Snow Coloring the World White

Snow Coloring the World White

作者
Fa Ruozhen,法若真
典藏者
The Cleveland Museum of Art
Fa Ruozhen was a scholar-official and prolific poet who focused on painting as his government career declined. The inscription records that he was 78 years old when he painted this handscroll to welcome visitors on a snowy day. At this point in his artistic development, Fa created expressive landscapes and experimented with unconventional brushwork. This handscroll begins at the right with gentle hills dotted with evergreens and bare deciduous trees. By the end, the twisting rocky forms dominate. Fa’s official career spanned the fall of the Han Chinese Ming dynasty (1368–1644) and the rise of the Manchurian Qing dynasty (1644–1911). While other scholar-officials who declined to serve the Manchus had their reputations enhanced, critics accused Fa of disloyalty for serving in the new bureaucracy. Fa was deeply sensitive about this criticism. In many of his 4,000 known poems, he responded by emphasizing the Confucian virtue of being a good administrator particularly during an unstable time. Fa’s “disorderly” brushwork and distressed landscapes seem to reflect the political upheaval of his era.

詳細資料

主要名稱
Snow Coloring the World White
典藏者
The Cleveland Museum of Art
內容描述

Fa Ruozhen was a scholar-official and prolific poet who focused on painting as his government career declined. The inscription records that he was 78 years old when he painted this handscroll to welcome visitors on a snowy day. At this point in his artistic development, Fa created expressive landscapes and experimented with unconventional brushwork. This handscroll begins at the right with gentle hills dotted with evergreens and bare deciduous trees. By the end, the twisting rocky forms dominate. Fa’s official career spanned the fall of the Han Chinese Ming dynasty (1368–1644) and the rise of the Manchurian Qing dynasty (1644–1911). While other scholar-officials who declined to serve the Manchus had their reputations enhanced, critics accused Fa of disloyalty for serving in the new bureaucracy. Fa was deeply sensitive about this criticism. In many of his 4,000 known poems, he responded by emphasizing the Confucian virtue of being a good administrator particularly during an unstable time. Fa’s “disorderly” brushwork and distressed landscapes seem to reflect the political upheaval of his era.

物件類別
視覺藝術
其他內容描述
取得方式: 

John L. Severance Fund

尺寸: 

Image: 29.3 x 297.2 公分 (11 9/16 x 117 英吋)

材質: 

紙本

註記: 

Artist's title on frontispiece, colophon with 6 poems, and 7 seals: [seal] Ch'ien-k'un i ts'ao t'ing. Snow Coloring the World White. Huang-shan lao-jen, Jo-chen, at the age of seventy eight. [2 seals] Fa yin Jo-chen; Huang-shih shih. (Artist's poems are not translated.)_x000D_
In the first month of the keng-wu year [1690], 1 was seventy-eight years old. On a snowy day I was pleased to have my good son-in-law Ch'eng-ssu and other gentlemen visiting me at my Tz'u-ching Hall at Yellow Hill. I did this snowscape to record the event. [2 seals] Fa Jo-chen; Tun Chai. [2 seals at end of painting] Fa yin Jo-chen; Huang-shih shih._x000D_
_x000D_
trans. LYSL/WKH_x000D_
_x000D_
12 additional seals: 8 of Ho Kuan-wu (20th c.); 1 of Wang Nan-p'ing (20th c.); 3 unidentified.

類型: 
類型: 
色彩: 

水墨

作者
作者: 
作者: 
創建時間
創建時間: 
1690
創建時間: 
創建地點
創建地點: 
中國
識別碼
1979.76
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