絡藝歸根．1980

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"陳庭詩（1913-2002），一生創作版圖多元，以版畫、雕塑聞名，另有許多彩墨、壓克力、詩及書法作品。\n本作運用大色塊拼貼的方式，黑色方形代表大地，成皸裂狀，右上方藍色兩個半圓形應代表月亮崩裂，營造出混沌而抽象的視覺效果，卻又不失畫作中強烈的表達意涵。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b5f04e2bae5c72eac2a83c399523a6cf.jpg?itok=yP2c8Gdq", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b5f04e2bae5c72eac2a83c399523a6cf.jpg?itok=HwNK890b", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b5f04e2bae5c72eac2a83c399523a6cf.jpg?itok=AOcB-Rt_", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b5f04e2bae5c72eac2a83c399523a6cf.jpg?itok=Zv-GP3_c", "mfid": "b5f04e2bae5c72eac2a83c399523a6cf", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b5f04e2bae5c72eac2a83c399523a6cf.jpg?itok=PAHI1kbI", "fileType": "image", "fileCreator": "陳庭詩", "rights": "國立中正紀念堂管理處", "rightsLogo": 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"mfid": "96285415c9c7e840943c8317a66dcf42", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/96285415c9c7e840943c8317a66dcf42.jpg?itok=hpj_YQXI", "fileType": "image", "fileCreator": "吳文彬", "rights": "國立中正紀念堂管理處", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 9 }, "imgs-t49t6ckfqo-dzvzjtlrok": { "id": "imgs-t49t6ckfqo-dzvzjtlrok", "title": "0029峨嵋遠眺/峨嵋遠眺", "desc": "羅茵，杭州女師畢業，先後受教於溥心畬、黃君璧門下。\n本作品描繪雲氣繚繞的山谷雲峰景色。畫家以剛勁厚實的筆調刻畫險峻山勢，並以瀰漫山腰的霧嵐，營造其高聳入雲之感。整件作品畫面構成簡單，僅由三個山頭構成，略施花青，山上點畫樹木數株，簡單卻不單調。", "primaryObj": { "oid": "e1360cf6fa7d2af9f883eb630ba7ed45", "title": "0029峨嵋遠眺/峨嵋遠眺", "desc": "羅茵，杭州女師畢業，先後受教於溥心畬、黃君璧門下。\n本作品描繪雲氣繚繞的山谷雲峰景色。畫家以剛勁厚實的筆調刻畫險峻山勢，並以瀰漫山腰的霧嵐，營造其高聳入雲之感。整件作品畫面構成簡單，僅由三個山頭構成，略施花青，山上點畫樹木數株，簡單卻不單調。", "thumbURI": 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"fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 10 }, "imgs-t49t6ckfqo-ydxsgdpgn7": { "id": "imgs-t49t6ckfqo-ydxsgdpgn7", "title": "0046越玉台畔/越玉台畔", "desc": "陳子和(1910-1984)，字復齋，廣東省順德縣人，台灣書畫家。\n公務之外兼以詩書畫自娛，與葉公超、黃君璧合稱「嶺南三傑」。所作松、柏、梅、菊、芭蕉等尤具特色，時作寫意山水，而以畫松、柏聞名當代。以書入畫，融合宋元文人畫意書風，達到恣意奔放、瀟灑自若的藝術境界。", "primaryObj": { "oid": "c8b10df4a0a98279c8a94c7a9b4bcd84", "title": "0046越玉台畔/越玉台畔", "desc": "陳子和(1910-1984)，字復齋，廣東省順德縣人，台灣書畫家。\n公務之外兼以詩書畫自娛，與葉公超、黃君璧合稱「嶺南三傑」。所作松、柏、梅、菊、芭蕉等尤具特色，時作寫意山水，而以畫松、柏聞名當代。以書入畫，融合宋元文人畫意書風，達到恣意奔放、瀟灑自若的藝術境界。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/683d8a902662f2fed58a2761bf14c8a1.jpg?itok=hoFbAFaX", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/683d8a902662f2fed58a2761bf14c8a1.jpg?itok=_to38-NX", "thumbBigURI": 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"劉國松（1932-），生於安徽蚌埠，被譽為「現代水墨之父」。\n此作呈現圓月下之奇幻山岩造境。畫面左側山石以不規則色塊搭配豐富的肌理變化，右側以重墨安置山石前景，中景是延伸向遠方的曲流與圓月，背景則以淡色染拓處理。手法雖新奇，仍能傳達水墨畫悠遠之意境。", "primaryObj": { "oid": "1c17119f9332e9ea6a82d2869e10224a", "title": "0031太陽的殞落/太陽的殞落", "desc": "劉國松（1932-），生於安徽蚌埠，被譽為「現代水墨之父」。\n此作呈現圓月下之奇幻山岩造境。畫面左側山石以不規則色塊搭配豐富的肌理變化，右側以重墨安置山石前景，中景是延伸向遠方的曲流與圓月，背景則以淡色染拓處理。手法雖新奇，仍能傳達水墨畫悠遠之意境。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/a354cbea5fed1f6123c3d4abfb6b8774.jpg?itok=syL9O3yX", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/a354cbea5fed1f6123c3d4abfb6b8774.jpg?itok=zmfQ1ASt", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/a354cbea5fed1f6123c3d4abfb6b8774.jpg?itok=nQBLjnBe", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/a354cbea5fed1f6123c3d4abfb6b8774.jpg?itok=9ejBfeyV", "mfid": "a354cbea5fed1f6123c3d4abfb6b8774", "fileURI": 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"fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 13 } }, "weight": 4, "primaryObj": { "oid": "92aad4af451a0f6acaf13fd1885d2d5e", "title": "0002玉山日出/玉山日出", "desc": "林玉山(1907-2004)，本名英貴，乳名金水，號立軒，出生於嘉義美街，台灣膠彩、水墨畫家。\n早年學習傳統藝術，後致力於膠彩、國畫，畫風嚴謹紮實。本幅先以水墨勾勒樹石輪廓，用筆方折，意趣蒼古，其後以赭石、花青敷色；雲海及朝陽則以沒骨技法繪成，全幅色調淡雅，筆墨富於變化。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b6330e027e4bd1b8d6527fe706944e61.jpg?itok=AvzoPjb7", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/b6330e027e4bd1b8d6527fe706944e61.jpg?itok=B7F9cw34", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/b6330e027e4bd1b8d6527fe706944e61.jpg?itok=aMSIVr76", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/b6330e027e4bd1b8d6527fe706944e61.jpg?itok=9jZpO7N2", "mfid": "b6330e027e4bd1b8d6527fe706944e61", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/b6330e027e4bd1b8d6527fe706944e61.jpg?itok=LKDl9XKO", "fileType": "image", "fileCreator": "林玉山", "rights": "國立中正紀念堂管理處", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, "title": "1.傲然篇-請左右滑動觀賞", "desc": "總計14件展品" }, "theme-90b9pdgaik": { "id": "theme-90b9pdgaik", "type": "theme", "sortable": true, "primaryObj": { "oid": "7026caadc3adcc33dcd7a376a8de9f5a", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3aa852def45ab7b395e3cb7585df17ba.jpg?itok=yDRuzYB9", "level": "primary", "title": "0042溪口竹筏/溪口竹筏", "desc": "季康(1911-2007)，字寧復，浙江慈溪人，台灣國畫家。\n自幼臨摹古畫，擅長工筆畫，以鞍馬、仕女、花鳥最為知名，人稱「季康三絕」。所作工筆，畫風細緻整飭、用筆暢快流利、設色風雅淡冶，氣質神韻獨具。本圖描繪浙江奉化溪口，寧靜樸實之水鄉景色。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3aa852def45ab7b395e3cb7585df17ba.jpg?itok=53N7p7kl", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/3aa852def45ab7b395e3cb7585df17ba.jpg?itok=WfFLVOyx", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/3aa852def45ab7b395e3cb7585df17ba.jpg?itok=gUUrOfxg", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/3aa852def45ab7b395e3cb7585df17ba.jpg?itok=hVLfpJlA", "mfid": "3aa852def45ab7b395e3cb7585df17ba", "fileCreator": "季康", "rights": "國立中正紀念堂管理處", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "fileOversize": false }, "title": "2.釋然篇", "desc": "<b>神遊水窮之處</b><br><b>盡釋百懷千愁</b>", "weight": 5 }, "basic-8hz58n2yxp": { "id": "basic-8hz58n2yxp", "type": "basic", "sortable": true, "primaryObj": { "oid": "1248a90fecdfcb6594d2248ee3213cbb", "fileType": "image", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/32048fbc8192148d0e3a2f55778c2a0a.jpg?itok=nbj06tx9", "level": "primary", "title": "0013澄清湖畔/澄清湖畔", "desc": "金勤伯(1910-1998)，原籍浙江吳興，出生於上海市，台灣國畫家。\n金勤伯出生於藝術世家，自幼留意繪事，多所用心，擅長花卉、翎毛、山水。本作為淡設色山水作品，繼承明清南宗文人畫遺風，筆法工謹，採元明一河兩岸構圖，參以寫生之法，表現漁父盪槳於柳岸澄湖之上的閑逸景致。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/32048fbc8192148d0e3a2f55778c2a0a.jpg?itok=UZPSDkQ1", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/32048fbc8192148d0e3a2f55778c2a0a.jpg?itok=3lbafthw", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/32048fbc8192148d0e3a2f55778c2a0a.jpg?itok=gaOyUzdk", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/32048fbc8192148d0e3a2f55778c2a0a.jpg?itok=q8HyJ5K8", "mfid": "32048fbc8192148d0e3a2f55778c2a0a", "fileCreator": "金勤伯", "rights": "國立中正紀念堂管理處", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "fileOversize": false }, "title": "澄清湖畔", "desc": "金勤伯(1910-1998)，原籍浙江吳興，出生於上海市，台灣國畫家。<br>金勤伯出生於藝術世家，自幼留意繪事，多所用心，擅長花卉、翎毛、山水。本作為淡設色山水作品，繼承明清南宗文人畫遺風，筆法工謹，採元明一河兩岸構圖，參以寫生之法，表現漁父盪槳於柳岸澄湖之上的閑逸景致。", "weight": 6 }, "imgs-08xcs59iof": { "id": "imgs-08xcs59iof", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "9d9849ce01cd0408eb32fb716add38e0", "title": "0020日月潭慈恩塔遠眺/日月潭慈恩塔遠眺", "desc": "蘇峰男（1943-），淡水人，著名水墨畫家。\n此作畫面大致可分為三個區塊：前景為左方松樹與隔著水景的第一座山石，；中景除了慈恩塔以細緻墨線描繪之外，鄰近的林木以墨葉濃淡表現輕重，凸顯其空間感；遠景的墨色更輕，表現後景高聳山勢，讓觀者得在制高點上一覽眾景無遺。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/e965cd566b39cf6b72623edfa0cf7be2.jpg?itok=aEPE729r", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/e965cd566b39cf6b72623edfa0cf7be2.jpg?itok=CACQGany", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/e965cd566b39cf6b72623edfa0cf7be2.jpg?itok=Foot8QVU", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/e965cd566b39cf6b72623edfa0cf7be2.jpg?itok=1aVwTOlj", "mfid": "e965cd566b39cf6b72623edfa0cf7be2", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/e965cd566b39cf6b72623edfa0cf7be2.jpg?itok=mkTLdDBg", "fileType": "image", "fileCreator": "蘇峰男", "rights": "國立中正紀念堂管理處", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, { "oid": "36505ddb134f25ba8f1942dfb17f4006", "title": "0043春滿陽明山水中堂/春滿陽明山水中堂", "desc": "馬壽華(1893-1977)，字木軒，號小靜，出生於安徽省渦陽縣，台灣國畫家。\n繪畫能作山水、松竹、花卉，並擅指畫。勤臨古畫無數，兼採古今名家眾長。山水取法清初四王，上溯元明諸家及董巨，承繼南宗法脈；墨竹則以蘇軾、文同、李衎、趙孟頫為典範，通其筆意，抒發性靈，並成就自我風貌。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/fc5a631aca202064c010c5fda8368f62.jpg?itok=1NzceJw5", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/fc5a631aca202064c010c5fda8368f62.jpg?itok=gBs2otIB", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/fc5a631aca202064c010c5fda8368f62.jpg?itok=nxn5WCei", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/fc5a631aca202064c010c5fda8368f62.jpg?itok=5JipAZ8Z", "mfid": "fc5a631aca202064c010c5fda8368f62", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/fc5a631aca202064c010c5fda8368f62.jpg?itok=mtSJy74Q", "fileType": "image", "fileCreator": "馬壽華", "rights": "國立中正紀念堂管理處", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, { "oid": "e0d231356536da4afe4db5b18e657a85", "title": "0011梨山賓館/梨山賓館", "desc": "曾其（1922-），福建閩侯人，字文珍，水墨畫家。溥心畬入室女弟子。\n此作描繪梨山賓館周遭山林景色。工整描繪的樓閣居於中景山腰之上，被雲霧及白雪覆蓋的樹林環繞其間。簡練的山林原野與精細的賓館建築，恰如其分地產生主從對應關係，更容易理解畫家的創作意圖。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/98fa3f008b00275f690adbe68de770df.jpg?itok=OOvEuiic", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/98fa3f008b00275f690adbe68de770df.jpg?itok=JfR1DdLB", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/98fa3f008b00275f690adbe68de770df.jpg?itok=zmtp4evK", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/98fa3f008b00275f690adbe68de770df.jpg?itok=j9PgG-Gi", "mfid": "98fa3f008b00275f690adbe68de770df", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/98fa3f008b00275f690adbe68de770df.jpg?itok=3_jvQUf5", "fileType": "image", "fileCreator": "曾其", "rights": "國立中正紀念堂管理處", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, { "oid": "22121e76b3361085b5597abbf56e9455", "title": "0036妙高臺圖軸/妙高臺圖軸", "desc": "陳定山(1897-1987)，字蝶野、小蝶，晚年署定公、定山人、永和老人，浙江錢塘(今杭州)人，台灣書畫家、鑑定家。\n擅長書畫、詩詞、鑑定。畫作多山水、花卉。本幅以水墨描繪懸崖絕壁之上，一瀑布傾瀉而下，其上有青松數株、祠廟一宇，絕世而獨立，意境高遠，筆墨簡率，頗富個性。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/42033f8d0e4c6c7b23a961b64799c875.jpg?itok=M5bJFGWD", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/42033f8d0e4c6c7b23a961b64799c875.jpg?itok=hbq6APjd", 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"季康(1911-2007)，字寧復，浙江慈溪人，台灣國畫家。\n自幼臨摹古畫，擅長工筆畫，以鞍馬、仕女、花鳥最為知名，人稱「季康三絕」。所作工筆，畫風細緻整飭、用筆暢快流利、設色風雅淡冶，氣質神韻獨具。本圖描繪浙江奉化溪口，寧靜樸實之水鄉景色。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/3aa852def45ab7b395e3cb7585df17ba.jpg?itok=53N7p7kl", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/3aa852def45ab7b395e3cb7585df17ba.jpg?itok=WfFLVOyx", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/3aa852def45ab7b395e3cb7585df17ba.jpg?itok=gUUrOfxg", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/3aa852def45ab7b395e3cb7585df17ba.jpg?itok=hVLfpJlA", "mfid": "3aa852def45ab7b395e3cb7585df17ba", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/3aa852def45ab7b395e3cb7585df17ba.jpg?itok=yDRuzYB9", "fileType": "image", "fileCreator": "季康", "rights": "國立中正紀念堂管理處", "rightsLogo": 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"imgs-08xcs59iof-j17g81oaxl", "title": "0011梨山賓館/梨山賓館", "desc": "曾其（1922-），福建閩侯人，字文珍，水墨畫家。溥心畬入室女弟子。\n此作描繪梨山賓館周遭山林景色。工整描繪的樓閣居於中景山腰之上，被雲霧及白雪覆蓋的樹林環繞其間。簡練的山林原野與精細的賓館建築，恰如其分地產生主從對應關係，更容易理解畫家的創作意圖。", "primaryObj": { "oid": "e0d231356536da4afe4db5b18e657a85", "title": "0011梨山賓館/梨山賓館", "desc": "曾其（1922-），福建閩侯人，字文珍，水墨畫家。溥心畬入室女弟子。\n此作描繪梨山賓館周遭山林景色。工整描繪的樓閣居於中景山腰之上，被雲霧及白雪覆蓋的樹林環繞其間。簡練的山林原野與精細的賓館建築，恰如其分地產生主從對應關係，更容易理解畫家的創作意圖。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/98fa3f008b00275f690adbe68de770df.jpg?itok=OOvEuiic", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/98fa3f008b00275f690adbe68de770df.jpg?itok=JfR1DdLB", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/98fa3f008b00275f690adbe68de770df.jpg?itok=zmtp4evK", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/98fa3f008b00275f690adbe68de770df.jpg?itok=j9PgG-Gi", "mfid": 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"王廷欽（1917-1995），字曦白，水墨畫家。\n此作中，畫家以溫潤濃重之筆墨，描繪嘉陵江岸煙雨迷濛之景色。畫面中樹叢不分遠近，多以重墨點畫就，用以表現江岸濃重水氣。中景江面留白，迂迴地引領觀者通向遠景受霧氣環繞的山峰，停泊江畔的舟船與房屋稍稍緩解墨點的積重之感。", "primaryObj": { "oid": "5b72f2a20079edd1cc9f4397f354fcfa", "title": "0032嘉陵江/嘉陵江", "desc": "王廷欽（1917-1995），字曦白，水墨畫家。\n此作中，畫家以溫潤濃重之筆墨，描繪嘉陵江岸煙雨迷濛之景色。畫面中樹叢不分遠近，多以重墨點畫就，用以表現江岸濃重水氣。中景江面留白，迂迴地引領觀者通向遠景受霧氣環繞的山峰，停泊江畔的舟船與房屋稍稍緩解墨點的積重之感。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/938253e9d0b3fee768b58052c7fcc417.jpg?itok=IvbWAd5s", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/938253e9d0b3fee768b58052c7fcc417.jpg?itok=h9KzgiPI", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/938253e9d0b3fee768b58052c7fcc417.jpg?itok=ivyKKJ4C", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/938253e9d0b3fee768b58052c7fcc417.jpg?itok=J871usrd", "mfid": "938253e9d0b3fee768b58052c7fcc417", "fileURI": 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"周澄(1941-)，字蒪波，宜蘭縣礁溪鄉人，台灣書畫篆刻家。\n兼擅詩、書、畫、印「四絕」，國學涵養深厚。山水受林玉山寫生影響，融入江兆申合南北宗之風，兼重文人筆墨與院體結構。曾說：「山水是我的最愛，……從感染性靈中，悟到許多道理」，藉由風雅筆墨傳達人生哲理，並抒發情性。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/f607f3b55d4f4fce6b62160fac8a0955.jpg?itok=62vDtxp3", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/f607f3b55d4f4fce6b62160fac8a0955.jpg?itok=iL-qgmGr", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/f607f3b55d4f4fce6b62160fac8a0955.jpg?itok=QxGv9tTO", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/f607f3b55d4f4fce6b62160fac8a0955.jpg?itok=f5fDIdCY", "mfid": "f607f3b55d4f4fce6b62160fac8a0955", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/f607f3b55d4f4fce6b62160fac8a0955.jpg?itok=EbrXaa5F", "fileType": "image", "fileCreator": "周澄", "rights": "國立中正紀念堂管理處", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 9 }, "imgs-08xcs59iof-ayl8dtzjk1": { "id": "imgs-08xcs59iof-ayl8dtzjk1", "title": "0035春江垂釣/春江垂釣", "desc": "劉墉(1949-)，原名劉鏞，號夢然，祖籍北京市，出生於台北市，台灣水墨畫家、文學家、新聞記者。\n山水構圖新穎、佈景奇特，自創「噴染皴擦法」，表現立體光影，稱「夢山水」。花卉植物主題方面，則來自學生時代紮實的寫生功底，能充分展現物形、物態及物理，展現自然生趣。", "primaryObj": { "oid": "f2fdb87f34ecca6f7189f616e171b2c1", "title": "0035春江垂釣/春江垂釣", "desc": "劉墉(1949-)，原名劉鏞，號夢然，祖籍北京市，出生於台北市，台灣水墨畫家、文學家、新聞記者。\n山水構圖新穎、佈景奇特，自創「噴染皴擦法」，表現立體光影，稱「夢山水」。花卉植物主題方面，則來自學生時代紮實的寫生功底，能充分展現物形、物態及物理，展現自然生趣。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/b91a986c83dce6ede1ab1acb0f977bda.jpg?itok=gzAyBioB", "thumbMediumURI": 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"imgs-08xcs59iof-ohh132fcl8", "title": "0013澄清湖畔/澄清湖畔", "desc": "金勤伯(1910-1998)，原籍浙江吳興，出生於上海市，台灣國畫家。\n金勤伯出生於藝術世家，自幼留意繪事，多所用心，擅長花卉、翎毛、山水。本作為淡設色山水作品，繼承明清南宗文人畫遺風，筆法工謹，採元明一河兩岸構圖，參以寫生之法，表現漁父盪獎於柳岸澄湖之上的閑逸景致。", "primaryObj": { "oid": "1248a90fecdfcb6594d2248ee3213cbb", "title": "0013澄清湖畔/澄清湖畔", "desc": "金勤伯(1910-1998)，原籍浙江吳興，出生於上海市，台灣國畫家。\n金勤伯出生於藝術世家，自幼留意繪事，多所用心，擅長花卉、翎毛、山水。本作為淡設色山水作品，繼承明清南宗文人畫遺風，筆法工謹，採元明一河兩岸構圖，參以寫生之法，表現漁父盪獎於柳岸澄湖之上的閑逸景致。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/32048fbc8192148d0e3a2f55778c2a0a.jpg?itok=UZPSDkQ1", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/32048fbc8192148d0e3a2f55778c2a0a.jpg?itok=3lbafthw", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/32048fbc8192148d0e3a2f55778c2a0a.jpg?itok=gaOyUzdk", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/32048fbc8192148d0e3a2f55778c2a0a.jpg?itok=q8HyJ5K8", "mfid": "32048fbc8192148d0e3a2f55778c2a0a", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/32048fbc8192148d0e3a2f55778c2a0a.jpg?itok=nbj06tx9", "fileType": "image", "fileCreator": "金勤伯", "rights": "國立中正紀念堂管理處", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 11 } }, "weight": 7, "primaryObj": { "oid": "e0d231356536da4afe4db5b18e657a85", "title": "0011梨山賓館/梨山賓館", "desc": "曾其（1922-），福建閩侯人，字文珍，水墨畫家。溥心畬入室女弟子。\n此作描繪梨山賓館周遭山林景色。工整描繪的樓閣居於中景山腰之上，被雲霧及白雪覆蓋的樹林環繞其間。簡練的山林原野與精細的賓館建築，恰如其分地產生主從對應關係，更容易理解畫家的創作意圖。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/98fa3f008b00275f690adbe68de770df.jpg?itok=OOvEuiic", "thumbMediumURI": 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"陳進（1907-1998），日治時期台灣第一位女性畫家，與林玉山、郭雪湖合稱為「台展三少年」。<br>此作以水墨設色表現陽明山春日景色。畫中雖以墨線勾勒樹幹，卻以更自由的皴擦筆法營造山巒景色，染色手法特別帶有膠彩畫的趣味。陳進巧妙運用色墨輕重變化，風格清淡雋雅、收放自如。", "weight": 9 }, "imgs-4jcygpu0ak": { "id": "imgs-4jcygpu0ak", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "f7ba44c50136c317595b0c39efaf0e22", "title": "0026駿馬/駿馬", "desc": "賀張誠，生平不詳。\n民國以來，最著名的畫馬畫家莫過於徐悲鴻。徐悲鴻重視動物寫生，造型逐漸由繁化簡，透過奔馬主題召喚民族精神，激勵人民奮起抵禦外侮，以保家衛國。賀張誠以奔馬象徵戎馬生涯，仿自徐氏卻略顯生硬，然卻忠實傳達出奮進不懈的勇往精神。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/0cb54862131e701ee2831e8cd5a1cb5e.jpg?itok=WR5-6C4d", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/0cb54862131e701ee2831e8cd5a1cb5e.jpg?itok=dCyUORYw", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/0cb54862131e701ee2831e8cd5a1cb5e.jpg?itok=C9-RDtIq", "background": 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"陳進（1907-1998），日治時期台灣第一位女性畫家，與林玉山、郭雪湖合稱為「台展三少年」。\n此作以水墨設色表現陽明山春日景色。畫中雖以墨線勾勒樹幹，卻以更自由的皴擦筆法營造山巒景色，染色手法特別帶有膠彩畫的趣味。陳進巧妙運用色墨輕重變化，風格清淡雋雅、收放自如。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/d363f187c84ff4732c51da278be75e98.jpg?itok=rYHDoDQ3", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/d363f187c84ff4732c51da278be75e98.jpg?itok=M5CJgeKS", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/d363f187c84ff4732c51da278be75e98.jpg?itok=LA8xAgg0", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/d363f187c84ff4732c51da278be75e98.jpg?itok=JE0Fndgo", "mfid": "d363f187c84ff4732c51da278be75e98", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/d363f187c84ff4732c51da278be75e98.jpg?itok=vip7GyiE", "fileType": "image", "fileCreator": "陳進", "rights": "國立中正紀念堂管理處", "rightsLogo": 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"mfid": "68ce79997dd8e83dcd5c165d512becdc", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/68ce79997dd8e83dcd5c165d512becdc.jpg?itok=IdLj44Ux", "fileType": "image", "fileCreator": "王農", "rights": "國立中正紀念堂管理處", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, { "oid": "15222e1ce8815c901229873db6bb1725", "title": "0045風竹/風竹", "desc": "鍾壽仁(1927-1999)，出生於浙江省東陽縣畫水鄉南岸村，台灣水墨畫家。\n初從陳方學墨竹、書法，另師法宋元明諸家。不論風、雪、晴、雨，或朱竹、設色淇園竹林，皆能自在變化。亦擅四君子及花卉、魚藻。本作為風竹題材，描繪五株脩竹受強風吹拂、枝幹彎曲、葉片飄舞之曼妙姿態。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/311910ddc6550553805ebb04ea5af7d4.jpg?itok=zQkmMBJz", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/311910ddc6550553805ebb04ea5af7d4.jpg?itok=ZKx5-4hy", "thumbBigURI": 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"imgs-4jcygpu0ak-b92cxuopes", "title": "0048馬/馬", "desc": "王農(1926-2013)所作之馬可看出徐悲鴻畫馬之風格，瞭解馬的結構、肌肉、骨頭，動靜姿態的律動，在肌肉、骨骼上下功夫，頭部刻畫清晰。雖是徐悲鴻大師的愛徒，卻在師承的影響下另闢蹊徑；他特別擅長畫馬群，氣勢磅礡，在粗放中展現精神，充滿想像力，看似寫實，實為寫意。", "primaryObj": { "oid": "1093b119fcd9c92be1e70df63cf14b67", "title": "0048馬/馬", "desc": "王農(1926-2013)所作之馬可看出徐悲鴻畫馬之風格，瞭解馬的結構、肌肉、骨頭，動靜姿態的律動，在肌肉、骨骼上下功夫，頭部刻畫清晰。雖是徐悲鴻大師的愛徒，卻在師承的影響下另闢蹊徑；他特別擅長畫馬群，氣勢磅礡，在粗放中展現精神，充滿想像力，看似寫實，實為寫意。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/68ce79997dd8e83dcd5c165d512becdc.jpg?itok=SFLtJBkb", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/68ce79997dd8e83dcd5c165d512becdc.jpg?itok=oAZwy_hj", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/68ce79997dd8e83dcd5c165d512becdc.jpg?itok=EY6cq6dw", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/68ce79997dd8e83dcd5c165d512becdc.jpg?itok=uLCNItL7", "mfid": 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"fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 6 }, "imgs-4jcygpu0ak-viczu7ccye": { "id": "imgs-4jcygpu0ak-viczu7ccye", "title": "0045風竹/風竹", "desc": "鍾壽仁(1927-1999)，出生於浙江省東陽縣畫水鄉南岸村，台灣水墨畫家。\n初從陳方學墨竹、書法，另師法宋元明諸家。不論風、雪、晴、雨，或朱竹、設色淇園竹林，皆能自在變化。亦擅四君子及花卉、魚藻。本作為風竹題材，描繪五株脩竹受強風吹拂、枝幹彎曲、葉片飄舞之曼妙姿態。", "primaryObj": { "oid": "15222e1ce8815c901229873db6bb1725", "title": "0045風竹/風竹", "desc": "鍾壽仁(1927-1999)，出生於浙江省東陽縣畫水鄉南岸村，台灣水墨畫家。\n初從陳方學墨竹、書法，另師法宋元明諸家。不論風、雪、晴、雨，或朱竹、設色淇園竹林，皆能自在變化。亦擅四君子及花卉、魚藻。本作為風竹題材，描繪五株脩竹受強風吹拂、枝幹彎曲、葉片飄舞之曼妙姿態。", "thumbURI": "https://openmuseum.tw/files/muse_portal/muse_styles/square_thumbnail_100/mcode/311910ddc6550553805ebb04ea5af7d4.jpg?itok=zQkmMBJz", "thumbMediumURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_medium/mcode/311910ddc6550553805ebb04ea5af7d4.jpg?itok=ZKx5-4hy", "thumbBigURI": "https://openmuseum.tw/files/muse_portal/muse_styles/thumbnail_big/mcode/311910ddc6550553805ebb04ea5af7d4.jpg?itok=MySeAI14", "background": "https://openmuseum.tw/files/muse_portal/muse_styles/w1920/mcode/311910ddc6550553805ebb04ea5af7d4.jpg?itok=Za4HfX1S", "mfid": "311910ddc6550553805ebb04ea5af7d4", "fileURI": "https://openmuseum.tw/files/muse_portal/muse_styles/w1024/mcode/311910ddc6550553805ebb04ea5af7d4.jpg?itok=iTQpk0ZW", "fileType": "image", "fileCreator": "鍾壽仁", "rights": "國立中正紀念堂管理處", "rightsLogo": "https://openmuseum.tw/files/muse_portal/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "0", "fileOversize": false, "level": "primary" }, "sortable": true, "type": "imgs-child", "weight": 7 }, "imgs-4jcygpu0ak-pr4jxsg5tq": { "id": "imgs-4jcygpu0ak-pr4jxsg5tq", "title": "0044雪竹/雪竹", "desc": "袁天一(1916-)，號洽齋，出生於浙江省餘姚縣，台灣水墨畫家。\n袁天一習山水、四君子，尤擅墨竹，日寫十數紙。本圖為雪竹，描繪葉面滿覆霜雪脩竹一株，寒意壓頂仍屹立不搖，象徵君子堅毅不拔之高雅志尚。", "primaryObj": { "oid": "b495b61e6a46bdc032de742a8da62df9", "title": "0044雪竹/雪竹", "desc": 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