Beaker-Shaped Vase with Four Animals

Beaker-Shaped Vase with Four Animals

典藏者
The Walters Art Museum
This beaker-shaped vase is decorated with etched borders and a painted underglaze cobalt blue scene of a landscape and creatures; three of the four animals depicted are mythological. Together, the four animals are understood to represent the four cardinal directions. Engraved bands of waving designs appear at the bottom, shoulder, and top of the neck to divide the vessel and its painted scenes into two stories. The painter utilized a variety of techniques, confidently applying thin brush strokes and areas of diffused pigment similar to ink or watercolor on paper. On the body appears a tiger, the one non-fantastical creature, confronting a dragon. The tiger among the reeds of the river bank glances over its side at the serpentine dragon bursting from the waves of the water with claws extended. Tigers and dragons appear as Taoist symbols for yin and yang, the tiger the king of the arid earth and the dragon lord of the skies, seas, and bringer of rain. The dragon is associated with the east while the tiger the west. The neck represents another scene, including the mystical aviary phoenix soaring over rockery and the chimerical qilin besides plantain leaves. Juxtapositions of the masculine phoenix and female qilin are known to occur to symbolize yin and yang in a similar fashion as the dragon and tiger. Phoenixes, emblematic of the sun's heat, are associated with the south while the qilin, a creature with a dragon-like head and equine-like body, the north. The compilation of all four animals may be a symbol of prosperity, peace, and just ruling; in the middle years of the 17th century (a period of tumultuous transition between the Ming and Qing dynasties and the period the Manchu occupation of China was underway) that would have been more of a hope than a reality.

詳細資料

主要名稱
Beaker-Shaped Vase with Four Animals
典藏者
The Walters Art Museum
內容描述

This beaker-shaped vase is decorated with etched borders and a painted underglaze cobalt blue scene of a landscape and creatures; three of the four animals depicted are mythological. Together, the four animals are understood to represent the four cardinal directions. Engraved bands of waving designs appear at the bottom, shoulder, and top of the neck to divide the vessel and its painted scenes into two stories. The painter utilized a variety of techniques, confidently applying thin brush strokes and areas of diffused pigment similar to ink or watercolor on paper. On the body appears a tiger, the one non-fantastical creature, confronting a dragon. The tiger among the reeds of the river bank glances over its side at the serpentine dragon bursting from the waves of the water with claws extended. Tigers and dragons appear as Taoist symbols for yin and yang, the tiger the king of the arid earth and the dragon lord of the skies, seas, and bringer of rain. The dragon is associated with the east while the tiger the west. The neck represents another scene, including the mystical aviary phoenix soaring over rockery and the chimerical qilin besides plantain leaves. Juxtapositions of the masculine phoenix and female qilin are known to occur to symbolize yin and yang in a similar fashion as the dragon and tiger. Phoenixes, emblematic of the sun's heat, are associated with the south while the qilin, a creature with a dragon-like head and equine-like body, the north. The compilation of all four animals may be a symbol of prosperity, peace, and just ruling; in the middle years of the 17th century (a period of tumultuous transition between the Ming and Qing dynasties and the period the Manchu occupation of China was underway) that would have been more of a hope than a reality.

物件類別
文物
其他內容描述
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取得方式: 

Henry Walters, Baltimore [date and mode of acquisition unknown]; by bequest to Walters Art Museum, 1931.

尺寸: 

高:17 9/16 × 直徑高:6 英吋 (44.6 × 15.24 公分)

材質: 

陶瓷

類型: 
技術: 

釉下彩

色彩: 

underglaze blue

創建時間
創建時間: 
1640~1660
創建時間: 
創建地點
創建地點: 
中國
貢獻者
前藏家: 
Henry Walters
提供者: 
識別碼
Walters 49.1651
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