をするな</b>」（高徳生談）と言い、しいては村間での戦い（<i>ozomʉ</i>）を引き起こす元となりうる。 </span></div>", "musicName": "無", "weight": 33, "musicText": "", "musicURL": "" }, "basic-kze4jk4lgi": { "id": "basic-kze4jk4lgi", "type": "basic", "sortable": true, "primaryObj": { "oid": "a29185605aa3f1057d9bd20a0cf1ba0f", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/7c62a9effdff0e27c4759d0370a58b8f.jpg?itok=4-QW3m1T", "level": "primary", "title": "Man in Leather and Feather Headdress with Large Knife", "desc": "[英文]This image was also published as a color postcard, see wa0327 for image and more detailed information.", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/7c62a9effdff0e27c4759d0370a58b8f.jpg?itok=OfMfvPv-", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/7c62a9effdff0e27c4759d0370a58b8f.jpg?itok=s7Tj9pLM", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/7c62a9effdff0e27c4759d0370a58b8f.jpg?itok=Mx3dRWXt", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/7c62a9effdff0e27c4759d0370a58b8f.jpg?itok=d6kjItvq", "mfid": "7c62a9effdff0e27c4759d0370a58b8f", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "Lafayette Digital Repository", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "拉法葉學院數位資料使用指南", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "狩人の証 ", "desc": "<div><span>頭上の羽は狩人の能力を表す。サンケイの羽はこの狩人が森林に馳せることを得意とすることを表し、ミカドキジの羽はこの狩人が登山の達人で高山病にかからないことを示している。 </span></div><div><span>イノシシの牙で作った腕輪は、この狩人が実際にイノシシと死闘を繰り広げたことがあることを表し、イノシシが残した体の正面の傷こそが真の狩人の証とされる。 </span></div>", "musicName": "無", "weight": 34, "musicText": "", "musicURL": "" }, "basic-0258f9iwmm": { "id": "basic-0258f9iwmm", "type": "basic", "sortable": true, "primaryObj": { "oid": "f4491d5e8fce265a9333314be3efb425", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d5b00f55b30a0eb162a12210b5e613c7.jpg?itok=gvprO17j", "level": "primary", "title": "嘉義縣鄒族獵人協會", "desc": "", "thumbURI": 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"<span><b>指導者：</b>文化部<br></span><b>主催者：</b>國立臺灣史前文化博物館\n\n<br><b>發行者：</b>王長華<br><b>責任者：</b>蔡志忍<br><b>監　督：</b>方鈞瑋<br><b>プロデューサ：</b>張至善<br><b>プロジェクトマネージャ：</b>禾耕生態環境教育公司<br><b>チーフ・キュレーター：</b>蕭冠祐<br><b>ファインアートデザイン：</b>姆姆傳家寶工作室<br><b>ムービークリップ：</b>孫穩翔、匠心行銷有限公司、久久錄影像製作工作室<br><span><b>日文字幕：</b>藤樫寬子、張良澤譯，高橋明郎校正<br></span><b>英文字幕：</b>蕭冠祐譯，吳孟蓉校正 <br><b>以下の協力者に感謝の意をします：</b><br>余明旂\n\n（ユニット１の展示写真の無料提供）<br>台灣仿生科技發展協會、行政院農業委員會苗栗區農業改良場、台灣經濟研究院生物科技產業研究中心\n\n<span>（「最台的互利共生~愛玉與愛玉小蜂」ビデオの無料提供）<br></span>布農族詩人Bukun\n<span>（<i>Usaviah</i>の朗読）</span>\n<br>嘉義縣鄒族特富野社頭目汪義福、長老高德生、嘉義縣鄒族獵人協會理事長浦珍珠、獵人浦少光、浦忠勇、汪士偉\n（ユニット4、５の内容と本企画に対する関心）\n<br>新竹縣石磊部落石磊友善蔬菜、羅慶郎、羅恩加、沈世偉（ユニット５の完成に協力）\n<br>農委會林務局\n\n（「傳承的力量」ビデオ素材の提供）\n<br>藝術家葉筑菀（ユニット６の協力）<br><br>臺東大學張溥騰教授（本企画のコピーライティングの審査）\n<br>黃郁倫（キュレーションと英文訳にアドバイス） ", "weight": 54 } }

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